Posted on Thursday, September 13, 2012 by Lindsey Westbrook
Paperback, 80 pages, $7.99
This book by Katherine Rinne (Architecture faculty) is historical fiction for young adult readers who are interested in art and cities. It tells the story of Francesco, a 12-year old apprentice stonemason who leaves his small village to go to Rome in 1748. He works on the Trevi Fountain with his uncle, who designed it, and some other young apprentices. His errands and work take him all over this city of confusing streets and alleys. While he and the other apprentices are fictional characters, his uncle, Nicola Salvi and the other architects and sculptors are real historical figures. Under the guidance of these men, Francesco learns how to inspect marble and how to carve sculptural details. He learns about aqueducts and fountains and solves the mystery of the stolen water. When Rome is flooded in 1750 he helps save the Trevi Fountain.Read the rest
Posted on Tuesday, September 4, 2012 by Allison Byers
CCA and ZERO1
An architectural social stage. Whispering walls. A suspended streetscape installation. These are just a few of the innovative and dynamic contributions from CCA faculty and students featured in ZERO1 Biennial, opening September 12, 2012, in San Jose.
Contributors include Architecture faculty members Mona El-Khafif, Jason Kelly Johnson, Nataly Gattegno, and Christopher Haas, alumnus Mark Campos (BArch 2010), and student David Gastaneta (BArch 2013).Read the rest
Posted on Monday, August 20, 2012 by Allison Byers
The delightfully quirky neighborhood of South Park—clustered around San Francisco’s oldest park—is hoping to get a modern makeover.
Originally developed in 1855 as a West Coast version of a London square, houses and offices line a verdant, one-acre oval. The South Park commons is one of 15 parks and other facilities that would be the beneficiaries of a $195 million San Francisco Clean and Safe Parks Bond, should it pass in November.Read the rest
Posted on Tuesday, August 14, 2012 by Lindsey Westbrook
Scholarship recipients Renata Maria Araujo (in black dress, with a friend) and Lionel Ramazzini
The following speeches were delivered by CCA scholarship recipients at the Scholarship Dinner in fall 2011.
Renata Maria Araujo
My name is Renata Maria Araujo. I am a fourth-year Architecture student, and I would not be here without the Lloyd H. Oliver Memorial Scholarship. It is the reason I attend CCA. I share your understanding that education is the most transcendent gift one can be given, and it allows us to have a foot in the door of the future.
Knowing I have been awarded this scholarship makes me feel proud, and, at the same time, obliged. No artist is an island, and I am very aware of the community I aspire to be part of. More than anything, though, every time I present my work I am thankful for the trust and encouragement this award represents.
I lived abroad almost all my life, so arriving at CCA was a dramatic change. I was even unsure about pursuing architecture. Now, I am in my fourth year, and it is my future career. I've met new housemates, work buddies, and the city of San Francisco. I've learned how to take a design from my mind, to paper, to physical reality. This knowledge has changed the way I see the world. Sometimes I'll look at a building today and think now I understand, or, sometimes, ignorance is bliss.Read the rest
Posted on Monday, August 6, 2012 by Allison Byers
Dr. Ila Berman provides an overview of some of the critical ideas foregrounded in the conference and a potential set of directives through which to frame ongoing and future initiatives.Read the rest
Posted on Friday, July 13, 2012 by Allison Byers
While a winner has not yet been selected, Tex-Fab’s new APPLIED: Research Through Fabrication competition has already produced interesting results as four semi-finalists emerge. The competition solicited proposals that best displayed “research through computational fabrication.” The four proposals selected in the first round of adjudication address acoustics, structure, construction, material, and surface effects, each using on digital modeling and fabrication techniques.Read the rest
Posted on Tuesday, July 3, 2012 by Lindsey Westbrook
Watching their Carnaval float moving down Mission Street as part of San Francisco's massive annual parade, laden with dancers from the Brazilian troupe Sambaxé, accompanied by the vibrant beats of the Brazilian musical group Blocura and the powerful moves of the Brazilian ABADA Capoeira troupe, TV cameras rolling, people cheering from the sidewalks and the rooftops high above. . . It was a triumphant moment for CCA faculty member Sandra Vivanco and the 15 students in her Body and Spectacle course.
The Carnaval parade was the culmination of a semester of hard work and intensive collaboration -- not only among the CCA students, but also in coordination with a group of high school students enrolled in the Out of Site Youth Arts Center, the city of San Francisco, experts in construction and transportation, and beyond. The CCA course was offered under the auspices of Diversity Studies and attracted a correspondingly wide-ranging bunch, from Architecture and Interior Design to Graphic Design, Illustration, Fashion Design, and Painting/Drawing.
The students designed not only the Carnaval float structure, but also the costumes and props that made its appearance in the parade a real performance rather than just a potential site for one. They had done as much work as they could in the CCA shops, and then transported the pieces to Pier 40, where the city graciously donated space for final assembly.Read the rest
Posted on Friday, June 22, 2012 by Allison Byers
Two teams from CCA were on June 5 awarded top prizes at 2X8 TAUT, the tenth annual architecture and design student competition and exhibition sponsored by the American Institute of Architects, Los Angeles Chapter (AIA | LA). Fractals of Knowledge, by Osma Dossani, took second place; and FRESNOW, by Alex Decicco, Francis Silagon, and Hugh Vanho, took third.Read the rest
Posted on Thursday, June 21, 2012 by Allison Byers
To get a sense of Jason Kelly Johnson’s vision for buildings of the future, drop by the Buckminster Fuller show on view at SFMOMA through July 29. Johnson’s San Francisco-based studio Future Cities Lab was one of the firms chosen to represent Fuller’s legacy in the Bay Area. You’ll see the motorized model for the HYDRAMAX Port Machine, a waterfront “urban-scale robotic structure” that harvests rainwater and fog, designed by Johnson and his partner Nataly Gattegno—a dynamic concept that makes today’s built environment look positively lazy by comparison.Read the rest