The other week I had the opportunity to visit Slow Burn Glass, the West Oakland studio of artist Bryan Goldenberg. He's been blowing glass since 1995, and after graduating from the California College of the Arts in 2002 and with experience around the country and the world, he created the Slow Burn studio in 2006.Read the rest
Graduate and/or post-graduate photography education gives young photographers many of the creative and business tools they need to pursue a career in the photo industry. However there are some lessons that, for various reasons, student-photographers don’t get in school. While putting together the July Fine-Art issue of PDN, we reached out to 10 photographers who’ve graduated in the past few years to ask, “What lessons didn’t you learn in art school that have been important to your career?”Read the rest
Predominantly raised in Las Cruces, New Mexico, Estela Hartley, 36, observed early on disparate communities coming together to develop a unique blend of Hispanic and American culture. As a student at The Illinois Institute of Art–Chicago, she combined her public health and design skills to revive VISioN, a student organization providing design students service learning opportunities with nonprofit organizations.Read the rest
Posted on Monday, August 6, 2012 by Matthew Harrison Tedford
Elizabeth Dorbad and Ann Schnake, "Kunsthalle Fridericianum with Empanadas," 2012
Every five years the art world descends on Kassel, Germany, for Documenta. For 100 days, venues across the city present one of the world's largest and most prestigious art events to hundreds of thousands of visitors. The 2012 edition is curated by Carolyn Christov-Bakargiev and features an all-star list of hundreds of international artists, from William Kentridge to Song Dong.Read the rest
Posted on Thursday, August 2, 2012 by Lindsey Westbrook
(photo by Zach McCaffree)
A year ago Derek Weisberg (Ceramics 2005) moved to New York to take a full-time job at Greenwich House Pottery, where he is a studio technician and teacher. His art has been included in recent exhibitions at POW WOW Hawaii in Honolulu, the Northern Clay Center in Minneapolis, and Greenwich House Pottery.
Having recently returned from completing the Fountainhead Residency in Miami, he took a moment to give us the scoop on his current projects, life after graduation, and exactly how many jobs you should expect to work when you call yourself a full-time artist!
What is Greenwich House, and what exactly is your job there?
My job involves teaching a hand-building sculpture class and helping the ceramic studio function smoothly and properly. Greenwich House was founded in 1902 as a settlement house to help New York's immigrant population adjust to life in the U.S. Today they have various programs in social services, arts, and education that are open to the public.
What are you working on now in your personal work?
One current project is a group of canopic jars. The idea comes from ancient Egyptian burial practices and beliefs about the afterlife. I am taking this very old ritual and bringing it into the present by replacing the gods with portraits of rappers who have passed away. This series tests my "chops" as a sculptor, and deals with themes I am interested in such as life, death, the afterlife. It is also about a culture I have been involved in almost my whole life.Read the rest
Posted on Thursday, August 2, 2012 by Lindsey Westbrook
Daring Adventures in Paint: Find Your Flow, Trust Your Path, and Discover Your Authentic Voice-Techniques for Painting, Sketching, and Mixed Media
Quarry Books, 2012
Paperback, 128 pages, $22.99
Daring Adventures in Paint is a colorful, whimsical book exploring paint and mixed-media techniques by the artist/illustrator/blogger Mati Rose McDonough (Painting/Drawing 2007). Through practical applications and creative exercises, McDonough shows artists how to "find their magic" -- the place of confidence from which they can access the vision of what they want to share with the world.Read the rest
Posted on Monday, July 30, 2012 by Lindsey Westbrook
Before CSI the television show there was still the scientific investigation of crime, and before computer software there were other (albeit more cumbersome) ways of using fingerprints found at crime scenes to convict criminals.
"Many aspects of crime detection are timeless," observes Pablo "Paul" Cardoza (Art Education 1982). And he speaks with authority here. A deep interest in art and visuality, new technologies, and creative problem solving led Cardoza from art school to the Contra Costa County Sheriff's Office, where he spent several years, to his current occupation as a private investigator specializing in computer-based forensics.
From CCA to the Sheriff's Department
"I loved CCA! I got the best grades of my life there," laughs Cardoza. "Shortly after I finished in 1982, I stumbled across an ad from the Sheriff's Department to take a test in fingerprint IDs. It was essentially evaluating our aptitude for pattern matching and negative-positive discernment. I scored really high, and was recruited for a job. I received training from the FBI and the California Department of Justice, and I also took some courses in crime scene analysis.”Read the rest
Posted on Thursday, July 26, 2012 by Victoria Deblassie
Victoria DeBlassie at the top of the Leaning Tower of Pisa, summer 2010
This is a story by CCA alumna Victoria DeBlassie (MFA 2011) recounting her study-abroad trip to Italy in summer 2010. It inspired her to apply for a Fulbright grant to return to Italy, which was accepted!
Learn more about CCA's study-abroad programs, hosted by the Office of Special Programs.
Tuesday, July 14, 2010: I'd been traveling throughout Italy for more than a month and had just arrived in Rome. My eyes, heavy from the long trip from Venice and the dense summer heat, glanced at the marquee of the building where I was staying, one floor of which was the Lilium Hotel. I did a double-take when I saw the neighboring proprietor's name: Di Blasi, the original Italian version of my own last name!Read the rest
Posted on Thursday, July 19, 2012 by Rachel Walther
Erinn Clancy at work (photo by Justin Nunnink)
A specialist, style-wise? On the contrary, Erinn Clancy (Media Arts 2010) is continually looking to expand his vocabulary as a filmmaker. He and his longtime friend and creative collaborator Justin Nunnink, recently cofounders of Shot & Cut Productions in New York, are working on projects that range from day-in-the-life documentaries to cutting-edge experiments.
Every aspect of filmmaking presents an interesting new challenge for Clancy: "You create your film three times: when you storyboard and conceptualize it, when you shoot it, and when you edit it. Each experience adds a unique problem, and you have to find a creative way to solve it."
Clancy reports that he almost didn't attend CCA. "I was shopping around for colleges; and had planned on going to Boston’s Museum School. Ultimately it was the beauty of the Oakland campus that lured me to CCA, and the Presidential Achievement Award and Scholarship that sold me." During his time here he took full advantage of the interdisciplinary approach the college promotes, building glassblowing and screenprinting courses into his schedule. "I went in as a Media Arts / Film major, but constantly had opportunities to expand my creative palette. I found ways for other disciplines to inform my work in film."Read the rest