Awards and Accolades News

Posted on Monday, August 13, 2012 by Lindsey Westbrook

Bean Gilsdorf (MFA 2011) never imagined herself as a professional advice columnist. But in a moment of levity at an editorial meeting of the art blog Daily Serving, she tossed out the idea of an art advice column, and the others wouldn't let it drop.

And once she launched the thing, it really took off. She posted her first "Help Desk" column in January 2012, and it was almost immediately picked up by KQED.org and the Huffington Post.

What have been the most memorable questions? "One was, 'I just discovered that my MFA faculty advisor is an adulterer. I find that morally reprehensible. Should I continue to trust him in our student-advisor relationship?'"

This dilemma can't be reduced to yet another case of people not living up to expectations, Gilsdorf explains, since your advisor is your designated critic-advocate, and the nuances of the trust and the power dynamic are quite specific. In other words, Dear Abby can't deal with this one. You really need the advice of another artist.

What's been the strangest question so far? "'What is the best and most humane way to skin a cat as part of an art piece, in front of an audience'’ I wrote the guy back privately and told him I wasn't qualified to give an answer."

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Posted on Friday, August 10, 2012 by Allison Byers

BERKELEY -- Filmmaker Jacob Kornbluth was shooting a series of short videos about the economic crisis featuring former Labor Secretary Robert Reich when he realized he had a much bigger story to tell.
"I thought, 'I'm sure there are a lot of people like me who are looking for a coherent story of what happened in a movie (format)," Kornbluth said.
The pair agreed to partner on a feature-length documentary, "Inequality for All." Inspired by Reich's book "Aftershock," it's "sort of 'An Inconvenient Truth' for the economy," Kornbluth said.

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Posted on Thursday, August 9, 2012 by Allison Byers

The Berkeley FILM Foundation awarded a combined $150,000 in grants on July 26 to 23 local filmmakers, including five students and one UC Berkeley alumna.

The grants — funded by the city of Berkeley, Wareham Development and the Saul Zaentz Company along with fundraised donations — aim to assist the filmmakers in any stage of their films’ production and to provide the films with the credibility and recognition necessary to succeed.

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Posted on Wednesday, August 8, 2012 by Allison Byers

Industrial design has always been a sexy job, if only in the minds of industrial designers. Then Apple and its sleek, user-friendly consumer electronics became household items and suddenly, industrial design became sexy to a much wider swath of society.

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Posted on Monday, August 6, 2012 by Matthew Harrison Tedford

Elizabeth Dorbad and Ann Schnake, "Kunsthalle Fridericianum with Empanadas," 2012

Every five years the art world descends on Kassel, Germany, for Documenta. For 100 days, venues across the city present one of the world's largest and most prestigious art events to hundreds of thousands of visitors. The 2012 edition is curated by Carolyn Christov-Bakargiev and features an all-star list of hundreds of international artists, from William Kentridge to Song Dong.

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Posted on Thursday, July 26, 2012 by Victoria Deblassie

Victoria DeBlassie at the top of the Leaning Tower of Pisa, summer 2010

This is a story by CCA alumna Victoria DeBlassie (MFA 2011) recounting her study-abroad trip to Italy in summer 2010. It inspired her to apply for a Fulbright grant to return to Italy, which was accepted!

Learn more about CCA's study-abroad programs, hosted by the Office of Special Programs.

Tuesday, July 14, 2010: I'd been traveling throughout Italy for more than a month and had just arrived in Rome. My eyes, heavy from the long trip from Venice and the dense summer heat, glanced at the marquee of the building where I was staying, one floor of which was the Lilium Hotel. I did a double-take when I saw the neighboring proprietor's name: Di Blasi, the original Italian version of my own last name!

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Posted on Thursday, July 19, 2012 by Molly Mitchell

Henry Parsons's relief print was selected for this year's exhibition poster.View slideshow 

The 17th Annual Yozo Hamaguchi Printmaking Scholarship Awards exhibition will take place August 20–September 12, 2012, at the Isabelle Percy West Gallery on CCA’s Oakland campus.

Please join the CCA community for an exhibition reception scheduled for Wednesday, September 5, from 5:30 to 7:30 p.m. (See event details »)

2012 AWARDEES

Each of the 2012 Yozo Hamaguchi Printmaking Scholarship undergraduate winners received a $3,000 tuition scholarship:

Hunter Buck
Arielle Coupe
Hayley Delaney
Sara Lankutis
Henry Parsons
Marcel Patzwald

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Posted on Thursday, July 19, 2012 by Allison Byers

The Core77 Design Awards Congratulates the 203 Winners, Runners-Up and Notables for the 2012 program!!

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Posted on Wednesday, July 11, 2012 by Allison Byers

Fantagraphics Books and award-winning cartoonist Justin Hall have produced a definitive collection of the greatest LGBT comics created over the last four decades.

Out superheroes such as Northstar, Batwoman, and Green Lantern’s Alan Scott weren’t always a part of the landscape of comic book characters. Not so long ago even acknowledging the LGBT community was forbidden in the conventional world of comics. That didn’t stop queer cartooning and characters from existing, though.

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Posted on Monday, July 9, 2012 by Matthew Harrison Tedford

For Visual and Critical Studies alumna Susan Miller, who just received her degree in 2012, the final semester of graduate school proved to be a series of both great challenges and great successes. Simultaneously, she researched and wrote her thesis while co-curating a major exhibition at the Oakland Museum of California, Modern Cartoonist: The Art of Daniel Clowes, an effort that had been decades in the making.

Before she ever arrived at CCA for graduate school, Miller had already built a long curatorial career distinguished by hard and impassioned work and the desire to give artists a platform to be heard. "I was drawn to the Bay Area's vibrant community of artist-run spaces," she explains of her 1986 move to San Francisco. She left the Institute of Contemporary Art Boston, where she was the promotions director, to be a part of San Francisco's collectivist and grassroots contemporary art scene. From 1988 to 1992 she served as the program director of Capp Street Project (which later became affiliated with CCA's Wattis Institute) before moving to New Langton Arts in San Francisco, which she headed from 1993 to 2005.

At Capp Street Project, Miller produced exhibitions and installations of work by Mowry Baden, Shu Lea Cheang, Mel Chin, and Ursula von Rydingsvard, among many others. After moving to New Langton Arts, she focused the programming on important local artists who had yet to receive the critical writings and public exposure she felt they deserved. Some of her "profile" exhibitions there surveyed the work of the local artists Jim Pomeroy, Tony Labat, and Jeanne Finley (now a CCA faculty member).

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