Curatorial Practice News

Posted on Monday, February 23, 2015 by Brenda Tucker

SOLO EXHIBITION
Martin Wong: Painting Is Forbidden
An exhibition by the CCA Curatorial Practice Class of 2015

March 13­–April 18, 2015

SYMPOSIUM
The Next 25 Years: Propositions for the Future of Curatorial Education

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Posted on Friday, December 19, 2014 by Laura Braun

Leiber’s contributions to the history of contemporary art included consulting on numerous exhibitions, collections, and publications, as well as organizing the groundbreaking exhibition and book Extra Art: A Survey of Artists’ Ephemera, 1960–1999, which opened in 2001 at the CCA Wattis Institute for Contemporary Art, San Francisco, before traveling to the Institute of Contemporary Arts, London. He was also active as an adjunct professor at the California College of the Arts.

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Posted on Thursday, November 13, 2014 by Laura Braun

We also spoke to Maeght’s S.F.-native co-curator Natasha Boas, who once lived at Survival Research Laboratories’ Mission compound, has taught at California College of the Arts, and curated 2013’s Mission School retrospective at the San Francisco Art Institute.

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Posted on Wednesday, October 29, 2014 by Laura Braun

Much has already been written of Steven Leiber’s unique contribution to the artistic landscape of the Bay Area — from the collection and dissemination of arts-related ephemera, as an educator at California College of the Arts and as a generous tour guide of his own basement archive. For those of us who didn’t have the luck of forging a personal relationship to Leiber before he passed away in 2012, a recent publication attempts to give form to his wide-ranging influence and enduring legacy.

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Posted on Thursday, October 23, 2014 by Laura Braun

Co-curated by Betti-Sue Hertz of Yerba Buena Center for the Arts, Ruijun Shen of GuangDong Times Museum in Guangzhou, China, and Xiaoyu Weng of Kadist Art Foundation, which has offices in Paris and San Francisco, the group exhibition is also a site to bring together three public art spaces and curators around a shared interest — though not in the forms one might first associate with the concept: traditional Chinese landscape and Bay Area figurative painting.

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Posted on Thursday, October 23, 2014 by Laura Braun

Chris Fitzpatrick (born 1978 in New York) has been the director of the not-for-profit contemporary art centre Objectif Exhibitions in Antwerp, Belgium, since 2012. After receiving an MA from California College of the Arts in 2009, he gained recognition for developing unconventional exhibition formats, often experimenting with the temporality of exhibitions.

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Posted on Wednesday, October 22, 2014 by Laura Braun

It fits that, as the page turned and Leiber died of cancer in 2012, 14 of the artists he helped and educated as an instructor at the California College of the Arts returned past favors by contributing to “Artists & Editions,” a limited edition of 35 boxes, the proceeds of which go to the Steven Leiber Scholarship fund at CCA.

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Posted on Monday, August 25, 2014 by Laura Braun

Hunt has an M.A. in curatorial practice from California College of the Arts, and has curated widely in Los Angeles and elsewhere. “I’ve truly enjoyed being a part of the close-knit West Coast creative community,” she said in a statement released to press, “but I am thrilled to be returning to New York to serve the vital and expanding mission of the Studio Museum under Thelma Golden’s leadership.”

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Posted on Thursday, August 21, 2014 by Laura Braun

What does “The Invisible Hand” mean to you?

For Leigh Markopoulos, chair of CCA’s Graduate Program in Curatorial Practice, and alumna Xiaoyu Weng (MA Curatorial Practice 2009), who were invited to participate in the 2nd Central Academy of Fine Arts Museum (CAFAM) Biennale in Beijing in February, it meant, above all, opportunity.

About the CAFAM Biennale

The CAFAM Biennale is an international tour de force that, in this second edition, put the focus on curatorial education. As curatorial practice becomes more recognized in China, CAFAM officials took the opportunity to showcase the ways in which other schools teach curation as a discipline.

“This biennial was an enlightened attempt to bring international and national art to Beijing and to allow students to participate not only through lessons, but as interns, et cetera, in the event’s organization,” explained Markopoulos.

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Posted on Tuesday, April 22, 2014 by Zachary Royer Scholz

Curated by Joyce Grimm (MA Curatorial Practice 2006), the exhibition Thresholds of Faith: Four Entries Into the Beyond at San Francisco’s Manresa Gallery features four artists of different faith backgrounds who are all affiliated with CCA.

The artists -- Lynn Marie Kirby (Film faculty), Taraneh Hemami (MFA 1991, now Diversity Studies faculty), Ali Naschke-Messing (MFA 2007), and Cara Levine (MFA 2012, now Sculpture faculty) -- have each produced evocative individual projects that invite reflection on religious practice and experience within contemporary life.

Housed within the active Catholic parish of San Francisco’s Saint Ignatius Church, Manresa Gallery is a unique project (and a surprising one, to many) that allows local and international contemporary artists to directly explore intersections between art and religion.

The resulting exhibitions expand the boundaries of both spiritual and artistic endeavor, and aim to generate far-reaching dialogue within a broad and diverse community.

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