CCA in the Media News

Posted on Thursday, January 30, 2014 by Laura Braun

I have been accusing words of being stingy, but now I must admit I have been afraid of words, of what saying them might mean, the implications, because it is the proper thing to praise a great poet, to profess great admiration. Otherwise you might be accused of being disingenuous or as we say in Jamaica, "bad-minded" and a writer so charged, especially when leveling remarks against a great icon such as Amiri Baraka, might not be able to withstand the wrath of the closing of the circle that excludes you, put a blight on your writing career.

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Posted on Wednesday, January 29, 2014 by Laura Braun

Such alternative historical practices were the subject of a recent pair of events held at the California College of the Arts (CCA) in San Francisco, both sponsored by the school’s Masters program in Design Theory and Critical Practices. The first was an exhibition entitled An Olfactory Archive: 1100-1951, curated by David Gissen and designed by Brian Price and Matt Hutchinson, that explored scent as a medium of historical reconstruction.

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Posted on Wednesday, January 29, 2014 by Laura Braun

From 2000-2006, he was Director of the Wattis Institute for Contemporary Art in San Francisco where organized approximately one dozen exhibitions, including Baja to Vancouver, the first survey of artists living along North America’s West Coast, and solo projects by artists such as Mike Kelley, Roni Horn, Thomas Hirschhorn, Ann Veronica Janssens, and Mike Nelson. 

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Posted on Wednesday, January 29, 2014 by Laura Braun

One such operation is being run at the California College of the Arts by Jason Kelly Johnson and Michael Shiloh. As part of the CCA Hybrid Lab, where computers are taught in a scrappy, DIY, hackerish way, "Creative Architecture Machines" aims to integrate computer programming into the design-build process with machines the students have created directly for architecture. "We treat the machine, code, and material exploration as equals," Johnson said.

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Posted on Monday, January 27, 2014 by Laura Braun

I studied painting at California College of the Arts, where I received my BFA in May 2012. Prior to that I briefly studied photography at School of the Art Institute of Chicago.

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Posted on Monday, January 27, 2014 by Laura Braun

Sparse was founded by Remy Labesque, Nick Riddle and Colin Owen. Sparse released its first products, integrated bicycle lights, in October 2013. Of the founders, Nick has moved on to TRP. Remy works at frog in San Francisco. Colin juggles a teaching gig at California College of the Arts and Sparse.

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Posted on Friday, January 24, 2014 by Laura Braun

Woods (b. 1963) earned her arts education at California Polytechnic State University; the Studio Art Centers International in Florence, Italy; and the California College of the Arts in Oakland, where she earned her B.F.A. In addition to exhibiting with George Billis Gallery, Woods has displayed her art at Quidley & Company Fine Art in Boston (2012); Stewart Gallery in Boise, Idaho (2012); the Boise Art Museum (2010); and many other fine art venues.

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Posted on Friday, January 24, 2014 by Jim Norrena

(inset l-r) Emi Watanabe, Kyaligaba Frank, and Andrew Maxwell-Parish

California College of the Arts Hybrid Lab manager Andrew Maxwell-Parish spent his holiday break far away from the college, helping a community he’d never met before. 

After crowd-sourcing funds from friends and family in order to travel to Kampala, Uganda, he and his "instructables" colleague Emi Watanabe flew half-way around the globe to meet Paola de Cecco, who is in charge of the 3D printers owned by local Kampala-based nonprofit, Village Energy. 

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Posted on Thursday, January 23, 2014 by Jim Norrena

From CCA to IDEO to Plum Organics . . . see where an arts education is taking this alum!

Career Success: A Media Synopsis

In June 2012 the New York Times sunk its teeth into Neil Grimmer (BFA Sculpture 1995) and his human-interest, business-savvy success story with Plum Organics, the organic baby-food company that has reshaped the industry by changing not only what we're packaging but also how we're packaging it. 

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Posted on Wednesday, January 22, 2014 by Laura Braun

I had a rigorous upbringing in "straight" photography during my undergraduate study at California College of the Arts and Crafts. During my time in the Bay Area, I was influenced by masters like Larry Sultan, Todd Hido, and Jim Goldberg, as well as by artists working conceptually like Tammy-Rae Carland. There is an academy-type of training happening there. I'm grateful for that because I had to know the rules before I could break them.

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