Julian Carter is a performance theorist and queer historian whose research and teaching focus on embodiment, normativity, and power. He is also chair of the Program in Critical Studies, a job he approaches as a form of social sculpture.
He is the author of The Heart of Whiteness: Normal Sexuality and Race in America, 1890–1940 (Duke University Press, 2007). The book uses sex advice writing and other vintage pop-cultural sources to show how the concept of “normality” combines ideas about heterosexuality and whiteness in a way that makes it difficult for white, straight people to perceive the specificity of their subject-positions. His LGBTQ history publications include essays on 1960s lesbian pulp fiction and the politics of disidentification; the racial imaginary of early (1974-1989) gay and lesbian historical writing; and the theoretical as well as social boundaries on lesbian identity from the 1920s to the 1990s, for which he earned a citation in the Stanford Encyclopedia of Philosophy. Perfomance research includes essays on trans- temporality in modern dance and queer re-enactments of Swan Lake. He is currently working on a book about ballet swans in contemporary culture.
Before coming to CCA in 2006, Julian taught at Stanford and New York University. He sits on the editorial board of the new Trans Studies Quarterly and has served on the governing board of the international Committee on LGBT History.