Bookshelf News

Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

Star 82 Review issue 1
CreateSpace Independent Publishing Platform, 2013
Paperback, 44 pages, $9.95

Printmaking faculty member Alisa Golden has started an online and print-on-demand art and literary publication called Star 82 Review. The inaugural issue includes poems by two CCA faculty members, Stephen Ajay and Hugh Behm-Steinberg, as well as pieces from alumni Leonard Crosby (MFA Writing 2012), Lisa Kokin (BFA 1989, MFA 1994), and Rachel Smith (Illustration 2010).

Golden says: "In this issue, memory shimmers and vision lights up. Conflicts arise and are met. Words dance and talk and sing through childhood and beyond. We have objects of wonder that are pivots for the works: ruler, pineapple. baseball, pencil sharpener, knife, scarecrow, wallpaper, half of a twenty dollar bill, and more. The categories included are: flash, postcard lit, art post images, and erasure texts.

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Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

Machinima! Teorie. Pratiche. Dialoghi
Ludologica, 2013
Paperback, 288 pages, 19 Euros

This new book by Visual and Critical Studies faculty member Matteo Bittanti is an edited collection of essays (in Italian) produced in collaboration with Stanford University's Henry Lowood. The book has been released in Italy in the ongoing Ludologica book series and features 27 contributions from scholars, artists, and critics on the topic of machinima, digital games, and contemporary art. The book jacket is designed by the new-media artist Mauro Ceolin.

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Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

Modern Print Activism in the United States
Ashgate, 2013
Hardcover, 270 pages, $99.95

Director of Humanities and Sciences Rachel Schreiber edits this book devoted to the explosion of socially and politically activist print culture that occurred in the United States at the turn of the 20th century. These essays focus on specific groups, individuals, and causes that relied on print as a vehicle for activism. They also take up the variety of print forms in which calls for activism have appeared, including fiction, editorials, letters to the editor, graphic satire, and non-periodical media such as pamphlets and calendars.

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Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

Imagination Illustrated: The Jim Henson Journal
Chronicle Books, 2012
Hardcover, 192 pages, $29.95

Michael Morris (Graphic Design 2004) designed this adaptation of the diary that Jim Henson faithfully kept throughout his career. The diary is supplemented with a trove of little-seen visual material, including rare sketches, personal and production photographs, storyboards, doodles, and much more. Throughout, archivist Karen Falk delves into the behind-the-scenes details of Henson's life and artistic process.

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Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

Power to the People: The Graphic Design of the Radical Press and the Rise of the Counter-Culture, 1964-1974
University of Chicago Press, 2013
Hardcover, 264 pages, $45

Though we think of the 1960s and the early '70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. This vibrant new media was essential to the counterculture revolution as a whole, helping to motivate the masses and proliferate ideas.

This book is assembled by the renowned graphic designer and CCA Design faculty member Geoff Kaplan of General Working Group. It presents more than 700 full-color images and excerpts from these publications, many of which have not been seen since they were first published almost 50 years ago.

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Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

Landscape Futures: Instruments, Devices and Architectural Inventions
Actar, 2013
Paperback, 232 pages, $29.95

This book features the full array of images from the Museum of the City project by CCA Architecture faculty member David Gissen as well as an interview with Gissen and a chapter from his forthcoming book Manhattan Atmospheres.

Landscape Futures is edited by Geoff Manaugh and based on the 2011 exhibition of the same name at the Nevada Museum of Art. It explores the future of landscape studies by way of the technical intermediaries -- the instruments, devices, and architectural inventions -- through which humans have come to understand the built and natural environments.

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Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

Reinventing the Chicken Coop: 14 Original Designs with Step-by-Step Building Instructions
Storey Publishing, 2013
Paperback, 192 pages, $19.95

Hey backyard chickens: meet contemporary design! Coauthors Matthew Wolpe (assistant studio manager in CCA's fabrication shop) and Kevin McElroy present 14 complete building plans for chicken coops that range from the purely functional to the outrageously fabulous. Eleven of the 14 are by the authors, and one of the remaining three is by two CCA alumni: Yvonne Mauser (Wood/Furniture 2006) and Adam Reineck (Industrial Design 2005). One has a water-capturing roof; one is a great homage to mid-Modern architecture; and another has a built-in composting system. Some designs are suitable for beginning builders, and some are challenging enough for experts. Step-by-step building plans are accompanied by full-color photographs and detailed construction illustrations.

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Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

When Attitudes Became Form Become Attitudes
CCA Wattis Institute, 2013
Office Binder, 278 pages, $40/$75 (regular/special edition)

The CCA Wattis Institute's fall 2012 show, curated by Jens Hoffmann, was a sequel to the legendary 1969 exhibition When Attitudes Become Form curated by Harald Szeemann for the Kunsthalle Bern, Switzerland. This catalogue, designed by Graphic Design faculty Jon Sueda of Stripe/SF, follows the "office binder" format of the original catalogue, and also features works that are interventions directly into the book. The special edition includes a set of three posters by the Brazilian artist Alexandre da Cunha, and the regular edition has one of the three posters.

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Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

Western Roads
Grind Show Editions, 2013
Paperback, 172 pages, $14

Western Roads is a semiautobiographical tale of wanderlust, friendship, and murder by CCA alumnus Michael Walsh (Individualized Major 1995). The story follows Walsh and his confederate, Othello Bolen, who flee Minneapolis after an incident in St. Paul. They meet a few years later in California and boil toward the climactic finish. The work is experimental and urgent, like a bebop jazz solo. It depicts the multifarious characters Walsh meets while rambling, his hatred of institutions and societal control, his struggle with depression, and, above all, his insatiable desire to "see what's out there, "to move," whether it be by hitchhiking, train hopping, or driving a dilapidated Mustang. "The tar roll was my sanctuaire. My Muse. My mentor. Passage to the bright midnight's pageant of actors, scenes -- and I got to play a part."

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Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

The Opposite of Work
JackLeg Press, 2013
Paperback, 136 pages, $14

Chad Sweeney says of Hugh Behm-Steinberg's second book of poetry, The Opposite of Work: "These intimate, honest poems labor toward a personal mythology where the return to Eden is a psychic process, 'erotic as a mind working,' of engaging the fallen world and body with casual grace and equanimity where 'divinity pervades even the slightest of acts.' These poems render a taut surface in time, registering the movement of sensation as it happens in continuum Bergsonian durée, 'the holiest of thoughts as you are / thinking them' -- not as performative gesture but poetry's necessary work of inquiry-toward-restoration-in-making. Behm-Steinberg desires nothing less than a heaven in language."

Hugh Behm-Steinberg is a former Wallace Stegner Fellow in creative writing at Stanford University and the recipient of an NEA fellowship. At CCA he teaches in the MFA Program in Writing and edits the journal Eleven Eleven.

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