CCA in the Media News

Posted on Thursday, November 13, 2014 by Laura Braun

We also spoke to Maeght’s S.F.-native co-curator Natasha Boas, who once lived at Survival Research Laboratories’ Mission compound, has taught at California College of the Arts, and curated 2013’s Mission School retrospective at the San Francisco Art Institute.

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Posted on Wednesday, November 12, 2014 by Laura Braun

On November 2nd a group of architects, builders, students, makers, educators, inventors and designers packed in for the Creative Architecture Machines Colloquium at California College of the Arts. The talk was organized by Jason Kelly Johnson of Future Cities Lab and brought together five practices working at the intersection of fabrication, computation, and making.

Posted on Monday, November 10, 2014 by Laura Braun

Arranged in reverse chronology, the work on view is an expansive and comprehensive look at Sultan's practice, beginning with "Evidence" (1977), a group of found black-and-white photographs, sourced and decontextualized from the archives of corporations and government agencies made in collaboration with Mike Mandel.

Posted on Monday, November 10, 2014 by Laura Braun

That’s why we believe its so important to support educators, such as California College of the Arts (CCA). Over the past eighteen years, CCA has led the pack in developing an undergraduate program dedicated to helping shape a new type of apparel design graduate — one that possesses the skills to design a beautiful collection and the desire to do so in a way that considers sustainability.

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Posted on Friday, November 7, 2014 by Laura Braun

Slung around a brass pole, a leg motions coquettishly. Curved and angled just so, the dark wooden leg flirts and beckons. At the CCA Wattis Institute of Contemporary Art, a transmutation takes place. Table and chair legs seduce and 19th Century figures sport metallic appendages and prostheses, wearing their anxiety and neuroses. Markus Schinwald’s exhibition at the Wattis is a decidedly bodily affair. His work boldly imagines a kind of animism that blurs the perceived separations between man, object, space, and emotion.

Posted on Friday, November 7, 2014 by Laura Braun

Constraint, alteration, impediment: The figures that populate the work of Markus Schinwald are subjected to a range of psychophysical distortions, to strange bendings and bindings through which the Vienna-based artist summons a world weirdly ductile in both form and affect. Schinwald works with painting (uncannily détourned nineteenth-century portraits, seamlessly overlaid with rendered prosthetics), sculpture (contortions of elegantly flailing cabrioles), video, choreography, costume and set design, and architectural intervention.

Posted on Thursday, November 6, 2014 by Laura Braun

However, it makes you wonder, what’s the point of all this? Why have these beautiful offices, meals for employees, open working environments, and the ability to come and go as you please? Why spend millions of dollars on such an extravagant office when these employees could just have easily worked out of some cheap warehouse instead? To help answer this question I spoke with Aaron Taylor Harvey who is the environments design lead at Airbnb, he and his fiancee are both architects and their job is to constantly think through and design spaces for the company.

Posted on Thursday, November 6, 2014 by Laura Braun

A small group of comics community members held a "Town Hall” meeting about two weeks after this year’s APE to discuss developing a new San Francisco comics festival. Led by Matt Silady, the chair of the MFA Comics program at California College of the Arts, the meeting attracted a mix of comics creators, retailers, librarians, and fans who were eager to discuss the possibility of a new show to fill in the gap left by Wondercon and now APE's departure from the San Francisco comics scene.

Posted on Thursday, November 6, 2014 by Laura Braun

I grew up with an appreciation for object making. I started sewing and making jewelry when I was a kid. I studied painting, sculpture, and installation art at California College of the Arts, but it wasn't until I was about to graduate I started getting interested in jewelry and started using my school's laser cutter to make necklaces.

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Posted on Tuesday, November 4, 2014 by Laura Braun

San Francisco native and recent California College of the Arts grad Zara Dramov has a new handbag line, The Common Knowledge, inspired by the way bone meets skin, the way paper folds, sci-fi movie costumes, and shiny copper bolts found in city street grates. Miraculously, each rigid, architectural design is made from one single sheet of leather. Once again, Lena Dunham would know best: the Girls star was recently spotted carrying the oxblood Mini Bone Bag. 

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