Curatorial Practice News

Posted on Wednesday, October 22, 2014 by Laura Braun

It fits that, as the page turned and Leiber died of cancer in 2012, 14 of the artists he helped and educated as an instructor at the California College of the Arts returned past favors by contributing to “Artists & Editions,” a limited edition of 35 boxes, the proceeds of which go to the Steven Leiber Scholarship fund at CCA.

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Posted on Monday, August 25, 2014 by Laura Braun

Hunt has an M.A. in curatorial practice from California College of the Arts, and has curated widely in Los Angeles and elsewhere. “I’ve truly enjoyed being a part of the close-knit West Coast creative community,” she said in a statement released to press, “but I am thrilled to be returning to New York to serve the vital and expanding mission of the Studio Museum under Thelma Golden’s leadership.”

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Posted on Thursday, August 21, 2014 by Laura Braun

What does “The Invisible Hand” mean to you?

For Leigh Markopoulos, chair of CCA’s Graduate Program in Curatorial Practice, and alumna Xiaoyu Weng (MA Curatorial Practice 2009), who were invited to participate in the 2nd Central Academy of Fine Arts Museum (CAFAM) Biennale in Beijing in February, it meant, above all, opportunity.

About the CAFAM Biennale

The CAFAM Biennale is an international tour de force that, in this second edition, put the focus on curatorial education. As curatorial practice becomes more recognized in China, CAFAM officials took the opportunity to showcase the ways in which other schools teach curation as a discipline.

“This biennial was an enlightened attempt to bring international and national art to Beijing and to allow students to participate not only through lessons, but as interns, et cetera, in the event’s organization,” explained Markopoulos.

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Posted on Tuesday, April 22, 2014 by Zachary Royer Scholz

Curated by Joyce Grimm (MA Curatorial Practice 2006), the exhibition Thresholds of Faith: Four Entries Into the Beyond at San Francisco’s Manresa Gallery features four artists of different faith backgrounds who are all affiliated with CCA.

The artists -- Lynn Marie Kirby (Film faculty), Taraneh Hemami (MFA 1991, now Diversity Studies faculty), Ali Naschke-Messing (MFA 2007), and Cara Levine (MFA 2012, now Sculpture faculty) -- have each produced evocative individual projects that invite reflection on religious practice and experience within contemporary life.

Housed within the active Catholic parish of San Francisco’s Saint Ignatius Church, Manresa Gallery is a unique project (and a surprising one, to many) that allows local and international contemporary artists to directly explore intersections between art and religion.

The resulting exhibitions expand the boundaries of both spiritual and artistic endeavor, and aim to generate far-reaching dialogue within a broad and diverse community.

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Posted on Wednesday, April 9, 2014 by Laura Braun

Pritikin has been a senior adjunct professor in the curatorial practices graduate program at the California College of the Arts in San Francisco since its inception in 2003. He has lectured widely and has served on numerous grant panels and exhibition juries including work with the National Endowment for the Arts, California Arts Council, and San Francisco Arts Commission. 

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Posted on Thursday, February 27, 2014 by Laura Braun

Jessica Silverman has, in a very short time, become one of the most talked-about young dealers in the world. She opened her gallery in 2008 after finishing an M.F.A. in Curatorial Studies at the California College of the Arts and quickly made a name for herself. Within a year of opening, she was already participating in significant art fairs such as NADA Miami and FIAC. Silverman has a knack for identifying new talent, including Hugh Scott-Douglas, who was recently taken on by LA powerhouse Blum & Poe, and Dashiell Manley, who will appear in the upcoming 2014 Whitney Biennial.

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Posted on Monday, December 2, 2013 by Allison Byers

Following graduation, she stepped through the looking glass to enroll at California College of the Arts, where she received her master's degree in curatorial practice.

Once again, she couldn't wait to experience the art world in real time. She opened her second gallery in Dogpatch while writing her thesis on collecting.

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Posted on Monday, December 2, 2013 by Allison Byers

Silverman launched her original Dogpatch gallery five years ago while simultaneously earning her master’s in the curatorial program at California College of the Arts. “I was totally nuts,” she admits, “but I’ve always been a risk taker. That’s why I work with unknown artists.” Her eye for overlooked talent has earned her a reputation as one to watch at international art shows—a rarity for a Bay Area–based dealer.

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Posted on Monday, November 11, 2013 by Lindsey Westbrook

2012 SECA Art Award: Zarouhie Abdalian, Josh Faught, Jonn Herschend, David Wilson
SFMOMA, 2013
Paperback, 40 pages, $9.95

Three of the four winners of the 2012 SECA Art Award are CCA affiliates: Zarouhie Abdalian (MFA 2010) is an alumna, Josh Faught is on the Textiles faculty, and Jonn Herschend is a former faculty member and visiting artist. The award, given every two years by SFMOMA, honors Bay Area artists.

This SECA exhibition catalogue features interviews and texts by the award curators Jenny Gheith and Tanya Zimbardo (MA Curatorial Practice 2005), documentation of the commissions, and illustrations of previous work.

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Posted on Monday, November 11, 2013 by Lindsey Westbrook

Fujiko Nakaya: Over the Water
The Exploratorium, 2013
Paperback/PDF, 48 pages, $4.95/free

The Exploratorium’s new location on a major civic promenade has inspired Over the Water, an annual program of large-scale temporary artworks for the public space. The inaugural project was a special site-specific installation by the Japanese artist Fujiko Nakaya. This accompanying catalogue illuminates the scientific, art historical, and architectural contexts for Nakaya's use of the ephemeral medium of fog in her creation of "soft sculptures."

The lead essay is written by Leigh Markopoulos, chair of the Graduate Program in Curatorial Practice. Curatorial Practice faculty member Marina McDougall commissioned the work and the book, and contributed an essay, and previous Curatorial Practice faculty member Henry Urbach also contributed an essay.

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