Marine veteran and California College of the Arts alumni Maximilian Uriarte is a bit of a legend in the Marine Corps community when it comes to telling the untold story of life in the Marines. In 2010 he started a comic strip called Terminal Lance, that candidly and humorously addressed many of the nuances of life as a junior enlisted Marine.
Posted on Monday, July 8, 2013 by Allison Byers
Posted on Monday, February 25, 2013 by Chris Bliss
Posted on Monday, January 14, 2013 by Chris Bliss
Pixar's film Brave won Best Animated Feature at the 70th annual Golden Globe Awards, held January 13 in Beverly Hills. Accepting the award was Executive Producer Katherine Sarafian and Director Mark Andrews, CCA Animation faculty member.
The Golden Globe Awards are presented by The Hollywood Foreign Press Association and honor the best in film and television.
Posted on Wednesday, December 5, 2012 by Lindsey Westbrook
A character concept for Fergus from the Pixar film Brave, by Steve Purcell
Steve Purcell (Interdisciplinary Fine Arts 1982) is a cartoonist, animator, director, game designer, and Eisner Award recipient. He works at Pixar, and was a writer and codirector of the 2012 feature film Brave.
While at CCA he contributed comic strips to the college newspaper, Spectrum, and these were the first public appearances of his characters known as Sam & Max Freelance Police, a duo of anthropomorphic animal vigilantes and private investigators who have subsequently enjoyed great success in comic, TV show, and game formats.
One of Purcell's friends and fellow students at CCA was Mike Mignola (Illustration 1982), who went on to become the creator of Hellboy. They both studied under Vince Perez and Gary Ruddell. After graduation Purcell freelanced for Marvel Comics and spent some years at LucasArts and Industrial Light & Magic before landing his current job at Pixar.
Purcell shared some insights about his career in the latest issue of CCA's Glance magazine:
Posted on Tuesday, May 8, 2012 by Clay Walsh
CCA's Animation Program landed the #6 spot in "The Best Animation Programs in the West: Our Top 20 in the Western U.S. Region", published by Animation Career Review, an online resource for people aspiring for careers in animation and related fields.
Posted on Thursday, April 19, 2012 by Mitchell Schwarzer
Mitchell Schwarzer gives his introduction at the CCA faculty retreat
On February 4, 2012, the faculty at California College of the Arts gathered at the college's San Francisco campus for a retreat focused on the state of the arts across our many disciplines. In the morning, 25 short presentations offered insights into challenges and opportunities faced by practitioners and thinkers in recent times. The word aired most frequently was crisis: the crisis of the Great Recession; the crisis of Global Climate Change; the crisis of understanding and working within a discipline in our digital age.
The economic downturn has produced an economic squeeze within most of our disciplines. Art directors, as Alexis Mahrus remarks, have diminished roles in shaping an illustration. Smaller profit margins reduce the flexibility and time given over to experimentation. Branding and celebrity worship take up a larger slice of the creative pie. Some presenters, like Sue Redding of Industrial Design, see no problem in this conflation of art and business and, furthermore, dispute the notion of a crisis. Yet many presenters feel that the economic crisis is not only real but wielding dangerously asymmetrical impacts. Demand remains strong for high-end craft goods and blue-chip fine art. Some small nonprofits are struggling to survive. To Ignacio Valero of Critical Studies, the priority given over to luxury items can be attributed to the ongoing influence of classical economic policies that privilege individual decision making over collective social and natural needs. Likewise, Sandra Vivanco of Diversity Studies notes that economic inequalities have greatly worsened over the past few years, especially in the developing world. Contemporary society is forging a timeless, spaceless way of conducting business, a race for lucrative and short-term gains that concentrates investment more than ever in the hands of a few.
Posted on Thursday, November 17, 2011 by Clay Walsh
Congratulations to this year's juried R.A.W. Video (real artists at work) contest winners! The contest, open to all current CCA students, challenged contestants to create a two-minute (maximum) high-resolution digital film (including audio) with “In and Out of the Studio" as the required theme.
The goal was to encourage students to pick up their digital camcorders and highlight their community at CCA—whether in the classroom, studio, residence hall—or away from the college altogether. And the goal was definitely met several times over!
2011 R.A.W. Video Contest Winners
Posted on Tuesday, August 30, 2011 by Chris Bliss
Renowned writer Ishmael Reed joins the MFA Program in Writing faculty
For additional information about CCA's 2011-12 faculty hiring, read the latest Academic Newsletter by Provost Mark Breitenberg.
New Full-Time Faculty
Posted on Tuesday, June 7, 2011 by Simon Hodgson
Still from The Twilight Saga: Eclipse (courtesy Tippett Studio)
As art director for the animation company Tippett Studio, CCA alumnus Nate Fredenburg (Printmaking 1993) speaks with authority when he assures all you art students out there: The time you're spending in foundation courses -- drawing, sculpting, painting, color theory -- is time well spent. "Back when I was a work-study student, one of my jobs was to call prospective students and explain to their parents the value of an arts education. At the time, I only had anecdotal evidence.
Posted on Friday, January 28, 2011 by Lindsey Westbrook