Regarding the ideas behind his art, Brad Miller says: "Constantly reconfiguring nature's most persistent ordering systems is central to my work. Close packing, cracking, dendritic systems, and spirals are a few of these familiar images. When systems move between order and disorder, in the dynamic middle ground of changing pattern, I find my muses." Miller received the National Endowment of the Arts grant in 1994 and holds a BFA and MFA from the University of Oregon.
Ceramics Lecture Series
Treadwell Ceramic Arts Center, Oakland Campus
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Info: 510.865.7704 or agonzalez@cca.edu
Presented by MFA in Comics
Timken Lecture Hall, San Francisco Campus
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Free and open to the public
More info: Contact Matt Silady at msilady@cca.edu
Watch this lecture on YouTube »
Join us for an evening with Eisner-nominated comics superstar Phil Jimenez, moderated by CCA MFA in Comics faculty member Justin Hall.
Born and raised in Southern California and trained at NYC's School of Visual Arts, Phil Jimenez has worked in comics since 1991. He first gained recognition for his work on Tempest. His later works included penciling stints on the Invisibles, JLA/Titans, and Planetary/Authority.
Jimenez finished a two-year run on DC Comics's Wonder Woman, worked with Grant Morrison on New X-Men, and coauthored The DC Comics Encyclopedia. He is also the penciler on DC's Infinite Crisis.
This is a presentation and discussion about art and comics you don't want to miss!
San Francisco Campus
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Free and open to CCA community only
Info: CCA Alumni Association, alumni@cca.edu, 415.703.9595
RSVP to alumni@cca.edu by September 28.
Visit www.cca.edu/alumni
Note: Sorry, this workshop is full. Stay tuned for our next event!
Please join us for our latest alumni career workshop. Professional counselors from San Francisco SCORE will lead the workshop and Q&A session to help guide you in starting or expanding your small business.
We are pleased to offer this workshop free of charge. Whether you're any of the following, this workshop's for you:
- an artist selling work with a gallery, online store, or on your own
- a designer, architect, or curator working freelance
- a writer or teacher managing speaking engagements, published works, and teaching opportunities
- a budding entrepreneur operating a storefront or online marketplace
Bring along three questions you would like to have answered at this informative alumni workshop.
Location: TBA (attendees will receive location details in their confirmation email.)
Note: Sorry, this workshop is full. Stay tuned for our next event!
Reception: Fri., Oct. 5, 6-9 p.m.
Hours: Thur.-Sat., 1-6 p.m.
Info: alterspace.co/calendar
The Individualized Major Program presents an interdisciplinary exhibition of ideas about other places, getting lost, wandering, and the possibility that the wrong place is exactly where we need to be. Behold souvenirs and wonders from distant lands: distant in time, distant in space, and existing only in the mind.
The participating artists transform the gallery space into a giant cabinet of marvels including dioramas, films, and fantastic tales chronicling the thousand realms of wonder that lie beyond our familiar experience: the New World, the Old World, outer space, alternative versions of the everyday world, flights of fancy, and places you’ve never been.
College Avenue Galleries, Oakland Campus
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Reception: Wed., Oct. 3, 5:30-7:30 p.m.
Hours: Tues.-Sat., 11 a.m.-6 p.m.; also Wed. until 7:30 p.m.
Info: 510.658.1223, 510.658.1224, or mpoli@cca.edu
This exhibition is a result of an exchange course between CCA and Istanbul Bilgi University in Turkey in which students at both schools researched the geopolitical and cultural heritage of particular neighborhoods in their respective cities. They became almost like ethnographers, delving directly into the field to analyze patterns of human behavior in public space.
Via blogs and email, the CCA and Bilgi students exchanged ideas as their research progressed; the CCA students also collaborated closely as teammates with the other students working on the same neighborhood. They allowed the shape of their final projects to be determined as much by their conversations as by their individual interests and media of choice, which ranged from sculpture to photography to fashion design.
The San Francisco neighborhoods they explored were the Financial District, Chinatown, the Tenderloin, and the waterfront. In Istanbul they were Bomonti, Taksim Square, Galata, and Tophane. All are multilayered and historically significant. All have undergone tremendous changes in recent decades.
This is the first in a series of exchanges Mariella Poli is organizing with Istanbul universities. In fall 2012 she has arranged an exchange with Mimar Sinan University (on the European side of Istanbul) for the course Multiculturalism and Identity, and in spring 2013 the exchange will be with Marmara University (on the Asian side of Istanbul) for the course Locality and Global Discourses.
