Bookshelf News

Posted on Wednesday, January 29, 2014 by Lindsey Westbrook

Polaroids from Haiti
Nazraeli Press, 2014
Hardcover, 16 pages, $100

The photographs in Jim Goldberg (Photography faculty) contribution to Nazraeli Press’s One Picture Book series (this is number 84), Polaroids from Haiti, were taken during a week in March 2013. They depict Haitians dealing with their everyday struggles. Goldberg, who describes himself as a documentary storyteller, spent this time traveling throughout the country listening to and photographing Haitian life.  The resulting images reflect the continuing challenges and undying spirit of this impoverished country, when the 2010 earthquake is still reverberating. The publication is limited to 500 numbered copies, each one with an original signed Polaroid by Goldberg.

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Posted on Tuesday, January 28, 2014 by Lindsey Westbrook

Manhattan Atmospheres
University of Minnesota Press, 2014
Paperback, 240 pages, $30

From the 1960s to the early 1980s, New York’s great park networks; its sanitarian projects of light, air, and water; and its monumental public works were falling apart. Images of flooded streets, blackened air, collapsed highways, and burning buildings characterize our understanding of the city’s landscape throughout this period.

At the same time, architects reimagined interior spaces as a response to these urban disasters. In this book, Architecture faculty member David Gissen reveals this chapter in New York’s environmental history that was unfolding inside the city’s gleaming late-modern architecture.

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Posted on Tuesday, January 28, 2014 by Lindsey Westbrook

Rich and Poor
Steidl, 2014
Hardcover, 256 pages, $65

From 1977 to 1985, Jim Goldberg (Photography faculty) photographed the wealthy and the destitute of San Francisco, creating a visual document—a combination of text and photographs—that has since become a landmark work. In 1984 the series was exhibited alongside Robert Adams and Joel Sternfeld in the Three Americans exhibition at the Museum of Modern Art in New York, and it was published the following year by Random House.

Out of print since 1985, Rich and Poor has been completely redesigned and expanded by the artist for Steidl. Available for the first time in hardcover, it now features a surplus of vintage material and contemporary photographs that have never been published or exhibited. The photographs constitute a shocking and gripping portrait of America in the 1970s and 1980s that remains just as relevant today.

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Posted on Tuesday, January 28, 2014 by Lindsey Westbrook

Wilderness
University of New Mexico Press, 2014
Hardcover, 128 pages, $50

Graphic Design faculty member Bob Aufuldish designed this monograph of Debra Bloomfield's work. A five-year project, it chronicles her photographic journeys into the landscape to an old forest in Alaska. A soundscape CD is part of the book, allowing the reader to share Bloomfield's journey: hearing the call of the common crow, the crunch of snow underfoot, and the hum of a ferry’s engine. There are essays by Lauren E. Oakes, Rebecca A. Senf, and Terry Tempest Williams
Wilderness.

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Posted on Tuesday, January 28, 2014 by Lindsey Westbrook

Celluloid Salutations
BlazeVOX, 2014
Paperback, 142 pages, $16

Celluloid Salutations is the second book by alumna Elizabeth Block (MFA Writing 2002, MFA 2003).

Juliana Spahr says: “It’s all here: love, work, child. And the writing. Mainly the writing. It takes over all these other things and yet it is built out of all these things. This is how Elizabeth Block erases Elizabeth Block, as one poem claims. She does this automatically, animalistically, while wailing forward, gracefully and with improvisation.

Bill Berkson says: “Elizabeth Block’s poetry moves through those ‘layers of noise’ we all contend with and goes a long way toward conquering by absorbing them. Page by page, the intervals, apparent blanks and interruptions between word clusters, vibrate tellingly with each tabulation of event, the actuality in and of the words as Block arranges them. Here is urgency and nuance. The matter never gets figured out we want it to we think all day long on. Take time to read this magnetic book.

The cover artwork is by noted CCA alumna Amanda Hughen (Graphic Design 1999).

Block won the Christopher Isherwood Foundation Fiction Fellowship for her first novel, A Gesture Through Time, which was fiscally sponsored by Intersection for the Arts. She was a Poets & Writers grantee for the presentation of new work at the Lab in San Francisco.

