CCA Events

Architecture Lecture Series

November 19, 2012 7:00 pm

Timken Lecture Hall, San Francisco Campus
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Info: 415.703.9562 or architecture@cca.edu

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Keller Easterling is an American architect, urbanist, writer, and teacher. She is concerned with issues of urbanism, architecture, and organization as they relate to globalization. She is currently an associate professor of architecture at Yale University.

Her latest book, Enduring Innocence: Global Architecture and Its Political Masquerades (MIT, 2005), researches familiar spatial products that have landed in precarious political situations around the world. A previous book, Organization Space: Landscapes, Highways and Houses in America, applies network theory to a discussion of American infrastructure and development formats.

Easterling is also the author (with the archivist, writer, and filmmaker Rick Prelinger) of Call It Home: The House That Private Enterprise Built, a laserdisc on the history of suburbia and suburban planning.

In 2008 Easterling was one of 100 designers chosen by the prominent Swiss architects Herzog and de Meuron to receive a commission for a villa project organized by the Chinese artist Ai Wei Wei in Ordos, Inner Mongolia.

Easterling's work has been published in journals such as Grey Room, Volume, Cabinet, Assemblage, Log, Praxis, Harvard Design Magazine, Perspecta, Metalocus, and ANY. She has lectured widely in the United States and internationally, and her work has been exhibited at venues such as the Queens Museum of Art, New York; the Architectural League of New York, the Municipal Art Society, New York; and Wexner Center for the Arts, Columbus, Ohio.

She earned her BA and MArch from Princeton University and has taught architectural design and history at Parsons The New School for Design, Pratt Institute, and Columbia University.

Generous support for CCA public programs in San Francisco has been provided by Grants for the Arts / San Francisco Hotel Tax Fund.

The 2012-13 Architecture Lecture Series is funded by Skidmore, Owings & Merrill LLP; Jensen Architects; John Marx / Form4 Architecture; Perkins+Will; Pfau Long Architecture Ltd.; STUDIOS Architecture; WSP Flack+Kurtz; ARCH Art Supply; BraytonHughes Design Studios; GCI; Long & Levit LLP; SFMOMA A+D Forum; Andrea Cochran Landscape Architecture; Blasen Landscape Architecture; John A. Raeber, Architectural Specifications; and Ratcliff.

Photography Lecture Series

November 19, 2012 11:00 am–12:00 pm
Untitled, 2008

Ralls Painting Studio
Free and open to the public
Info: Chris Nickel, cnickel@cca.edu, 510.594.3718

From depictions of himself sliding nude into a hotel pool, to the pastoral scenes of his grandmother’s wallpaper, the loose cohesion of Jason Lazarus’s series 2004-Present is atypically broad and ranging. The aberration is fitting for an approach that proves consistently dubious of the art world and its workings.

Some of the pictures reference particular artists (alluding to the myth and mystery surrounding Bas Jan Ader, for instance) and some poke fun at art galleries and museums, while still others mix the personal with the performative as Lazarus considers from many angles just what it means to make art or be an artist.

Lazarus’s work has been exhibited internationally and is in major collections including the Museum of Contemporary Art Chicago, the Art Institute of Chicago, the Bank of America LaSalle Photography Collection, and the Milwaukee Museum of Art, and has received multiple grants from the Illinois Art Council.

Solo exhibitions include Recordings at D3 Projects in Los Angeles; Orion over Baghdad at Andrew Rafacz Gallery in Chicago; Your Time is Gonna Come at Illinois State University, and an upcoming solo exhibition in the spring of 2013 at the MCA Chicago -- BMO Harris Bank Chicago Works: Jason Lazarus.

Lazarus recently became the codirector of Chicago Artist Writers, a new art criticism platform. Upcoming projects include a feature-length 16mm film composed entirely of animated GIFS, called twohundredfiftysixcolors.

Born in Kansas City, Lazarus studied marketing at DePaul University (BA, 1998) and photography at Columbia College Chicago (MFA, 2003) and is currently an assistant adjunct professor at the School of the Art Institute and an adjunct professor at Columbia College Chicago.

Visit Jason Lazarus's website

Presented by CCA Wattis Institute

September 13–December 1, 2012

Wattis Institute, San Francisco Campus
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Reception: Thurs., Sept. 13, 7-9 p.m. (RSVP for the reception at rsvp@cca.edu)
Hours: Tues.-Fri., noon-8 p.m.; Sat., 10 a.m.-6 p.m.
Info: 415.551.9210 or www.wattis.org

The legendary exhibition Live in Your Head: When Attitudes Become Form, presented in 1969 at Kunsthalle Bern, Germany, has been exhaustively discussed, researched, and examined. It has inspired essays, books, conferences . . . and now, at the CCA Wattis Institute, another exhibition.

In September 2012, Wattis director Jens Hoffmann will tackle the history and the myths surrounding When Attitudes Become Form with a new “sequel” exhibition, When Attitudes Became Form Become Attitudes.

The original show, curated by Harald Szeemann, featured 69 conceptual artists working in fields known today as post-Minimalism, Arte Povera, Land art, and beyond. The Wattis exhibition will feature more than 80 artists, all working within the legacy of Conceptual art, including the following:

Simon Fujiwara
Claire Fontaine
Jennifer Allora and Guillermo Calzadilla
Abraham Cruzvillegas
Michael Elmgreen and Ingar Dragset
Ryan Gander
Walead Beshty
Renata Lucas
Adriana Lara
Carey Young

The show will also bring together archival material, floor plans, installation images, and ephemera from the 1969 show.

Generous support for When Attitudes Became Form Become Attitudes provided by C. Ross Sappenfield and Laura Brugger, Robin Wright and Ian Reeves, and Laura and Joe Sweeney.

Founding support for CCA Wattis Institute for Contemporary Arts programs has been provided by Phyllis C. Wattis and Judy and Bill Timken. General support for the Wattis Institute provided by the Phyllis C. Wattis Foundation, Grants for the Arts / San Francisco Hotel Tax Fund, Ann Hatch and Paul Discoe, and the CCA Curator’s Forum.

September 4, 2012–May 10, 2013
Touring the Social Imaginary

CATALYSTRANSIT is a project organized by Ana Labastida, circulating through the Bay Area’s Casual Carpool from Fruitvale Avenue in Oakland to Fremont Street in San Francisco, that questions how we interpret the mundane moments during commutes.

To participate, or for more information, visit www.catalystransit.com.

This project is part of Touring the Social Imaginary, a series of exhibitions and participatory, public programs across the Bay Area organized by PLAySPACE, that map the social imaginary using research-intensive processes to ask questions about places and the people that inhabit them.

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About PLAySPACE

PLAySPACE, The Paulette Long and Shepard Pollack Art Community Experiment, is a graduate student-run exhibition program. It provides the resources for student curators to conceptualize and present programming that is especially appropriate for, and oriented toward, the academic community.

This programming is presented in various venues and locations throughout the community.