Books include The Munich Secession: Art and Artists in Turn-of-the-Century Munich (1990) and The Photomontages of Hannah Hoech (1996). Author of numerous articles on modern German culture. Currently editing an anthology on Max Beckmann and at work on a book titled Sein and Schein: Authenticity and Inauthenticity in Weimar Germany.
Chair and Professor, Visual Studies.
BS, Stetson University; MA, Tulane University; PhD, Stanford University.
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