A scholar, critic, and curator, Julian Myers is the author of numerous articles, including "The Future as Fetish" and "If it need be termed surrender, then let it be so," appearing in publications such as Documents, October, Afterall, frieze, and elsewhere. His published works include Ellsworth Kelly in San Francisco (2002), Sightlines (2005), Super-Pride and Super Prejudice (2005) and Zoe Crosher: Out the Window (2006). His research is concentrated on earthworks and American spatial politics, the social and political dynamics of consumer society, and socio-historical frameworks for contemporary art. He has held teaching positions at the University of California, Davis, San Francisco Art Institute, and at University of California, Santa Cruz. He received his PhD in Art History from the University of California, Berkeley, in 2006.
Assistant Professor, Curatorial Practice.
BA, Cornell University; MA, PhD Program, University of California, Berkeley.
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