Robert Gomez (MFA and MA Visual and Critical Studies 2013), Raine Paulson Andrews (MArch 2014), and Kristina Kotlier (MArch 2013) were indeed one of three teams who won the award for summer 2013, and the project they carried out, STAND UP with Jamaica, was a major turning point for all of them.
Posted on Wednesday, February 26, 2014 by Allison Byers
Team members Kristina Kotlier (MArch 2013) (left) and Raine Paulson Andrews (MArch 2014) (right) with a STAND UP supporter
Posted on Friday, August 30, 2013 by Chris Bliss
New Tenure-Track Faculty
Joining the Visual Studies Program is Makeda Best, who comes to CCA from the University of Vermont. Her research focuses on the history of photography, with an emphasis on the nineteenth century.
Neeraj Bhatia is teaching in the Architecture Program. His work looks at the intersection of politics, infrastructure, and urbanism, and he has previously taught at Rice University, Cornell University, the University of Toronto, and the University of Waterloo.
The Interaction Design Program welcomes Haakon Faste, who has worked for 15 years in the fields of visual art, interaction design, and virtual reality. Most recently he was on the faculty of the Human-Computer Interaction Institute at Carnegie Mellon University.
Chris Treggiari is this year’s scholar in residence at the Center for Art and Public Life. Much of his work involves collaborations, often with local nonprofits, often with mobile stages that he brings to public events.
Posted on Friday, May 31, 2013 by Lindsey Westbrook
As often as twice a month she's getting on a plane to attend a design or education conference somewhere around the world -- frequently as an invited speaker. She teaches one course per semester at CCA, which translates to about one day a week. She spends another day every week teaching at Stanford University's famed Institute of Design, better known as "the d.school."
She also runs an independent consultancy that undertakes short- and long-term projects; currently she's working with CCA Architecture faculty member Douglas Burnham on something for PG&E, something else for the Nike Foundation in Nigeria, and a pop-up health clinic project funded by Autodesk.
With another CCA Architecture faculty member, Lisa Findley, she’s writing a chapter on South Africa for a book on different ways of appropriating space globally.
Posted on Wednesday, March 20, 2013 by Allison Byers
Social-practice programs are popping up in academia and seem to thrive in the interdisciplinary world of the campus. (The first dedicated master of fine arts program in the field was founded in 2005 at the California College of the Arts in San Francisco, and today there are more than half a dozen.)
Posted on Wednesday, March 20, 2013 by Allison Byers
Lastly, Filley and Dominguez have enlisted the help of students at the California College of the Arts. This semester, instructor Liz Ogbu is teaching a class called Creative Disruption, which seeks to "understand the needs and desires [of] the diverse constituencies of the Koreatown-Northgate as well as propose opportunities for engagement."
Posted on Friday, March 15, 2013 by Allison Byers
On the 15th of every month, Michael Swaine trundles into San Francisco’s Tenderloin district with a cart-mounted sewing machine—the old-fashioned kind, which you can only operate by means of a treadle.
Posted on Tuesday, December 18, 2012 by Matthew Harrison Tedford
The Walls of Hope project in progress in Monthey, Switzerland
Claudia Bernardi (today a professor in CCA's Community Arts Program, but who also teaches in a wide range of disciplines, including Diversity Studies, Fine Arts, and Visual and Critical Studies programs) was a student at the university of art in Buenos Aires in 1976, the year the military dictatorship took power in Argentina.
"Those were very dark years -- very tragic, painful, and violent. The ones who survived learned to look at life, history, and art quite differently."
Posted on Friday, August 24, 2012 by Allison Byers
Often the role of an artist is simply to disrupt and create a perceptual shift. This past April, I was invited to participate in a residency program where the studios were on the outskirts of a small town, scattered among a forest. The residency promoted its relationship between artists, nature and quiet contemplation. Upon arrival, I was confronted with this somewhat contrived environment, but also with performance artist Jordan McKenzie.
Posted on Thursday, July 19, 2012 by Allison Byers
The work of Social Practice is on the rise, but compared to the traditional art world news of auction prices and gallery openings, it doesn’t seem to be receiving as much online attention. Institutions such as California College of the Arts, Portland State University, Otis College of Art, The Queens Museum of Art, Creative Time and more have come to emphasis this quietly growing field, but many news sources are slow to the show and struggle with representing the immersive projects.
Posted on Wednesday, May 30, 2012 by Christina Linden
Amy Campos and CCA students at the Dolores Shelter Program
In fall 2011, CCA faculty member Amy Campos and a group of Interior Design students worked with Dolores Shelter Program (DSP) as part of an ENGAGE at CCA course. Their brief: to generate ideas for the renovation of DSP's homeless shelter on South Van Ness in the Mission District of San Francisco.
The facility's residents are in great need of an empowering and supportive sense of place, hope, and safety, and the aspiration was to facilitate this via better space planning and organization, and the creation of more durable and usable furnishings and storage.