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Hiller/Martin: Provisional Realities draws upon works by two artists of different generations, Susan Hiller and Daria Martin. Both were born in the United States (Martin was born and raised in San Francisco) and are now based in London.
The selection of works spans different moments in each artist’s practice. Martin works exclusively in 16-millimeter film, and Hiller operates across multiple mediums.
Martin’s film Soft Materials (2004) and Hiller’s installation Belshazzar’s Feast (1983-84) are the conceptual points of departure. Though they were created 20 years apart, both reveal a deep sensitivity to the fraught, yet potentially transformative, relationship between humans and technology.
The exhibition also approaches such expansive subjects as the unconscious, dreams, affect, feminism, and intimacy, as well as more unusual conditions such as telekinesis (as in Hiller’s Wild Talents ) and mirror-touch synaesthesia (as in Martin’s Sensorium Tests ).
The “provisional” of the title is meant to imply a specific kind of temporality, a conditional suspension of the present that favors a visionary way of thinking. Hiller and Martin’s respective artistic practices resist the security that a single, finite reality provides, and instead propose that parallel, alternative, and corrective realities can alter the way we perceive the past, present, and future.
Hiller/Martin: Provisional Realities is generously supported by the Kadist Art Foundation.
Founding support for CCA Wattis Institute for Contemporary Arts programs has been provided by Phyllis C. Wattis and Judy & Bill Timken. Generous support provided by Grants for the Arts/San Francisco Hotel Tax Fund and the CCA Wattis Institute Curator’s Forum.