CCA in the Media News

Posted on Wednesday, November 19, 2014 by Laura Braun

She earned a bachelor's degree in English and psychology and a master's in counseling from the University of Michigan and later moved to the Bay Area, where she studied textile design at the California College of the Arts in Oakland and worked as a therapist. At one point, she took a class in perfumery and was hooked; soon she was experimenting with essential oils, researching the origins of perfume in the ancient world and tracking down rare materials.

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Posted on Wednesday, November 19, 2014 by Laura Braun

He was a respected teacher at SFAI and California College of the Arts but his best known series brought him back to his home town. The Valley was born of a Maxim magazine assignment to document a porn star at work in a film. He continued by photographing multiple shoots in the San Fernando Valley, images often titled by street location: Chandler Blvd. Instead of obviously sexualized or sensational shots, Sultan documented the actors waiting and waiting, wearing heavy make-up and unlikely costumes.

Posted on Tuesday, November 18, 2014 by Laura Braun

Something is changing at the Yerba Buena Center for the Arts (YBCA) in San Francisco, California. In fact, it’s perpetually changing — a light installation by Future Cities Lab (FCL) called Lightswarm is continually modified in relation to auditory data collected from the lobby of the YBCA and the city beyond. The individual modules that make up the sweeping collection of luminaries were each assembled from 3D printed components with laser cut skins created from paper and recyclable PET plastic.

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Posted on Monday, November 17, 2014 by Laura Braun

Earlier this year, Joaquin Alvarado, CEO of The Center for Investigative Reporting, wondered aloud to our colleagues at California College of the Arts: How could we rethink this physical gateway for the news in our communities? As media organizations turn their ambitions to digital and local newspapers downsize and disappear, the concept of the newsstand could use some rejuvenating. What are new ways to take it beyond just a place to get the news and make it a place to contribute to the news as well?

Posted on Thursday, November 13, 2014 by Laura Braun

The California Academy of Sciences' Thursday Night "Nightlife" Series continues to be one of San Francisco's hottest tickets -- and certainly one of the Bay Area's most entertaining ways to spend your Thursday night. Every "Nightlife" features a conceptual theme with related music (a live band or DJ), installations, art, performances, and even a signature cocktail to offer the 21+ set a new adventure amidst a live rainforest where you're accompanied by the academy's own albino alligator, Claude.

Posted on Thursday, November 13, 2014 by Laura Braun

We also spoke to Maeght’s S.F.-native co-curator Natasha Boas, who once lived at Survival Research Laboratories’ Mission compound, has taught at California College of the Arts, and curated 2013’s Mission School retrospective at the San Francisco Art Institute.

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Posted on Wednesday, November 12, 2014 by Laura Braun

On November 2nd a group of architects, builders, students, makers, educators, inventors and designers packed in for the Creative Architecture Machines Colloquium at California College of the Arts. The talk was organized by Jason Kelly Johnson of Future Cities Lab and brought together five practices working at the intersection of fabrication, computation, and making.

Posted on Monday, November 10, 2014 by Laura Braun

Arranged in reverse chronology, the work on view is an expansive and comprehensive look at Sultan's practice, beginning with "Evidence" (1977), a group of found black-and-white photographs, sourced and decontextualized from the archives of corporations and government agencies made in collaboration with Mike Mandel.

Posted on Monday, November 10, 2014 by Laura Braun

That’s why we believe its so important to support educators, such as California College of the Arts (CCA). Over the past eighteen years, CCA has led the pack in developing an undergraduate program dedicated to helping shape a new type of apparel design graduate — one that possesses the skills to design a beautiful collection and the desire to do so in a way that considers sustainability.

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Posted on Friday, November 7, 2014 by Laura Braun

Slung around a brass pole, a leg motions coquettishly. Curved and angled just so, the dark wooden leg flirts and beckons. At the CCA Wattis Institute of Contemporary Art, a transmutation takes place. Table and chair legs seduce and 19th Century figures sport metallic appendages and prostheses, wearing their anxiety and neuroses. Markus Schinwald’s exhibition at the Wattis is a decidedly bodily affair. His work boldly imagines a kind of animism that blurs the perceived separations between man, object, space, and emotion.

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