In 2008 Crescimano landed at Gensler's San Francisco office. She was piling up internship hours, working on campus planning and office projects for clients like Hewlett-Packard and Kaiser Permanente. In her spare time, she co-taught, with Public Architecture, a studio on small-space interventions at California College of the Arts. She was also collaborating with the intelligentsia at the San Francisco urban-research nonprofit SPUR, frequently writingand speaking on the future of work.
Posted on Wednesday, March 19, 2014 by Laura Braun
Posted on Wednesday, February 26, 2014 by Allison Byers
Team members Kristina Kotlier (MArch 2013) (left) and Raine Paulson Andrews (MArch 2014) (right) with a STAND UP supporter
Robert Gomez (MFA and MA Visual and Critical Studies 2013), Raine Paulson Andrews (MArch 2014), and Kristina Kotlier (MArch 2013) were indeed one of three teams who won the award for summer 2013, and the project they carried out, STAND UP with Jamaica, was a major turning point for all of them.
Posted on Wednesday, February 12, 2014 by Laura Braun
David Gissen and Irene Cheng, the exhibit's architectural-historian curators from the California College of the Arts, searched far and wide to amass this surreal collection of odors. They tapped into the collections of rock-star perfumers like Laudamiel – who fabricated "Paris 1738" using "cassis note for urine, and [pyrazine] molecules for the other sewage effects" – and solicited tips from odor-obsessed writers like Chandler Burr, the one-time perfume critic forThe New York Times.
Posted on Tuesday, February 11, 2014 by Laura Braun
Alternative Futures, an exhibition of visionary architectural designs inspired by the new LGBT senior housing project at 55 Laguna St., is on display on the third floor of the San Francisco LGBT Community Center through March 15, with a free reception open to the public on Sat., Feb. 8, from 1-3 p.m.
Posted on Wednesday, January 29, 2014 by Laura Braun
Such alternative historical practices were the subject of a recent pair of events held at the California College of the Arts (CCA) in San Francisco, both sponsored by the school’s Masters program in Design Theory and Critical Practices. The first was an exhibition entitled An Olfactory Archive: 1100-1951, curated by David Gissen and designed by Brian Price and Matt Hutchinson, that explored scent as a medium of historical reconstruction.
Posted on Wednesday, January 29, 2014 by Laura Braun
One such operation is being run at the California College of the Arts by Jason Kelly Johnson and Michael Shiloh. As part of the CCA Hybrid Lab, where computers are taught in a scrappy, DIY, hackerish way, "Creative Architecture Machines" aims to integrate computer programming into the design-build process with machines the students have created directly for architecture. "We treat the machine, code, and material exploration as equals," Johnson said.
Posted on Tuesday, January 28, 2014 by Lindsey Westbrook
University of Minnesota Press, 2014
Paperback, 240 pages, $30
From the 1960s to the early 1980s, New York’s great park networks; its sanitarian projects of light, air, and water; and its monumental public works were falling apart. Images of flooded streets, blackened air, collapsed highways, and burning buildings characterize our understanding of the city’s landscape throughout this period.
At the same time, architects reimagined interior spaces as a response to these urban disasters. In this book, Architecture faculty member David Gissen reveals this chapter in New York’s environmental history that was unfolding inside the city’s gleaming late-modern architecture.
Posted on Monday, January 20, 2014 by Lindsey Westbrook
On a crystal-clear June evening in summer 2013, the sun is setting in Marfa, Texas, and a dozen CCA students -- together with a dozen more students from two art schools in the Netherlands -- are settling into the evening rhythms of their tent city.
The tents are cozily nestled in the courtyard of a former officer’s club, long abandoned by the US military. Elsewhere in the building complex, an old bar has been converted into an ad hoc Internet lounge. A spookily empty ballroom houses a broken-down old piano. The kitchen has accommodated the making of many a communal dinner.
Posted on Friday, January 10, 2014 by Laura Braun
Last month I sat in on the reviews for a Creative Architecture Machines studio exploring the implications of 3D printing—in combination with the Maker Movement, a tech-influenced DIY community. This one was organized at the California College of the Arts (CCA) by professors Jason Kelly Johnson and Michael Shiloh. For the final review, they invited a cast of characters you could probably only assemble in the Bay Area, ranging from architecture nerds to technology geeks, including one Google executive wearing Glas and no doubt recording it all.
Posted on Monday, January 6, 2014 by Laura Braun
Jia Wu, Mary Sek, and Jeff Maeshiro, students at the California College of the Arts (CCA) in San Francisco, took on the task of developing a walking 3D printer. The result is Geoweaver, a hexapod robot with a glue gun extruder system. Hackaday has seen walking CNC machines before, but not a 3D printer. Geoweaver uses two servos on each of its six legs to traverse the land.