On Wednesday, September 19, 2012, CCA Film and Fine Arts faculty member Lynn Marie Kirby, together with collaborator Alexis Petty, will present The 24th Street Listening Project at the Brava Theater in San Francisco. The evening will include the screening of a new video by Kirby exploring the neighborhood through color and language mapping, a musical performance reflecting local stories and topography, a book release, and the launch of the new website, 24thStreetListeningProject.com.Read the rest
Posted on Tuesday, August 28, 2012 by Joyce Grimm
Posted on Thursday, May 10, 2012 by Lindsey Westbrook
Will Brown is an actual guy. A very cool and nice guy, according to all who know him, plus a CCA Curatorial Practice graduate student. Once upon a time, not too long ago, Will was spending a lot of time by himself down at 3041 24th Street, which some of you may recognize as the address of the late, great Triple Base gallery. Triple Base was founded in 2006 by CCA Curatorial Practice grads Joyce Grimm and Dina Pugh (both class of 2006) and finally closed in 2011. Toward the end there, the space's main "resident" who was keeping it up and running and officially occupied was their friend Will.
If you've been down to that block of 24th Street in the last few years, around Harrison and Folsom, you know that it has become a lovely haven of art and food while retaining its Mission District feel. So three friends of Dina and Joyce (two of them also alumni of CCA grad programs) decided to step up and take over the lease. The idea of running their own experimental/conceptual gallery space, once conceived, seemed like an offer they couldn't refuse.
The question that almost derailed everything was what to name this new venture, but under their self-imposed 11th-hour wire came the stroke of genius. "Will Brown" is of course a spoof on commercial gallery naming conventions. It is also a benign inside joke, and a well-meant tribute to a friend. Keeping it in the family, so to speak. The three of them also liked the idea of operating as a singular, semi-authorless entity.
The three new proprietors of Will Brown (the gallery) are David Kasprzak (MA Curatorial Practice 2011), Lindsey White (MFA 2007), and Jordan Stein (a 2005 MFA grad of the San Francisco Art Institute). Far easier than picking a name was selecting the theme of their first show, which opened on January 27 and closed March 4. The provocative premise, like the gallery's name, was a refutation of art business as usual, and specifically a play on art ownership and art-world transactions. Illegitimate Business featured artworks and ephemera "with a peculiar provenance," in other words acquired by their (anonymous) lenders under less-than-totally-up-and-up circumstances. The original concept came from old conversations with the curators' artist friends Zachary Royer Scholz (MFA 2006, MA Visual and Critical Studies 2009) and Brion Nuda Rosch.Read the rest
Posted on Thursday, February 16, 2012 by Jim Norrena
CCA at CAA
Please join California College of the Arts at the College Art Association’s 100th annual conference in Los Angeles February 22–25. CCA faculty and alumni will be participating in various panel discussions throughout the conference. (See event schedule below.)
We invite you to drop by the CCA booth at the conference’s Book and Trade Fair to meet esteemed members of our faculty. We're looking forward to meeting you!
Special Reception for AlumniRead the rest
Fifty Years of Bay Area Art: The SECA Awards
San Francisco Museum of Modern Art, 2011
Hardcover, 168 pages, $29.95
Tanya Zimbardo (MA Curatorial Practice 2005), SFMOMA's assistant curator of media arts, coauthored this book chronicling and illustrating more than 100 SECA Award recipients from the late 1960s to the present, including CCA alumni Squeak Carnwath, Desirée Holman, Mitzi Pederson, Laurie Reid, Leslie Shows, and Kathryn VanDyke, among others. Featured faculty include Rebeca Bollinger, Kota Ezawa, Thom Faulders, Chris Finley, Donald Fortescue, Amy Franceschini, Clay Jensen, Jordan Kantor, Shaun O'Dell, Maria Porges, and Mary Snowden.Read the rest
Posted on Monday, February 6, 2012 by Allison Byers
CCA Graduate Program in Curatorial Practice, 2010
Paperback, 152 pages, free
Wendover documents a series of three Graduate Program in Curatorial Practice courses led by Center for Land Use Interpretation (CLUI) Director Matthew Coolidge and Curatorial Practice faculty member Marina McDougall. Analyzing exhibition and residency models, and looking more broadly at factors such as audience and site-specific programming, the enrolled students engaged with the CLUI outpost and artist residency in Wendover over a three-year period. A reader of sorts, the publication distills the students' activities and interactions with Wendover and documents their resulting projects: an audio tour (2008); a film program (2009); and an archive expansion (2010). Also included are interviews with Coolidge, Center for Art and Environment Director William Fox, and numerous texts contributed by students and visiting faculty. Contact firstname.lastname@example.org for a copy.Read the rest
Best Kept Secret: UCI and the Development of Contemporary Art in Southern California, 1964-1971
Laguna Art Museum, 2011
Paperback, 180 pages, $34.95
Grace Kook-Anderson (MA Curatorial Practice 2007), the Laguna Art Museum's curator of exhibitions, is a contributing writer to this recto-verso book published in conjunction with the Pacific Standard Time exhibition Best Kept Secret: UCI and the Development of Contemporary Art in Southern California, 1964-1971. This scholarly publication with primary research on UC Irvine and the development of its art department is the first to address the early years of the department. UCI was a hotbed of creativity and experimentation in the 1960s and early 1970s, with exceptional teachers such as Tony DeLap, Robert Irwin, and Vija Celmins teaching talented students such as Alexis Smith, Chris Burden, and Nancy Buchanan. The book includes an extensive timeline.Read the rest
Posted on Wednesday, October 26, 2011 by Lindsey Westbrook
Jens Hoffmann leads CCA Curator's Forum tour of Istanbul Biennial (Kris Martin's work in foreground) (photo: George Jewett)
The Istanbul Biennial is a key event in the international contemporary art scene -- a highly visible, highly respected exhibition that draws more than 100,000 visitors to the city and exposes them to some of the most engaged and relevant art being made today. In its opening week, the 12th Istanbul Biennial (which remains open through November 13) was attended by almost 4,000 guests, including critics, curators, museum and gallery administrators, and approximately 400 members of the press from 50 different countries. Everything they saw (whether they realized it or not) bore the marks of a CCA affiliate's hand -- specifically two CCA curators, one CCA graphic designer, and one CCA editor. They also saw the work of one faculty member and three alumni; all three alumni had entire galleries devoted to their work.
CCA President Stephen Beal, chair of the Board of Trustees F. Noel Perry, other trustees, and several members of the CCA Curator's Forum (a dedicated group of Wattis Institute supporters) flew to Istanbul for the opening weekend. Stephen Beal remarked, standing at the biennial entrance, "It is very gratifying to see the college so prominently represented here. It is evidence of the major relevance, at the international level, of what we are doing, and the kinds of experiences and access that CCA makes available to its community."
It was almost two years ago that Wattis Institute director Jens Hoffmann accepted the invitation to co-curate the 12th Istanbul Biennial. Beginning with that moment, what began as a single thread of connection between the college and the city of Istanbul expanded into a densely packed web involving multiple individuals.Read the rest
Posted on Tuesday, August 30, 2011 by Chris Bliss
Renowned writer Ishmael Reed joins the MFA Program in Writing faculty
Posted on Thursday, July 28, 2011 by Leigh Markopoulos
The event announcement promised: "Learn (almost) everything you need to know to escape civilization." And the public came, to learn about such things as the history of the back-to-the-land movement (from original back-to-the-lander Hank Meals), the construction of simple domes, how to make rope from twigs, and "wildcrafting," or foraging from nature in a way that sustains local ecologies.Read the rest