Shirley Chong, Christina Tan and Daniel Mok
Tecoah and Thomas Bruce Galleries, San Francisco Campus
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Reception: Tuesday, October 2, 5:30 – 7:30 p.m.
North/South Galleries, Oakland Campus
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Reception: Wednesday, October 3, from 5:30 to 7:30 p.m.
Free and open to the public
Info: mpoli@cca.edu or 415.710.5695
This exhibition and catalog is a result of an exchange course -- Locality & Global Discourses -- between California College of the Arts and Istanbul Bilgi University (Turkey).
The purpose of this exchange is to research the historical developments of the two respective cities and specifically explore the geopolitical and cultural heritage of designated neighborhoods. The participants assumed the role of artist/designer as an ethnographer or fieldworker in the relationship between action and public space by responding according to her/his individual curiosities.
The course was divided into small groups, and each group chose a specific neighborhood in either San Francisco or Istanbul; after researching a chosen district, each artist/designer explored her/his individual interests within.
Historical and cultural research of each district in concert with visual collecting by direct experience from each participant produced an archive in the evolution of place. Further connections were then developed between the two unique cities as the dialogue between both groups of students increased.
Global issues of locality, culture, displacement, and identity surfaced, while the world seemed to get smaller due to the obvious threads of commonality. The explored San Francisco neighborhoods included the Financial District, Chinatown, the Tenderloin (Little Saigon,) and Port/Waterfront.
In Istanbul the neighborhoods included Bomonti District,Taksim Square, Galata, and Tophane -- all historically significant to the development of each city.
Our attempt was to make visual the specifics and uniqueness of place and allow for the similarities to bridge our individual experience.
Will Durkee, Lizzy Myers and Marcus Lee
College Avenue Galleries, Oakland Campus
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Reception: Wednesday, October 3, 5:30 – 7:30 p.m.
Hosted by the Illustration Program
Nave, San Francisco Campus
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Reception: Fri., Oct. 12, 6-8 p.m. (RSVP to rsvp@cca.edu or 510.594.3604 by Wednesday, October 10)
Hours: Daily, 10 a.m.-7:30 p.m.
Info: 415.551.9330 or pzahedani@cca.edu
Please join us for Drawing the Line, an exhibition celebrating the life and work of Illustration chair and distinguished professor Dugald Stermer. The exhibition will feature a selection of works from his career as a freelance illustrator, designer, art director, and author.
Guest speakers at the October 12 reception will include Crystal Stermer, Robert Hunt, Eric Madsen, Steve Heller, and Brad Holland.
Please note: We will have available at the reception a $100 limited-edition print for sale. (Only $25 for current CCA students.) Net proceeds will benefit the CCA Dugald Stermer Scholarship.
Gifts in memory to the Dugald Stermer Scholarship can be made at cca.edu/give.
Nave, San Francisco Campus
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Reception: Tues., Oct. 16, 5:30-7 p.m. (RSVP for the reception at 510.594.3604 or rsvp@cca.edu)
Hours: Daily, 10 a.m.-7:30 p.m. (Note: Exhibition is closed October 13-14)
Info: 510.594.3776 or kdawson2@cca.edu
Featuring works by the recipients of this year’s award, Sarah Ward and Mateo Hao. Get a sneak peek »
The Ronald and Anita Wornick Award Exhibition, held every fall to honor the student winners of the scholarship, is the Furniture Program’s biggest annual event. The work on view clearly demonstrates to the entire college community the values of the Furniture Program and the creativity, dedication, and craftsmanship of its students.
The Ronald and Anita Wornick Award was established by the Wornick Company on the occasion of Ronald C. Wornick’s retirement as president and CEO. Reflecting the wishes of the Wornicks, the award is intended to recognize, nourish, and encourage talented students in the wood arts at California College of the Arts. A gifted amateur wood artist, Ronald Wornick has been a member of the CCA Board of Trustees since 1992.
Isabelle Percy West Gallery, Oakland Campus
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Reception: Wed., Oct. 3, 5:30-7:30 p.m.
Hours: 10 a.m.-7:30 p.m.
Info: 510.658.1223 or 510.658.1224
Investigating issues in contemporary painting, eight graduate and undergraduate students, together with faculty leader Linda Geary, spent three weeks of summer 2012 in their own AICAD studios in New York. This exhibition is the culmination of their work.