Block has won many other awards and residencies, including an award from Poets & Writers and another from the Djerassi Resident Artists Program Tread of Angels Fellowship. Her writing has appeared on stage, in film, in public art, in books, on audio CD and podcasts.

She is also a filmmaker whose film poems have traveled extensively throughout the United States and elsewhere. She has published work in many genres and in many journals, and her work has also appeared on the public radio stations KQED and KSFR. She often collaborates with musicians and visual artists.

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Posted on Tuesday, January 28, 2014 by Lindsey Westbrook

Moments of Impact: How to Design Strategic Conversations That Accelerate Change
Simon & Schuster, 2014
Kindle/hardcover, 272 pages, $12.74/$28

Lisa Solomon (Design MBA faculty) cowrote this book describing how leaders can use design for creative and collaborative problems solving. She and her coauthor, Chris Ertel, draw on decades of experience as innovation strategists, supported by cutting-edge social science research, dozens of real-life examples, and interviews with more than 100 thought leaders, executives, and fellow practitioners. Solomon says, “This book is a strong reflection of the core principles of innovation leadership we're trying to teach the MBA in Design Strategy students.”

The book also includes a “starter kit” full of tools and tips for putting the book’s core principles into practice. It has garnered wide support from recognized thought leaders and a great review in Publishers Weekly. CCA alumnus and Plum Organics founder Neil Grimmer (Sculpture 1995) is one of the highlighted cases in the opening chapter.

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Posted on Tuesday, January 28, 2014 by Lindsey Westbrook

Horizontal Book 2013: The Neverwere Exhibits and Other Work
Blurb, 2013
Paperback/hardcover, 70 pages, $30.99/$41.99

This book by alumnus Kip Bryant (MFA 1976) contains various art projects completed in 2013, including Floating Leaf, Moonlight, and The Neverwere Exhibits.

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Posted on Tuesday, December 3, 2013 by Lindsey Westbrook

CARJACKED
Concrete Press, 2013
Hardcover, 100 pages, $122.86

CARJACKED is a counter-appropriation of the BMW Art Car initiative, developed within the virtual spaces of the popular Forza Motorsport video game. This limited edition book provides a visual and critical documentation of CARJACKED, a project developed in 2012 by COLL.EO (the artist Colleen Flaherty and Visual Studies faculty member Matteo Bittanti.

The book features contributions and essays from Isabelle Arvers and Jeffrey T. Schnapp and a long conversation between COLL.EO and Carlo Ricafort.

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Posted on Friday, November 15, 2013 by Lindsey Westbrook

Studio Visit
Edition One, 2013
Paperback, 204 pages, $35

Painting/Drawing chair Linda Geary documents the visits she made to 100 Bay Area artists, curators, writers, and gallerists in 2011. A subjective recollection of each meeting is paired with a selection of vibrant colors, chosen by each subject from a stack of 285 color swatches hand painted by Geary. The result is a striking and original book that captures the vibrant spirit of the Bay Area art community. Numerous CCA affiliates were among those who spoke with Geary. Interviewees include Bill Berkson, Apsara DiQuinzio, Nathaniel Dorsky, Chris Duncan, Jens Hoffmann, Andrew Masullo, Lawrence Rinder, Alison Smith, and David Wilson.

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Posted on Tuesday, November 12, 2013 by Lindsey Westbrook

How to Hang a Picture: And Other Essential Lessons for the Stylish Home
St. Martin's Griffin, 2013
Hardcover, 160 pages, $19.99

CCA alumna Susanne LaGasa (Graphic Design 2005) coauthored this user-friendly guidebook that details everything you need to know about hanging, framing, decorating, and displaying art. Think of it as Strunk & White’s Elements of Style for how to put art on your wall.

The book outlines not only technical pitfalls and mishaps—crumbling plaster, ruined antique lath, mismatched art hung too close together, poorly-mounted photographs warping in their frames—but also more essential aesthetic lessons. The skill and consideration with which you decorate your home makes a statement about the world you inhabit. And when it’s done right, it very clearly looks a whole lot better.

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