From its title to its sprightly array of modestly scaled works, “Seven Young Los Angeles Painters I Like,” at George Lawson, exudes refreshing honesty. There is no real agenda in play, but an aesthetic consensus forms around the sufficiency of paint on a flat surface. However self-evident that sounds, it’s a quietly invigorating experience to look at two dozen paintings by emerging artists who subscribe to “old media” and make it new.
Posted on Friday, March 2, 2012 by Allison Byers
Posted on Thursday, March 1, 2012 by Allison Byers
Some materials have a way of not only resisting efforts to manipulate them but also almost battling back.
That seemed the case when, not long ago, S.F. artist Jonathan Runcio was attempting to work with one of the ungainly, rough chunks of concrete that he screenprints with collages of buildings. While he was printing one raw slab on a dolly, it shifted and his leg was pinned. Fortunately, before a scenario akin to an art-world "127 Hours" ensued, a friend freed him.
Posted on Monday, February 27, 2012 by Jim Norrena
Production stills from CCA's newest "drama queens": Candacy Taylor, Greacian Goeke, Susan Sobeloff, and Jennifer Roberts
"I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being." -- Oscar Wilde
In the last year a growing number of CCA graduates -- each representing a unique program of study -- has tapped into the Bay Area's richly diverse and proliferating performing arts scene to have a full-scale world premiere of their work brought to fruition. Among these impressive alumnae are:
Candacy Taylor (MFA Visual Criticism 2002)
Posted on Thursday, February 23, 2012 by Allison Byers
This article is by Molly Ackerman-Brimberg, executive insights and trends strategist at Ziba, in Portland, Oregon. A
graduate of design programs at Stanford and California College of the Arts, she leads many of Ziba’s consumer research efforts, using insights gained through observation and collaborative work to identify opportunities for innovation.
Posted on Thursday, February 16, 2012 by Jim Norrena
CCA at CAA
Please join California College of the Arts at the College Art Association’s 100th annual conference in Los Angeles February 22–25. CCA faculty and alumni will be participating in various panel discussions throughout the conference. (See event schedule below.)
We invite you to drop by the CCA booth at the conference’s Book and Trade Fair to meet esteemed members of our faculty. We're looking forward to meeting you!
Special Reception for Alumni
Posted on Wednesday, February 15, 2012 by Lindsey Westbrook
5 Cities / 41 Artists / Artadia 08/09
Paperback, 168 pages, $40
This full-color publication features more than 140 artworks and comments by Artadia Awardees 2009 Atlanta, 2009 Boston, 2008 Chicago, 2008 Houston, and 2009 San Francisco. It includes biographies of the 41 artists and essays by foremost curators and thinkers in Artadia's program cities, including guest editor Franklin Sirmans (Los Angeles County Museum of Art), Andrea Barnwell Brownlee (Spelman College of Fine Art, Atlanta), René de Guzman (Oakland Museum of California), Jen Mergel (Museum of Fine Arts, Boston), Stephanie Smith (Smart Museum of Art, Chicago), and Michelle White (The Menil Collection, Houston). CCA affiliates featured include James Gobel (Painting/Drawing and Fine Arts faculty), Allison Smith (Sculpture chair), Leslie Shows (MFA 2006), Weston Teruya (Painting/Drawing 2006), and Moses Nornberg (student).
Posted on Wednesday, February 15, 2012 by Jim Norrena
Posted at Core77.com February 14, 2012: "We like San Francisco-based furniture designer Andrew Perkins's take on sustainability: 'Sustainable design is foremost about the quality and emotional longevity of the object,' he writes. '[I know] that if the idea isn't present then the object will not persist.'"
Who Is Furniture Alumnus Andrew Perkins?
Posted on Wednesday, February 15, 2012 by Allison Byers
We like San-Francisco-based furniture designer Andrew Perkins' take on sustainability: "Sustainable design is foremost about the quality and emotional longevity of the object," he writes. "[I know] that if the idea isn't present than the object will not persist."
Posted on Wednesday, February 15, 2012 by Samantha Braman
Todd Hido, Untitled #9197, 2010
Todd Hido (MFA 1996, and currently a Photography faculty member) has built several remarkable and highly recognizable bodies of work over the two decades of his career thus far. He is best known for his night shots of suburban houses, desolate landscapes obscured by rain and snow, and uneasy, haunting portraits.
"Photographing people and places -- and putting them together to create narratives and suggest stories -- has consistently been my focus," says Hido. "It never ceases to amaze me what happens when you combine a portrait and a place. Your mind can't help filling in the gaps between them."
Hido's latest solo exhibition, Excerpts from Silver Meadows, is on view now through February 25 at Stephen Wirtz Gallery in San Francisco. Sequenced to form an almost cinematic narrative, its main "characters" are atmospheric, uninhabited wintertime landscapes and somewhat spooky portraits of beautiful, dramatic-looking women. Silver Meadows is a real place -- a suburban development that sprang up around 1970 on the outskirts of Kent, Ohio, where Hido grew up, which makes the development and the artist about the same age.
While shooting the pictures, he wandered around Silver Meadows and its adjacent areas deliberately, yet randomly, in search of scenes that would connect with his recollections. The exhibition presents both Hido's reckoning with his own past and a summation of the suburban childhood experience in general, in which communities are constructed from whole cloth, and "ticky tacky" homes, built similarly to convey stability, actually conceal lives seething with sexual and psychological instability. The pictures feel simultaneously familiar, yet imaginary and dreamlike, transcending any specific time and place.
Posted on Tuesday, February 14, 2012 by Lindsey Westbrook
Pantone: The 20th Century in Color
Chronicle Books, 2011
Hardcover, 208 pages, $40
Pantone, the worldwide color authority, invites you on a rich visual tour of 100 transformative years. The book is designed by Brooke Johnson, who is a 2003 alumna of CCA's Graphic Design Program and now a member of our faculty and a senior designer at Chronicle Books. From the Pale Gold (15-0927 TPX) and Almost Mauve (12-2103 TPX) of the 1900 Universal Exposition in Paris to the Rust (18-1248 TPX) and Midnight Navy (19-4110 TPX) of the countdown to the millennium, the 20th century brimmed with color. The authors -- longtime Pantone collaborators and color gurus Leatrice Eiseman and Keith Recker -- identify more than 200 touchstone works of art, products, decor, and fashion, and carefully match them with 80 different official PANTONE color palettes to reveal the trends, radical shifts, and resurgences of various hues.