CCA in the Media News

Posted on Thursday, November 21, 2013 by Allison Byers

The Deans List is an interview series with the leaders of architecture schools, worldwide. The series profiles the school’s programming, as defined by the head honcho – giving an invaluable perspective into the institution’s unique curriculum, faculty and academic environment.

For our first installment, we spoke with David Gissen, the Director of Architecture at California College of the Arts in San Francisco.

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Posted on Wednesday, November 20, 2013 by Allison Byers

Or take the bizarre, ironically very alien results from a straight-forward exploration of egg shapes. Called "SEAcraft Eggs," and produced by his students at the California College of the Arts in San Francisco, these show what can happen when expected materials are rigorously and systematically swapped out in new and unexpected formal combinations.

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Posted on Monday, November 18, 2013 by Allison Byers

Maybe the zombie paintings can also make a sort of meta-statement about art itself. “In grad school at California College of the Arts in San Francisco, where I’m based now, my professors and I often debated whether painting could be considered a “zombie” medium," Pfau says, "with some art critics declaring it dead, while others saying that it has been brought back to life.”

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Posted on Monday, November 18, 2013 by Allison Byers

I spent the summer of 2012 interviewing some of the most influential people in sustainable fashion.
At the time, I was co-founder of a fledging apparel startup, learning all I could about eco-fashion and the state of the industry.
Among the interviewees were Sustainable Fashion Writer Kate Fletcher, CEO of SlaveryFootprint.org; Justin Dillon, co-founder of PACT; Jeff Denby, Textile Specialist Stacy Flynn and California College of the Arts Professor Lynda Grose.

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Posted on Friday, November 15, 2013 by Allison Byers

Enter City of Disappearances slowly; it will take a moment, but your eyes will begin to adjust to the dimness of your new environment and you’ll likely find yourself quizzically wandering toward Martin Boyce’s sculptures. In Our Love Is Like the Flowers, the Rain, the Sea, and the Hours, 2002, branching neons delicately tower over a bench one could not physically sit on, astride a misshapen trashcan through this park-like installation.

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Posted on Thursday, November 14, 2013 by Allison Byers

So don't miss this Thursday's "METAMORPHOSIS," when the talented artist/designers from the California College of the Arts transform the Academy (and possibly you) into something unexpected. Explore a multitude of industrial, interaction, illustration, fashion, furniture and graphic designers from CCA as they showcase an amazing, cutting-edge array of work, highlighting new technologies and innovative ideas that explore the concept of metamorphosis.

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Posted on Monday, November 11, 2013 by Allison Byers

Compresscity, designed by Master of Architecture graduate Garrett Ryan Miller from California College of the Arts, is a speculative architectural intervention that allows for a more sophisticated cross-occupation of urban vacancies near commercial and industrial zones along the Alaskan Way Viaduct in Seattle, Washington.

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Posted on Monday, November 11, 2013 by Allison Byers

The overlap of technical and aspirational - science and art - influencing people through environments, this resonated with me as a meaningful lifelong pursuit. I eventually transferred to California College of the Arts in San Francisco, where I launched my career after graduation. As we all know, this work is intense and requires 110% commitment. I am so grateful that I followed my father’s advice and chose something that I am 110% passionate about.

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Posted on Friday, November 8, 2013 by Allison Byers

Next week, the highly talented people from the California College of the Arts present NightLife at the Academy of Sciences dedicated to the convergence of science and art.

Delve into over a dozen industrial, interaction, illustration, fashion, furniture and graphic designers from CCA as they showcase a transformative portfolio of work that highlights new technologies and innovative ideas that explore the concept of metamorphosis.

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Posted on Friday, November 8, 2013 by Allison Byers

Currently on view at The CCA Wattis Institute for Contemporary Arts, San Francisco is the group exhibition “City of Disappearances“. The exhibition imagines a transposition and exchange of the living-imaginary of London conjured in Sinclair’s book with the fictions and myths of San Francisco. This conceptual and metaphorical exchange will be followed by a real one as the exhibition travels to London in 2014, where it will be renamed “Infinite City” after Rebecca Solnit’s almanac of San Francisco.

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