“Comics inspired and sustained me,” the rising junior year at California College of the Arts continued, “especially as I reached adolescence and was forced to come to terms with my own identity in a town that was typically either apathetic or overtly hostile to LGBTQ folk.” But, he added, “Sadly, in none of these or any other comic I could find at the time was there a transmasculine character with a leading story arc.”
Posted on Monday, August 24, 2015 by Laura Braun
Posted on Monday, June 29, 2015 by Chris Bliss
CCA joins the 2015 San Francisco Pride Parade
This past weekend (June 26-28) marked the first time California College of the Arts (CCA) participated in the annual San Francisco Pride Parade -- the largest lesbian, gay, bisexual, and transgender parade in the nation.
Posted on Thursday, June 11, 2015 by Nick Janikian
Community Arts major Zach Brozman
Congratulations to Community Arts major and poet Zach Ozma (né Brozman), who was awarded an All-College Honors Award (Fine Arts division) as well as won the 2015 annual Student Book Arts Competition (sponsored by the CCA Libraries).
Each spring CCA sponsors the All-College Honors Awards competition, which recognizes outstanding student achievement. Twenty-three scholarship awards are given to students in the BA, BFA, and BArch undergraduate programs and the MA, MBA, MFA, and MArch graduate programs. (The awards are granted during the fall semester.)
There's No Other Ghost I'd Rather Get Cruised By, a handmade book Ozma has been working on intensely this year, was selected as one of two winning books in the 2015 annual Student Book Arts Competition.
Posted on Thursday, May 7, 2015 by Jim Norrena
Posted on Thursday, January 1, 2015 by Glen Helfand
Holland Cotter speaking at CCA's Honorary Doctorate Luncheon
Without oversight, the art world might be ruled by spectacle and sales. We hear a lot about record-setting auction prices, blue-chip artists, and art fair attendance figures. All well and good for the beneficiaries, but these are just parts of a much more nuanced arts ecosystem.
Too easily eclipsed is the fact that most art is made by people who have plenty more on their minds than making money. Which is why a critic with the humanistic temperament of Holland Cotter is so important, and so refreshing to read.
About Holland Cotter
Cotter is a Pulitzer prize–winning writer, a poet, and the recipient of CCA’s 2014 honorary doctorate in fine arts. He writes weekly reviews and more extensive essays for the New York Times, where he’s been a full-time critic since 1998.
Cotter is hardly strident -- he’s more like an endearing watchdog -- and his thoughtful writings encourage readers to consider the value of aesthetic and intellectual adventurousness. He also consistently draws attention to artists and perspectives that might otherwise be overlooked.
It’s an important role, and he carries it out with engaged responsibility and humbleness.
Posted on Monday, October 13, 2014 by Lindsey Westbrook
When current CCA Director of Fine Arts Tammy Rae Carland was in college, Nirvana played the rent parties she and her friends threw at their student-founded alternative gallery space. “This was before they released records and got super-famous,” she avers. “But still!”
They called the gallery Reko-Muse. The place: Olympia, Washington. “It really was a ‘build it and they will come’ kind of a scene. Everyone I knew was playing in a band, starting a gallery, putting out zines, precisely because there was nothing to do otherwise, culturally speaking. And people would drive from Seattle -- or further, even -- to come to shows. Olympia’s music scene became a really big deal.”
Carland, who was also in bands, ran a record label, and put out more than a few zines herself, is today a rock star in another realm: photography.
Posted on Thursday, September 11, 2014 by Emily Holmes
Adrienne Skye Roberts’ (MA Visual and Critical Studies 2009) installation titled It Is Our Duty to Fight, It Is Our Duty to Win / We Must Love Each Other and Protect Each Other / We Have Nothing to Loose But Our Chains (2013), shown at San Francisco’s Root Division gallery, depicted the following words on a sign that rested against a white wall:
“To be treated like everybody else.”
Hand painted in simple black lettering on a white picketing sign, it is easy to imagine these words chanted with pride, determination, and defiance during a political march.
Five other similar signs featured different statements and demands, such as “The hope to see my children again.” The people who spoke these words did not always have the freedom to practice the civil right of protesting.
In fact, the work reflects the answers of previously incarcerated women whom Roberts asked, “How did you survive prison?” “What do you need to survive now that you are out?” “And what does a world without mass incarceration look like?”
Posted on Tuesday, July 1, 2014 by Jim Norrena
Posted on Monday, June 30, 2014 by Simon Hodgson
How does an engineer reinvent himself? One possible answer: at art school.
In 1996, just a year after graduating from Johns Hopkins University with a degree in civil engineering, Bruce King-Shey felt lost.
A lifelong musician, he switched tracks from engineering to take an entry-level job at the Annapolis Symphony. But when his career in arts management began to feel stalled, he wasn’t sure where he should turn next.
His circuitous career path offers much insight into how an arts education can unlock hidden talents.
Posted on Thursday, May 8, 2014 by Rachel Walther
Jen Banta Yoshida interviews Nancy Hom for her Bernice Bing documentary
Jen Banta Yoshida (MA Visual and Critical Studies 2009) is many things: an activist, a writer, an artist, a San Francisco native. For the past seven years, she has been delving into the biography of the artist Bernice Bing.
Bing was also a San Francisco native. She was born in 1936 in Chinatown and worked in the city for most of her life, as a painter and an activist for community-based arts.