Alumni News

Posted on Wednesday, February 8, 2012 by Lindsey Westbrook

Issuu, 2012
Digital, 20 pages, free

This catalogue documents the work done in Sasha Duerr's (Textiles and Fine Arts faculty and MFA 2003) fall 2011 Craft Lab course, a cross-pollination of textile, fashion, and environmental systems thinking, inspired by ecological principles found in permaculture and regenerative design applied to restoration, repair, and its inherent connection to "craft."

Posted on Tuesday, February 7, 2012 by Lindsey Westbrook

Bedwetter Books, 2011
Hardcover, 208 pages, $40

Sniper takes a loose and imaginary look at the Baltimore Snipers, examining the relationships of paired serial killers as an ultimate expression of repressed desire. Christopher Russell (Photography 1998) writes a perverse version of the classic American love story told through the narrative chaos of nameless characters, past-life flashbacks, false recollection, and parental and bureaucratic influences that define the psychological space of the outsider. The text’s 200 full-color pages are heavily illustrated, reproducing Russell’s drawings scratched into photographic emulsion. The release of Sniper revives the Bedwetter brand, which achieved notoriety during its 12-issue existence with a destroy-to-enjoy design strategy and an embrace of difficult literary and visual material.

Posted on Tuesday, February 7, 2012 by Lindsey Westbrook

Gregory Halpern: A
J&L Books, 2011
Hardcover, 96 pages, $40

In A, American photographer Gregory Halpern (MFA 2004) leads us on a ramble through the beautiful and ruined streets of the American Rust Belt. The cast of characters, both human and animal, are portrayed with compassion and respect by this native son of Buffalo (now a professor at the Rochester Institute of Technology). The cities he is drawn to -- Baltimore, Cincinnati, Omaha, Detroit -- share similar histories with his hometown, and in this postapocalyptic springtime all forms of life emerge and run riot. Halpern's two previous books, Harvard Works Because We Do (a portrait of Harvard University through the eyes of the school's service employees) and Omaha Sketchbook (a lyrical artist's book portrait of the titular city), were also investigations of locations and persons that fly under the radar.

Posted on Tuesday, February 7, 2012 by Lindsey Westbrook

More American Photographs
CCA Wattis Institute, 2012
Paperback, 106 pages, $28

As the United States slowly emerges from its most significant economic downturn since the Great Depression, the [CCA Wattis Institute] reexamines the well-known photography program of the Farm Security Administration (1935-44). In More American Photographs, 12 contemporary photographers were commissioned to travel the United States, documenting its land and people. These new works are presented alongside historical images by original FSA photographers such as Dorothea Lange in a catalogue whose design was inspired by Walker Evans's seminal book American Photographs. The featured photographers include Walead Beshty, Esther Bubley, Larry Clark, Roe Ethridge, Walker Evans, Katy Grannan, William E. Jones, Dorothea Lange, Russell Lee, Sharon Lockhart, Catherine Opie, Gordon Parks, Martha Rosler, Collier Schorr, Ben Shahn, Stephen Shore, Alec Soth, Hank Willis Thomas (MFA and MA Visual Criticism 2004), and Marion Post Wolcott. The exhibition was curated by Wattis director Jens Hoffmann, who contributes an essay, and the book is designed by Graphic Design faculty Jon Sueda.

Posted on Monday, February 6, 2012 by Lindsey Westbrook

Fifty Years of Bay Area Art: The SECA Awards
San Francisco Museum of Modern Art, 2011
Hardcover, 168 pages, $29.95

Tanya Zimbardo (MA Curatorial Practice 2005), SFMOMA's assistant curator of media arts, coauthored this book chronicling and illustrating more than 100 SECA Award recipients from the late 1960s to the present, including CCA alumni Squeak Carnwath, Desirée Holman, Mitzi Pederson, Laurie Reid, Leslie Shows, and Kathryn VanDyke, among others. Featured faculty include Rebeca Bollinger, Kota Ezawa, Thom Faulders, Chris Finley, Donald Fortescue, Amy Franceschini, Clay Jensen, Jordan Kantor, Shaun O'Dell, Maria Porges, and Mary Snowden.

