Bookshelf News

Posted on Wednesday, January 28, 2015 by Jim Norrena

"Robot Umbrella," Eve Skylar, contributor

The new issue of Eleven Eleven, the biannual journal of literature and art published through CCA's MFA Program in Writing, is available to read at elevenelevenjournal.com!

"The aim of the publication is to provide a forum for risk and experimentation and to serve as an exchange between writers and artists," explains longtime faculty editor Hugh Behm-Steinberg,

Ongoing Tribute to Burmese Writers

A new feature of Eleven Eleven now includes a section devoted to Burmese writers. Starting with issue 18, Eleven Eleven will feature several Burmese writers (both in Burmese and in English translation) in all forthcoming online issues.

Posted on Wednesday, June 18, 2014 by Lindsey Westbrook

Star 82 Review 2.1 and 2.2
CreateSpace, 2014
Paperback and online, $11.95
Issue 2.1 print / online
Issue 2.2 print
/ online

Star 82 Review is an art and literature magazine founded and edited by Printmaking faculty member Alisa Golden. Out now: issues 2.1 and 2.2!

“We’ve got color in the spring for issue 2.1, featuring a new poem by the wonderful Joanne Kyger,  photos by Mary Daniel Hobson that look like tattoos, but aren’t, and graffiti photos and stories and poems that revolve around individuality. Layered and worthy of multiple readings, these pieces deal with contradictions and alternate identities.”

Issue 2.1 features CCA alumnus Jønathan Lyons (MFA Writing 2005), who has created an erasure text from two pages of Frankenstein. 

Of issue 2.2, Golden says: “Like rivers, rocks, and beaches, the pieces in the summer issue 2.2 are about surviving, but also show how we take care of one another, how we often judge too quickly, how we discover compassion and hope: this is an eclectic, colorful mix of writing and art, from poems assembled from gravestones to portraits on toast.”

Issue 2.2 features CCA alumna Bonnie S. Kaplan (MFA 1991).

Posted on Wednesday, June 18, 2014 by Lindsey Westbrook

Art Fare: Andy Freeberg
Sojourn Books, 2014
Hardcover, 88 pages, $50

Graphic Design faculty member Bob Aufuldish designed this book of photographs by Andy Freeberg; it is the very first title published by Sojourn Books. In the pictures, Freeberg depicts dealers and their workers at the major art fairs in Miami, New York, and Basel.

Freeburg says: “Gallery owners and their staff are usually hidden behind large entry desks and closed office doors. But at the major art fairs I’ve visited, like New York’s Armory Show and Art Basel in Miami and Switzerland, they’re in plain view in their booths. As if on stage, you can see art dealers meeting with collectors, selling and negotiating, talking on cell phones, working on laptops, and manipulating touch screens in 21st century postures newly adapted for the latest electronic devices. I found the lighting, costumes, and set design excellent for photographing these living dioramas, where the art world plays itself.”

More images of the design: https://www.behance.net/gallery/Art-Fare/15506285

Posted on Wednesday, June 18, 2014 by Lindsey Westbrook

Kids on YouTube: Technical Identities and Digital Literacies
Left Coast Press, 2014
Paperback, 272 pages, $34.95

Critical Studies faculty member Patricia G. Lange wrote this academic ethnographic monograph on understanding kids’ everyday engagement with new media. Debunking the stereotype of the self-taught computer whiz, Lange describes the collaborative social networks kids use to negotiate identity and develop digital literacy on the 'Tube. Her long-term ethnographic studies also cover peer-based and family-driven video-making dynamics, girl geeks, civic engagement, and representational ethics. This book operates in the realms of new media studies, communication, science and technology studies, digital anthropology, and informal education.

The book was recently profiled on Henry Jenkins's blog.

Posted on Wednesday, June 18, 2014 by Lindsey Westbrook

Lina Bo Bardi: The Theory of Architectural Practice
Paperback, 2014
Routledge, 280 pages, $49.95

The architect Lina Bo Bardi (1914-1992) has long been considered one of the major modern architects of the 20th century in Brazil. But her major writings on architecture have not been translated, and are not well known. This book contains the first English-language translation of Propeadeutic Contribution to the Teaching of Architecture Theory, a seminal text from 1957. It is arguably the first published writing on architecture theory by a practicing woman architect.