Woodrow White, Nathan Gale and Sergi Calavia
Tecoah and Thomas Bruce Galleries, San Francisco Campus
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Reception: Tuesday, October 2, 5:30 – 7:30 p.m.
Celebrating 25 Years of the Barclay Simpson Award Exhibition
Tecoah Bruce Gallery at the Oliver Art Center, Oakland Campus
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Reception: Thurs., Sept. 27, 5:30-7:30 p.m. (RSVP for the reception at 510.594.3604 or rsvp@cca.edu)
Hours: Mon.-Fri., 10 a.m.-6 p.m.; Sat.-Sun., noon-6 p.m.
Info: cbradley@cca.edu
Recent works by artists who have received the Barclay Simpson Award since its inception in 1987. For 25 years now, this generous award has given CCA graduate student artists crucial financial support and an exhibition opportunity at a pivotal point in their development.
Read more about the Barclay Simpson Award »
The quality of the recent work by these artists is a testament to the value of such a grant. Their diverse practices and methods of production range from painting to printmaking, drawing, sculpture, video, sound, installation, social practice, and other interdisciplinary forms.
Featured artists:
Anthony Discenza
Dina Danish
Bill Durgin
Patricia Esquivias
Harrell Fletcher
Llewellyn Fletcher
Mik Gaspay
Josh Greene
Todd Hido
David Huffman
Hannah Ireland
Lawrence La Bianca
Katie Lewis
Travis Joseph Meinolf
Linn Myers
Scott Oliver
Patricia Olynyk
Conrad Ruiz
Gabrielle Teschner
Hank Willis Thomas
Imin Yeh
Presented by CCA Wattis Institute
Wattis Institute, San Francisco Campus
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Reception: Thurs., Sept. 13, 7-9 p.m. (RSVP for the reception at rsvp@cca.edu)
Hours: Tues.-Fri., noon-8 p.m.; Sat., 10 a.m.-6 p.m.
Info: 415.551.9210 or www.wattis.org
The legendary exhibition Live in Your Head: When Attitudes Become Form, presented in 1969 at Kunsthalle Bern, Germany, has been exhaustively discussed, researched, and examined. It has inspired essays, books, conferences . . . and now, at the CCA Wattis Institute, another exhibition.
In September 2012, Wattis director Jens Hoffmann will tackle the history and the myths surrounding When Attitudes Become Form with a new “sequel” exhibition, When Attitudes Became Form Become Attitudes.
The original show, curated by Harald Szeemann, featured 69 conceptual artists working in fields known today as post-Minimalism, Arte Povera, Land art, and beyond. The Wattis exhibition will feature more than 80 artists, all working within the legacy of Conceptual art, including the following:
Simon Fujiwara
Claire Fontaine
Jennifer Allora and Guillermo Calzadilla
Abraham Cruzvillegas
Michael Elmgreen and Ingar Dragset
Ryan Gander
Walead Beshty
Renata Lucas
Adriana Lara
Carey Young
The show will also bring together archival material, floor plans, installation images, and ephemera from the 1969 show.
Generous support for When Attitudes Became Form Become Attitudes provided by C. Ross Sappenfield and Laura Brugger, Robin Wright and Ian Reeves, and Laura and Joe Sweeney.
Founding support for CCA Wattis Institute for Contemporary Arts programs has been provided by Phyllis C. Wattis and Judy and Bill Timken. General support for the Wattis Institute provided by the Phyllis C. Wattis Foundation, Grants for the Arts / San Francisco Hotel Tax Fund, Ann Hatch and Paul Discoe, and the CCA Curator’s Forum.
CATALYSTRANSIT is a project organized by Ana Labastida, circulating through the Bay Area’s Casual Carpool from Fruitvale Avenue in Oakland to Fremont Street in San Francisco, that questions how we interpret the mundane moments during commutes.
To participate, or for more information, visit www.catalystransit.com.
This project is part of Touring the Social Imaginary, a series of exhibitions and participatory, public programs across the Bay Area organized by PLAySPACE, that map the social imaginary using research-intensive processes to ask questions about places and the people that inhabit them.
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About PLAySPACE
PLAySPACE, The Paulette Long and Shepard Pollack Art Community Experiment, is a graduate student-run exhibition program. It provides the resources for student curators to conceptualize and present programming that is especially appropriate for, and oriented toward, the academic community.
This programming is presented in various venues and locations throughout the community.
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