Posted on Tuesday, January 28, 2014 by Lindsey Westbrook
Paperback, 142 pages, $16
Juliana Spahr says: “It’s all here: love, work, child. And the writing. Mainly the writing. It takes over all these other things and yet it is built out of all these things. This is how Elizabeth Block erases Elizabeth Block, as one poem claims. She does this automatically, animalistically, while wailing forward, gracefully and with improvisation.
Bill Berkson says: “Elizabeth Block’s poetry moves through those ‘layers of noise’ we all contend with and goes a long way toward conquering by absorbing them. Page by page, the intervals, apparent blanks and interruptions between word clusters, vibrate tellingly with each tabulation of event, the actuality in and of the words as Block arranges them. Here is urgency and nuance. The matter never gets figured out we want it to we think all day long on. Take time to read this magnetic book.
Block won the Christopher Isherwood Foundation Fiction Fellowship for her first novel, A Gesture Through Time, which was fiscally sponsored by Intersection for the Arts. She was a Poets & Writers grantee for the presentation of new work at the Lab in San Francisco.
Block has won many other awards and residencies, including an award from Poets & Writers and another from the Djerassi Resident Artists Program Tread of Angels Fellowship. Her writing has appeared on stage, in film, in public art, in books, on audio CD and podcasts.
She is also a filmmaker whose film poems have traveled extensively throughout the United States and elsewhere. She has published work in many genres and in many journals, and her work has also appeared on the public radio stations KQED and KSFR. She often collaborates with musicians and visual artists.