Posted on Monday, February 6, 2012 by Lindsey Westbrook

2010 SECA Art Award Exhibition Catalogue
San Francisco Museum of Modern Art, 2011
Paperback, 36 pages, $9.95

The most recent SECA Art Award exhibition showcases four Bay Area artists whose innovative works, while diverse in form and subject matter, reflect overlapping affinities. Representing CCA is Ruth Laskey (Painting/Drawing 1999, MFA 2005), who employs weaving, using a traditional floor loom, to expand on the painterly tradition of geometric abstraction. The other three featured artists are Colter Jacobsen, whose meticulous drawings, watercolors, and installations often incorporate found ephemera to explore reflection and longing; Mauricio Ancalmo, who combines various found mechanical instruments in a film-based installation to form a structural dialogue that is both poetically and philosophically inspired; and Kamau Amu Patton, who synthesizes works in a range of media to investigate the inter-zone of sound, materiality, and perceptual experience.

Posted on Monday, February 6, 2012 by Lindsey Westbrook

One More for the People
Perfect Day Publishing, 2011
Paperback, 224 pages, $16

Eight years in the making, One More for the People is the first collection from Martha Grover's (MFA Writing 2010) Somnambulist zine. Playful, wry, and conversational, it chronicles three generations in the life of the Grover family. As the idiosyncratic characters reluctantly confront adulthood, one Grover is always there to take notes. But after she’s diagnosed with a rare, potentially fatal disease (the 81 side effects of which include dramatic changes in her appearance, not to mention the dreaded possibility of having to move back home), the book becomes something unexpected: a survival guide.

Named one of the Best of 2011 by the Portland Mercury!

Read the reviews in the Portland Mercury and the SF Weekly.

Posted on Monday, February 6, 2012 by Lindsey Westbrook

Marci Washington: Selected Works 2005-Present
Leeds College of Art, 2011
Hardcover, 96 pages, $100

Published for the Marci Washington (Painting/Drawing 2002, MFA 2008) exhibition at Leeds College of Art in November 2011, this book shows most of Washington's output since 2005 in full color along with photographs of her studio, an interview, and a short essay. "Drawing from literature, film, fashion photography, and historical events," the artist writes, "I am building a disjointed fictional narrative with connections to the past as well as to the present. Like illustrations from a novel that doesn't exist, or stills from a film that was never made –- a story which functions as social commentary as well as a haunting multigenerational epic shrouded in supernatural mystery and romanticism."

Posted on Monday, February 6, 2012 by Lindsey Westbrook

Theatres of the San Francisco Peninsula (Images of America)
Arcadia Publishing, 2011
Paperback, 128 pages, $21.99

Beginning with early playhouses and storefront nickelodeons, continuing through the movie palace period, the golden age of the drive-in theater, and the modern-day multiplex, this volume of vintage photos and carefully researched text the various eras of movie theaters on the San Francisco peninsula, from Sunnyvale to the San Francisco city limit. Coauthor Jack Tillmany, a former operator of Oakland's Piedmont and Parkway theaters, contributed the majority of the photographs from his personal collection. Coauthor Gary Lee Parks (Illustration 1988) has been involved for more than 20 years in theater preservation and restoration as both a professional and a volunteer. He accessed numerous public and private collections to compile this volume.

Posted on Monday, February 6, 2012 by Lindsey Westbrook

CCA Graduate Program in Curatorial Practice, 2010
Paperback, 152 pages, free

Wendover documents a series of three Graduate Program in Curatorial Practice courses led by Center for Land Use Interpretation (CLUI) Director Matthew Coolidge and Curatorial Practice faculty member Marina McDougall. Analyzing exhibition and residency models, and looking more broadly at factors such as audience and site-specific programming, the enrolled students engaged with the CLUI outpost and artist residency in Wendover over a three-year period. A reader of sorts, the publication distills the students' activities and interactions with Wendover and documents their resulting projects: an audio tour (2008); a film program (2009); and an archive expansion (2010). Also included are interviews with Coolidge, Center for Art and Environment Director William Fox, and numerous texts contributed by students and visiting faculty. Contact for a copy.