Hong began his film career at Chungang University in Korea, before moving to the States where he received his Bachelor’s degree from the California College of Arts and Crafts and his Master’s from the School of the Art Institute of Chicago. Hong made his official directorial debut at age 35 with “The Day a Pig Fell into a Well” in 1996. That same year he won five awards, including three for best new director.
Posted on Monday, August 19, 2013 by Allison Byers
Posted on Thursday, August 15, 2013 by Jim Norrena
The Center for Craft, Creativity & Design announced in April that Hilary Sanders and Michael Esteban, two recent Jewelry / Metal Arts alumni, both were awarded a 2013 Windgate Fellowship, bringing to five the total number to date of Windgate Fellowships awarded to CCA students since the award's inception.
The fellowship selection process presents a “rare opportunity to survey the best and brightest emerging makers in the field of craft.” It also gives these emerging artists both the validation and financial resources to pursue their dreams.
Posted on Thursday, August 15, 2013 by Anesta Iwan
Anesta Iwan and her Lowell High School professor Julian Pollak
At first there was one, then a second, a third, a fourth, and eventually a fifth and a sixth and so on. . . . There is a chain of us "Lowellites" (graduates from Lowell High School in San Francisco) who very decisively moved on to CCA right after high school. I was the fourth.
Soon after I gave up my fantasy of becoming an astronaut back in fifth grade, I quickly took an interest in architecture. This was back in 2001, around the time when the Sims game was developed and got popular. I had watched my cousin play it online (I can only imagine how irritating it must have been with the old dial-up connection!) and remember getting so engrossed in designing the houses -- far more than in the social aspects of the game.
Posted on Thursday, August 1, 2013 by Rachel Walther
When you first enter Enlightenment Room (2008), an immersive environment artwork by Jewelry / Metal Arts faculty member Nick Dong, nothing happens. You walk down a short, mirrored corridor in semi-darkness to a gray cushioned seat that faces the entrance.
But the moment you sit down, light begins to fill the space, and thousands of white, oval tiles glisten into view. Ethereal music fills your ears. The light brightens, and the music intensifies. This experience can last a few minutes, or a few hours, depending on how long you remain seated . . . waiting. The moment you stand, the music and lights fade out.
Posted on Wednesday, July 24, 2013 by Ace Lehner
The following undergraduate Printmaking students have been awarded the 2013 Yozo Hamaguchi Printmaking Scholarship. Each received a $3,000 tuition scholarship.
The graduate winners are Channing Morgan and Sarah Jones.
Posted on Monday, July 8, 2013 by Jim Norrena
"Serpentine" is a 3D clay printer prototype [photo: Future Cities Lab]
Posted on Monday, July 1, 2013 by Susannah Magers
Tim Bishop (MBA in Design Strategy 2010) works for Parallel Development, a Brooklyn-based design and fabrication studio. The five-person company specializes in collaborating with digital designers, artists, and architects to bring their visions to life.
"We develop the electrical and mechanical platforms they require for their works," Bishop explains, "The works take many forms and might have various levels of interactivity. Frequently they are custom 3D LED displays."
Posted on Monday, June 10, 2013 by Ace Lehner
Wellhole and the Rope (video still)
Posted on Wednesday, May 29, 2013 by Allison Byers
When we asked the 2013 Tribeca filmmakers what schools they went to, we were not expecting such a diverse crop of responses. While a fair number did not attend film school, NYU was heartily represented. Boston University, Tel Avivi University and the program at University of Florida (now at Wake Forest) all were fairly well represented. Compare this list to the Sundance filmmakers from earlier this year.
Posted on Thursday, May 16, 2013 by Allison Byers
Amy has maintained a thoroughly active career, seamlessly intertwining her design accomplishments with her role as an educator and supporter of the community. Her body of work displays a rigorous focus on evolving environmental and sustainable concerns, in her field of instruction, her research and in her exhibitions. In addition to her position as owner and principal of her ACA firm in San Francisco, Amy serves as Assistant Professor at California College of the Arts, where she teaches and develops new courses in the Undergraduate Interior Design Program.