Accompanying the translation is an introductory essay by Interior Design Program chair Cathrine Veikos that interprets Bo Bardi’s text as a critical and constructive theory of architecture built from a collection of textual and visual artifacts.

The translation contextualizes Bo Bardi’s work theoretically, taking into account the specific historical sources and contemporaneous discourses from which it draws. With comparisons to other important architectural pedagogies and theoretical texts of the period, it is also an inquiry into the nature of architecture history and theory, its role in education and its relation to practice.

Read reviews and other commentary:

http://archrecord.construction.com/features/2014/1405-Lina-Bo-Bardi.asp
http://www.nybooks.com/articles/archives/2014/may/22/bo-bardi-architecture-perfect-imperfection/?insrc=toc
http://www1.folha.uol.com.br/fsp/ilustrissima/163194-a-dona-do-espaco.shtml

Posted on Wednesday, June 18, 2014 by Lindsey Westbrook

Lady Problems
SheBooks, 2014
E-book, free to members

Writing faculty member Faith Adiele wrote this book based on her personal experience as a Nigerian-Nordic-American woman who develops fibroids while in rural Iowa at the Iowa Writers’ W

Posted on Wednesday, June 18, 2014 by Lindsey Westbrook

500 Figures in Clay
Lark Crafts, 2014
Paperback, 420 pages, $27.95

The second volume of 500 Figures in Clay features seven CCA alumni. Congratulations to Shalene Valenzuela (MFA 1997), Nuala Creed (Ceramics 1999), Derek Weisberg (Ceramics 2005), Crystal Morey (Ceramics 2006), Joe Kowalczyk (Individualized Major 2006), Yeon Joo Lee (Ceramics 2012), and Victoria Jang (MFA 2014). The book features works by new and emerging ceramicists who chronicle the ongoing exploration of the human form. Amazon says: “From rustic creations to postmodern designs, from realistic to abstract, these pieces embody the diversity, imagination, and excellence of today's finest ceramic art.”

Posted on Wednesday, June 18, 2014 by Lindsey Westbrook

Lost Children of the Far Islands
Knopf Books for Young Readers, 2014
Hardcover, 288 pages, $16.99

This book by alumna Emily Raabe (MFA Writing 2003) tells the story of twins Gustavia and Leomaris, who are utterly surprised one day when their mother becomes mysteriously ill . . . because she's not really human. She's a Folk, one of a group of people who can turn into animals. Gus and Leo are about to turn 11, the age at which the Folk begin to Turn, and they start to notice peculiar things happening to them, like being able to hold their breath under water for long periods of time. Soon they learn they are the last of the Folk, and the only ones who can stop the Dobhar-Chu, the villainous King of the Black Lakes, from escaping his cave prison.

Posted on Wednesday, June 18, 2014 by Lindsey Westbrook

Emily’s Blue Period
Roaring Brook Press, 2014
Hardcover, 56 pages, $17.99

Illustration faculty member Lisa Brown illustrated this book about a young girl who loves Picasso and uses her own art to come to terms with her parents’ divorce. School Library Journal says: “The pencil and watercolor illustrations are appropriately muted, sticking to a soft blue, green, and brown color scheme with highlights of yellow and red. The subtle addition of some digital imagery creates lively, relatable illustrations.”

Posted on Wednesday, June 18, 2014 by Lindsey Westbrook

29 Myths on the Swinster Pharmacy
McSweeney’s McMullens, 2014
Hardcover, 32 pages, $14.95

Illustration faculty member Lisa Brown illustrated and designed this picture book that collects 29 “myths” about a small-town pharmacy, delivered by a young pair of siblings who are obsessed with this mysterious establishment. Booklist says: “Brown paints the pharmacy a drab gray that permeates the rest of the story like a dense fog, and her children, dressed in yellow, orange, and red, stand out against the inky obscurity like the incisive investigators they are.”

Pages