CCA in the Media News

Posted on Tuesday, January 6, 2015 by Laura Braun

The Bluetooth Special Interest Group has announced the finalists of its 2015 Bluetooth Breakthrough Awards that applaud the most innovative products and applications developed for the wireless protocol today.

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Posted on Monday, January 5, 2015 by Laura Braun

A CFDA-affiliated school, its students have won many industry awards and landed jobs with marquee-name labels and companies, including Nike, Badgley Mischka and Thom Browne. There is also a notable focus on sustainable design. 

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Posted on Monday, January 5, 2015 by Laura Braun

The Space Weaver is a machine that prints large structures in three dimensions, using a 3-axis gantry system and super glue hardened fibrous materials. Created by Prerna Auplish, Evan Bowman, and Ryan Chen from San Francisco’s California College of the Arts, the Space Weaver was designed to create large, ultra-lightweight woven structures with a high strength-to-weight ratio and no support structures, while producing no waste.

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Posted on Monday, January 5, 2015 by Laura Braun

Tom Barbash: Wrote the novel “The Last Good Chance” and nonfiction book “On Top of the World: Cantor Fitzgerald, Howard Lutnick, & 9/11: A Story of Loss & Renewal.” Teaches at California College of the Arts.

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Posted on Monday, January 5, 2015 by Laura Braun

Most recently, Future Cities Lab's Theater of Lost Species and Hydraspan projects were exhibited in the Dissident Futures exhibition (October 18, 2013–February 2, 2014) at YBCA. In 2012, their HYDRAMAX Port Machines project was exhibited at SFMOMA, and they exhibited their work at the 2009–2010 Hong Kong/Shenzhen Biennale and the 2014 Venice Architecture Biennale.

Posted on Monday, January 5, 2015 by Laura Braun

After growing up in Oklahoma and earning her bachelor's degree at the University of Central Oklahoma, Dallas moved to Oakland, Calif., to pursue a career in advertising, then her master of fine arts in design at the California College of the Arts, where she developed the concept for Afrikanation Artists while working on her thesis. An encounter at a Kenyan mall with an artist who was not allowed to sell his work outside of a single gallery sparked her to turn the idea into an organization.

Posted on Friday, December 19, 2014 by Laura Braun

Anthony Huberman was appointed the director of the CCA Wattis Institute in August of 2013, but only really started reshaping the institution this fall with an intriguing—and fairly democratic—strategy for presenting and thinking about contemporary art.

Posted on Friday, December 19, 2014 by Laura Braun

Leiber’s contributions to the history of contemporary art included consulting on numerous exhibitions, collections, and publications, as well as organizing the groundbreaking exhibition and book Extra Art: A Survey of Artists’ Ephemera, 1960–1999, which opened in 2001 at the CCA Wattis Institute for Contemporary Art, San Francisco, before traveling to the Institute of Contemporary Arts, London. He was also active as an adjunct professor at the California College of the Arts.

Posted on Wednesday, December 17, 2014 by Laura Braun

Two ingenious students at the California College of the Arts in San Francisco, Evan Bowman and Ryan Chen, have brought together these two game-changing technologies, automated weaving and 3D printing, in their 3D weaving machine for their Creative Architecture Machines Advanced Studio course in CCA’s Digital Craft Lab under the guidance of their professors, Michael Shiloh and Jason Kelly Johnson of Future Cities Lab.

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Posted on Tuesday, December 16, 2014 by Laura Braun

I first saw Wolowiec's work at a 2013 California College of the Arts Thesis Exhibition in San Francisco. I stopped by with a friend of mine, who pointed the work out. It looked good. I missed her one-person show at Anat Ebgi in Los Angeles in 2014, so I was excited that Ebgi was bringing her work to the NADA Miami Art Fair later that year. If you only looked at reproductions, you might be tempted to lump Wolowiec in with the dozens of other artists now busy producing Process Painting, or what many have now begun to call Zombie Painting. Seeing them in person is a must.

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