Curatorial Practice News

Posted on Monday, February 6, 2012 by Allison Byers

Steven Leiber, a San Francisco art dealer and collector who became an expert in artists’ ephemera and built an archive that became an important resource for scholars and curators, died on Jan. 28 at his home there. He was 54.

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Posted on Monday, February 6, 2012 by Lindsey Westbrook

Wendover
CCA Graduate Program in Curatorial Practice, 2010
Paperback, 152 pages, free

Wendover documents a series of three Graduate Program in Curatorial Practice courses led by Center for Land Use Interpretation (CLUI) Director Matthew Coolidge and Curatorial Practice faculty member Marina McDougall. Analyzing exhibition and residency models, and looking more broadly at factors such as audience and site-specific programming, the enrolled students engaged with the CLUI outpost and artist residency in Wendover over a three-year period. A reader of sorts, the publication distills the students' activities and interactions with Wendover and documents their resulting projects: an audio tour (2008); a film program (2009); and an archive expansion (2010). Also included are interviews with Coolidge, Center for Art and Environment Director William Fox, and numerous texts contributed by students and visiting faculty. Contact sstone@cca.edu for a copy.

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Posted on Monday, February 6, 2012 by Lindsey Westbrook

Best Kept Secret: UCI and the Development of Contemporary Art in Southern California, 1964-1971
Laguna Art Museum, 2011
Paperback, 180 pages, $34.95

Grace Kook-Anderson (MA Curatorial Practice 2007), the Laguna Art Museum's curator of exhibitions, is a contributing writer to this recto-verso book published in conjunction with the Pacific Standard Time exhibition Best Kept Secret: UCI and the Development of Contemporary Art in Southern California, 1964-1971. This scholarly publication with primary research on UC Irvine and the development of its art department is the first to address the early years of the department. UCI was a hotbed of creativity and experimentation in the 1960s and early 1970s, with exceptional teachers such as Tony DeLap, Robert Irwin, and Vija Celmins teaching talented students such as Alexis Smith, Chris Burden, and Nancy Buchanan. The book includes an extensive timeline.

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Posted on Wednesday, October 26, 2011 by Lindsey Westbrook

Jens Hoffmann leads CCA Curator's Forum tour of Istanbul Biennial (Kris Martin's work in foreground) (photo: George Jewett)

The Istanbul Biennial is a key event in the international contemporary art scene -- a highly visible, highly respected exhibition that draws more than 100,000 visitors to the city and exposes them to some of the most engaged and relevant art being made today. In its opening week, the 12th Istanbul Biennial (which remains open through November 13) was attended by almost 4,000 guests, including critics, curators, museum and gallery administrators, and approximately 400 members of the press from 50 different countries. Everything they saw (whether they realized it or not) bore the marks of a CCA affiliate's hand -- specifically two CCA curators, one CCA graphic designer, and one CCA editor. They also saw the work of one faculty member and three alumni; all three alumni had entire galleries devoted to their work.

CCA President Stephen Beal, chair of the Board of Trustees F. Noel Perry, other trustees, and several members of the CCA Curator's Forum (a dedicated group of Wattis Institute supporters) flew to Istanbul for the opening weekend. Stephen Beal remarked, standing at the biennial entrance, "It is very gratifying to see the college so prominently represented here. It is evidence of the major relevance, at the international level, of what we are doing, and the kinds of experiences and access that CCA makes available to its community."

The Curators

It was almost two years ago that Wattis Institute director Jens Hoffmann accepted the invitation to co-curate the 12th Istanbul Biennial. Beginning with that moment, what began as a single thread of connection between the college and the city of Istanbul expanded into a densely packed web involving multiple individuals.

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Posted on Tuesday, August 30, 2011 by Chris Bliss

Renowned writer Ishmael Reed joins the MFA Program in Writing faculty

For additional information about CCA's 2011-12 faculty hiring, read the latest Academic Newsletter by Provost Mark Breitenberg.

