Having trouble finding consistent work despite having a degree, Hutton enrolled in the California College of the Arts and focused on design. His first project after graduating was a restaurant called Today's on Union Square. Although it's no longer in business, Interior Design Magazine profiled the establishment in 1979.
Posted on Thursday, March 28, 2013 by Allison Byers
Posted on Tuesday, March 26, 2013 by Christina Linden
Teknion NeoCon Showroom by Michael Vanderbyl, Chicago, 2012
"My high school guidance counselor told me I wasn't smart enough to be an architect," Michael Vanderbyl said, wryly, as he handed me the program produced last fall on the occasion of his induction into the Interior Design Hall of Fame. Given the multidisciplinary course of his extraordinary career, perhaps the counselor meant to say something more like, "Vanderbyl is too intelligent to be limited to just one pursuit."
The Hall of Fame award is reserved for individuals who have made a significant contribution to the prominence of the design industry. Other inductees over the years have included such legendary figures as Frank Gehry, Antonio Citterio, and Massimo and Lella Vignelli.
"It's very flattering to be counted among such company," Vanderbyl says. "I had attended the Hall of Fame event in the past -- it's held at the Waldorf-Astoria in Manhattan -- and it was fantastic to be recognized there myself."
Posted on Thursday, March 21, 2013 by Allison Byers
A product is being developed out of the Forest Products Laboratory at the University of Wisconsin collaborating with artist Christine Lee and US Department of Agriculture's John F. Hunt. The product in process is a MDF alternative using no resins and a combination of biodegradable and recycled materials such as used cardboard, cow manure and sawdust.
Posted on Thursday, March 21, 2013 by Allison Byers
"Being a black artist, the first thing people want to talk about is your blackness, the importance of your blackness and your black presence. What I like about this show is that I felt free from that blackness and I could really exploit the pen and do crazy patterns and have that be the focal point of it," says Odutola, 27, who graduated from California College of the Arts last year. "I'm celebrating the ink and what it can do and transforming what it can be."
Posted on Thursday, March 7, 2013 by Allison Byers
At 23, Rosannah Sandoval is the AIA's youngest licensed architect. Currently a designer in Perkins + Will's San Francisco office, she attended Auburn and its Rural Studio program, as well as CCA. One of her recent projects at Perkins + Will, Calexico West Land Port of Entry, won a 2013 Progressive/Architecture Award from Architect magazine. AIA San Francisco reached out to Sandoval to learn more about her experiences in architecture, the challenges she has faced, and her future goals.
Posted on Thursday, March 7, 2013 by Christina Linden
In the past year, Orfeo Quagliata (Wood/Furniture 1999) has designed: exterior vinyl graphics for an Aeromexico 767 airplane; sets for Mexico's massively popular annual 24-hour-long television and radio broadcast benefit Teletón; glass tiles for architectural interiors and exteriors; jewelry; window displays for Barneys New York; hotel lobbies; coffee tables; whiskey glasses; and garden features for millionaires' homes.
Quagliata was born and raised in the Bay Area; today his studio is based in Mexico City, and the world is his oyster. It is extremely unusual for a designer to operate in so many media and at so many scales of production, from a tiny piece of jewelry to an airplane exterior, but maintaining a robust and diverse practice keeps his creative energies high . . . and ensures that his design work will be in demand no matter whether the global economy is ebbing or flowing.
His schedule is typically jam-packed; when we spoke for this piece, he was getting ready to catch a plane for a new overseas commission: "I'm going to Taiwan to work on an installation on the grounds of new high-rise residential towers. The work is two reflecting pools with these big, faceted, blinged-out, illuminated glass sculptural forms. These kinds of huge commissions are always fun and overwhelming at the same time."
Posted on Tuesday, March 5, 2013 by Christina Linden
The 38 Harriet Street micro-studio building in San Francisco
"Sustainability" and "green building" in architecture are elusive concepts. Does a sustainable building simply support its own energy needs for the duration of its existence? Or does it also need to compensate somehow for the energy involved in its "birth" and "death" -- its initial construction and eventual demolition?
The architect and alumna Taeko-Karyn Takagi (Architecture 2002) has spent her career deeply engaged in both defining and answering such questions.
Posted on Tuesday, March 5, 2013 by Allison Byers
Wall Street Journal quotes CCA Alum Chris Perez, and features the work of late faculty member Larry Sultan and alum Conrad Ruiz.
Posted on Monday, March 4, 2013 by Allison Byers
Erik Adigard is a trailblazing digital-media designer who first made a splash back in the early 1990s with a series of visual essays for Wired. In more recent years, his work has taken a turn away from the web to focus on installations on the border of art and design.
Posted on Monday, March 4, 2013 by Lindsey Westbrook
Barbara Holmes, "feed/rest/nest" (2013)
The work discussed in this story is on view in the exhibition By-Product Becomes Product at Intersection for the Arts (925 Mission Street, San Francisco) through March 30, 2013. There is an artists' talk on Saturday, March 23, at 1 p.m. (free and open to the public).
We all know that formaldehyde is toxic, but you may not know that it's an essential component of the glues that bind together such commonly used construction materials as plywood and particle board.
And unlike asbestos, which becomes inhalable and therefore harmful only when disturbed, these composite wood panels actually off-gas formaldehyde all the time.
The artist Christine Lee, who has been a lecturer at CCA for the past several years, was concerned about the effects of formaldehyde gas -- not only on people dwelling in structures made of these materials, but also on the artists who use them, possibly without even knowing they are exposing themselves to harm.