CCA in the Media News

Posted on Monday, February 23, 2015 by Laura Braun

“I will sit and sketch and then will quickly try to make a digital draft, print something out, make another model, redline it, and then go back into the computer. It’s a feedback loop between analog and digital,” she said. Gattegno believes it is this fluidity between the two methods that promotes authenticity and originality.

Posted on Thursday, February 19, 2015 by Laura Braun

Lynnea Holland-Weiss just opened a new show called Unfold All Over at Space 1026 in Philly, showcasing large-scale figurative paintings that expertly capture and convey emotions and moods related to transformative travels. From the gallery’s website: “Lynnea Holland-Weiss is a painter originally from Oakland, CA. There she received her BFA from California College of the Arts.

Posted on Thursday, February 19, 2015 by Laura Braun

What are the ethical boundaries for architecture? Architecture is one of the learned professions, like medicine or law. It requires a license, giving architects a monopoly over their practices, in return for a minimal promise that buildings won’t fall down. Raphael Sperry, the Bay Area architect who spearheaded the petition to the institute, thinks the public deserves more in return for that monopoly.

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Posted on Thursday, February 19, 2015 by Laura Braun

With the scent of wet St. Louis clay wafting through the air, the Data Clay Symposium kicked off at CCA last weekend. Hosted by the Architecture & Fine Arts Divisions at CCA, the Graham Foundation for Advanced Studies in the Fine Arts, and the CCA Digital Craft Lab, the event joined architects, artists, designers, makers, critics and creators to discuss and display their latest syncretic experiments and the possibilities of the seemingly disparate mediums of data (i.e. computation) and clay.

Posted on Wednesday, February 18, 2015 by Laura Braun

The earliest works in the exhibition come from Sultan’s collaborations with Mandel, which lasted almost 30 years. The two men met as students in the San Francisco Art Institute’s graduate program, where Sultan would eventually teach before becoming an influential teacher at the California College of Arts. Together Sultan and Mandel made art characterized by a punk energy entirely different from the contemplative stillness of Sultan’s solo photographic work. 

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Posted on Tuesday, February 17, 2015 by Laura Braun

“[T]he efficiency, quantity and immediacy of information and information-systems has placed art and the artistic gesture at risk of being identified, categorized, digested, cannibalized and made into information before it has a chance to begin being art,” the curator Anthony Huberman has written. “Curiosity is being castrated by information.” Hammons’s paintings exemplify a considered response to that condition. They confront you with a sustained refusal, cloaked in beauty.

Posted on Tuesday, February 17, 2015 by Laura Braun

Duley is launching a project called Legacy of War that he is hoping will be a broad collection of creative elements such as poetry, live performances, exhibitions and film screenings that together will give voice to people living in post-conflict countries. He is coming to the Bay Area Feb. 17-23 to speak about his remarkable life and the Legacy of War project.

Posted on Tuesday, February 17, 2015 by Laura Braun

I consider myself truly blessed to do what I love everyday. Coming from a long line of entrepreneurs in my family, I always knew I wanted to own my own creative business. However, like many things in life, it took a few detours before MAIKA was born. A business degree from Haas School of Business at UC Berkeley, followed by a stint in banking and a serendipitous series of events, resulted in acceptance at the design program at the California College of the Arts.

Posted on Monday, February 16, 2015 by Laura Braun

Putnam senior editor Tara Singh Carlson took world rights to Shanthi Sekaran’s new novel, Lucky Boy, in a preempt.Lindsay Edgecombe at Levine Greenberg Rostan represented the author, who lives in Berkeley, Calif., and teaches creative writing at California College of the Arts. The novel, which is slated for spring 2016, follows the stories of two women whose lives collide: an undocumented 19-year-old Mexican immigrant trying to establish a life in the U.S., and an Indian-American woman longing (and struggling) to have a child.

Posted on Friday, February 13, 2015 by Laura Braun

Elga Wimmer PCC, in association with curcioprojects, presents the solo exhibition, Atmosphere in White, of French-born and NYC-based artist Nicola L. Originally presented at last year’s Biennial of Liverpool, curated by Anthony Huberman, Atmosphere in White spans five decades of functional objects and furniture and conceptual sculptures fully incorporated into Nicola L.’s ideologies of body and spiritual imaginings. 

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