CCA News

Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

Landscape Futures: Instruments, Devices and Architectural Inventions
Actar, 2013
Paperback, 232 pages, $29.95

This book features the full array of images from the Museum of the City project by CCA Architecture faculty member David Gissen as well as an interview with Gissen and a chapter from his forthcoming book Manhattan Atmospheres.

Landscape Futures is edited by Geoff Manaugh and based on the 2011 exhibition of the same name at the Nevada Museum of Art. It explores the future of landscape studies by way of the technical intermediaries -- the instruments, devices, and architectural inventions -- through which humans have come to understand the built and natural environments.

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Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

Reinventing the Chicken Coop: 14 Original Designs with Step-by-Step Building Instructions
Storey Publishing, 2013
Paperback, 192 pages, $19.95

Hey backyard chickens: meet contemporary design! Coauthors Matthew Wolpe (assistant studio manager in CCA's fabrication shop) and Kevin McElroy present 14 complete building plans for chicken coops that range from the purely functional to the outrageously fabulous. Eleven of the 14 are by the authors, and one of the remaining three is by two CCA alumni: Yvonne Mauser (Wood/Furniture 2006) and Adam Reineck (Industrial Design 2005). One has a water-capturing roof; one is a great homage to mid-Modern architecture; and another has a built-in composting system. Some designs are suitable for beginning builders, and some are challenging enough for experts. Step-by-step building plans are accompanied by full-color photographs and detailed construction illustrations.

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Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

When Attitudes Became Form Become Attitudes
CCA Wattis Institute, 2013
Office Binder, 278 pages, $40/$75 (regular/special edition)

The CCA Wattis Institute's fall 2012 show, curated by Jens Hoffmann, was a sequel to the legendary 1969 exhibition When Attitudes Become Form curated by Harald Szeemann for the Kunsthalle Bern, Switzerland. This catalogue, designed by Graphic Design faculty Jon Sueda of Stripe/SF, follows the "office binder" format of the original catalogue, and also features works that are interventions directly into the book. The special edition includes a set of three posters by the Brazilian artist Alexandre da Cunha, and the regular edition has one of the three posters.

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Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

Western Roads
Grind Show Editions, 2013
Paperback, 172 pages, $14

Western Roads is a semiautobiographical tale of wanderlust, friendship, and murder by CCA alumnus Michael Walsh (Individualized Major 1995). The story follows Walsh and his confederate, Othello Bolen, who flee Minneapolis after an incident in St. Paul. They meet a few years later in California and boil toward the climactic finish. The work is experimental and urgent, like a bebop jazz solo. It depicts the multifarious characters Walsh meets while rambling, his hatred of institutions and societal control, his struggle with depression, and, above all, his insatiable desire to "see what's out there, "to move," whether it be by hitchhiking, train hopping, or driving a dilapidated Mustang. "The tar roll was my sanctuaire. My Muse. My mentor. Passage to the bright midnight's pageant of actors, scenes -- and I got to play a part."

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Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

The Opposite of Work
JackLeg Press, 2013
Paperback, 136 pages, $14

Chad Sweeney says of Hugh Behm-Steinberg's second book of poetry, The Opposite of Work: "These intimate, honest poems labor toward a personal mythology where the return to Eden is a psychic process, 'erotic as a mind working,' of engaging the fallen world and body with casual grace and equanimity where 'divinity pervades even the slightest of acts.' These poems render a taut surface in time, registering the movement of sensation as it happens in continuum Bergsonian durée, 'the holiest of thoughts as you are / thinking them' -- not as performative gesture but poetry's necessary work of inquiry-toward-restoration-in-making. Behm-Steinberg desires nothing less than a heaven in language."

Hugh Behm-Steinberg is a former Wallace Stegner Fellow in creative writing at Stanford University and the recipient of an NEA fellowship. At CCA he teaches in the MFA Program in Writing and edits the journal Eleven Eleven.

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Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

Real to Real: Photographs from the Traina Collection
Fine Arts Museums of San Francisco, 2012
Paperback, 136 pages, $45

Bob Aufuldish (Graphic Design faculty) designed this exhibition catalogue for the de Young's Real to Real exhibition. The featured work, organized thematically, ranges from rare black-and-white photographs by Walker Evans, Robert Frank, Lee Friedlander, Diane Arbus, and Garry Winogrand to luscious, eye-popping work in color by William Eggleston, Andreas Gursky, and Stephen Shore.

Celebrating photography's fundamental fluidity and diversity through roughly 100 works, authors Kevin Moore (who served as an adviser to Trevor Traina in shaping his collection) and Julian Cox (founding curator of photography and chief curator at the Fine Arts Museum of San Francisco) explore the collection's range from early documentary to more recent conceptual art. Real to Real examines the preoccupation in pictures with everyday "reality," excess, spectacle, and loss.

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Posted on Friday, May 31, 2013 by Lindsey Westbrook

Liz Ogbu is CCA's "scholar in residence" at the Center for Art and Public Life. She spends about four or five hours a week there; she'd love it to be more, but she's a busy woman.

As often as twice a month she's getting on a plane to attend a design or education conference somewhere around the world -- frequently as an invited speaker. She teaches one course per semester at CCA, which translates to about one day a week. She spends another day every week teaching at Stanford University's famed Institute of Design, better known as "the d.school."

She also runs an independent consultancy that undertakes short- and long-term projects; currently she's working with CCA Architecture faculty member Douglas Burnham on something for PG&E, something else for the Nike Foundation in Nigeria, and a pop-up health clinic project funded by Autodesk.

With another CCA Architecture faculty member, Lisa Findley, she’s writing a chapter on South Africa for a book on different ways of appropriating space globally.

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Posted on Wednesday, May 29, 2013 by Allison Byers

When we asked the 2013 Tribeca filmmakers what schools they went to, we were not expecting such a diverse crop of responses. While a fair number did not attend film school, NYU was heartily represented. Boston University, Tel Avivi University and the program at University of Florida (now at Wake Forest) all were fairly well represented. Compare this list to the Sundance filmmakers from earlier this year.

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Posted on Tuesday, May 28, 2013 by Allison Byers

As Gilda Radner once said, "I base my fashion taste on what doesn't itch." But nonetheless, I sacrificed a perfectly good night of TV watching to escort my 11 year old to the California College of the Arts Fashion Show last Friday, May 17, 2013.

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Posted on Tuesday, May 28, 2013 by Allison Byers

The Space Invaders: In Search of Lost Time is available for rental or purchase at Amazon Instant Video, and will be on DVD and Blu-ray soon (with extras a-plenty, fingers crossed). It will also be showing for free California College of the Arts' Timken Auditorium at 1111 8th St. on Saturday, June 1 at 7pm, and it's very much worth seeing on the big screen. Check it out.

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