New Full-Time Faculty

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Posted on Thursday, July 28, 2011 by Leigh Markopoulos

The event announcement promised: "Learn (almost) everything you need to know to escape civilization." And the public came, to learn about such things as the history of the back-to-the-land movement (from original back-to-the-lander Hank Meals), the construction of simple domes, how to make rope from twigs, and "wildcrafting," or foraging from nature in a way that sustains local ecologies.

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Posted on Monday, July 25, 2011 by Lindsey Westbrook

The Exhibitionist: Issue 4
Archive Books, 2011
Magazine, 92 pages, $15

The Exhibitionist, edited by Jens Hoffmann and designed by Jon Sueda, is a new journal focusing solely on the practice of exhibition making. Its objective is to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating. The fourth issue, La Critique, is composed of three section: Reflection, Response, and Critique. This issue diverges from the editorial structure of past issues in order to offer a forum for sustained and multiple responses to current curatorial debates as well as a critique of the content and editorial commitments of the journal to date. The essayists include Massimiliano Gioni, Dieter Roelstraete, Dorothea von Hantelmann, Teresa Gleadowe, Julian Myers, Christian Rattemeyer, Johanna Burton, Kate Fowle, Andrew Renton, Livia Paldi, Vanessa Joan Muller, and Emily Pethick.

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Posted on Monday, July 25, 2011 by Lindsey Westbrook

HSz: as is/as if
CCA Graduate Program in Curatorial Practice, 2010
Paperback, 200 pages, free upon request (please email sstone@cca.edu)

HSz: as is/as if, produced by the Graduate Program in Curatorial Practice at CCA, is a collection of essays and interviews resulting from a course taught by Julian Myers on Harald Szeemann's 1983 exhibition Der Hang Zum Gesamtkunstwerk: Europaische Utopien seit 1800. In setting out to unravel Szeemann's orchestration of various artistic theories and manifestations of utopia, the class pursued paths he signposted into the realms of art, architecture, music, poetry, literature, cinema, politics, and history. The book is prefaced by Myers's essay "Totality: A Guided Tour," first published in Afterall magazine in 2009. The students' contributions range from interviews with Balthasar Burkhard and Christian Bok to essays on W. E. B. Du Bois's complex relationship to Richard Wagner and the approach to the Gesamtkunstwerk evinced in the cinema of the early 20th century.

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Posted on Monday, July 11, 2011 by Lindsey Westbrook

The Exhibitionist: Issue 3
Archive Books, 2011
Magazine, 64 pages, $15

The Exhibitionist, edited by CCA Wattis Institute director Jens Hoffmann and designed by Graphic Design faculty member Jon Sueda, is a journal focusing solely on the practice of exhibition making. Its objective is to create a wider platform for the discussion of curatorial concerns, encourage a diversification of curatorial models, and actively contribute to the formation of a theory of curating. This issue features articles by What, How & for Whom/WHW, Victoria Noorthoorn, Lars Bang Larsen, Carol Yinghua Lu, Jessica Morgan, and Elisabeth Sussman.

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Posted on Monday, July 11, 2011 by Lindsey Westbrook

Give Them the Picture
CCA, 2011
Paperback, 203 pages, $20

Give Them the Picture collects and places in dialogue 24 articles penned by critics and artists that originally appeared in La Mamelle / ART COM magazine in the 1970s and 1980s. The authors include magazine founder Carl Loeffler, Lynn Hershman, Richard Irwin, Anna Couey, Linda Montano, Douglas Davis, Eleanor Antin, and others. It is conceived as a literary extension of the Graduate Program in Curatorial Practice 2011 thesis exhibition, and thus also features conversations between the student curators and two of La Mamelle / ART COM's key figures, Nancy Frank and Darlene Tong. The book is a copublication between the CCA Wattis Institute for Contemporary Arts and the Graduate Program in Curatorial Practice.

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