The American Craft Council’s (ACC’s) San Francisco show is something we look forward to every year: the quality’s high, the work often extraordinary, and the attendees knowledgeable, excited, and committed to supporting art, craft, and design.
Posted on Monday, August 6, 2012 by Allison Byers
Posted on Thursday, August 2, 2012 by Lindsey Westbrook
(photo by Zach McCaffree)
A year ago Derek Weisberg (Ceramics 2005) moved to New York to take a full-time job at Greenwich House Pottery, where he is a studio technician and teacher. His art has been included in recent exhibitions at POW WOW Hawaii in Honolulu, the Northern Clay Center in Minneapolis, and Greenwich House Pottery.
Having recently returned from completing the Fountainhead Residency in Miami, he took a moment to give us the scoop on his current projects, life after graduation, and exactly how many jobs you should expect to work when you call yourself a full-time artist!
What is Greenwich House, and what exactly is your job there?
My job involves teaching a hand-building sculpture class and helping the ceramic studio function smoothly and properly. Greenwich House was founded in 1902 as a settlement house to help New York's immigrant population adjust to life in the U.S. Today they have various programs in social services, arts, and education that are open to the public.
What are you working on now in your personal work?
One current project is a group of canopic jars. The idea comes from ancient Egyptian burial practices and beliefs about the afterlife. I am taking this very old ritual and bringing it into the present by replacing the gods with portraits of rappers who have passed away. This series tests my "chops" as a sculptor, and deals with themes I am interested in such as life, death, the afterlife. It is also about a culture I have been involved in almost my whole life.
Posted on Thursday, June 28, 2012 by Ace Lehner
With more than 230 of the top contemporary jewelry, clothing, furniture, and home-decor artists from across the country, this is the largest juried craft show west of the Rockies, providing an unparalleled opportunity for students to exhibit their fine art and functional craft works in a high-profile venue.
Posted on Thursday, June 7, 2012 by Allison Byers
Forget b-school. These days, d.school is the place to go.
Stanford University's d.school—the Hasso Plattner Institute of Design—has gained recognition in recent years for introducing the trendy, but murky, problem-solving concept known as "design thinking" to executives, educators, scientists, doctors and lawyers. Now other schools are coming up with their own programs.
Posted on Monday, May 21, 2012 by Allison Byers
Using ballooning skirts and rigid armor, graduating seniors of the California College of the Arts’ fashion design program stretched the standard proportions of normal apparel silhouettes to sculptural forms.
Posted on Wednesday, May 16, 2012 by Allison Byers
This past weekend, I attended the annual student runway show at California College of the Arts in San Francisco. Not sure what to expect, I was surprised to find so much buzz and professional energy. Held inside a large tent at street level just outside the school, the show was packed and the level of excitement high.
Posted on Monday, May 14, 2012 by Allison Byers
Impressive effort, is a phrase that is often banded about when describing the work in student shows. Frequently it is used to describe the raw talent, if not 100% polished execution that one associates with a non-professional collection. But for the CCA Class of 2012 Senior Runway Show, which took place in San Francisco on Friday night, impressive effort doesn't begin to cover it.
Posted on Monday, May 7, 2012 by Allison Byers
Some of the best trend spotting in town can be found on the corners of Polk and Eddy, Fourth and Mission, or Eighth and Hooper, where fashion students gather during breaks, many wearing their own designs or inventive thrift store finds. They're everywhere, from Dogpatch to Ocean Avenue.
Posted on Monday, April 30, 2012 by Allison Byers
While teaching a design class at California College of the Arts several years ago, Brian Kane noticed that his students often didn't sit. They instead draped themselves across their chairs or lounges, completely absorbed by their various electronic devices. Sealed off from the world by earphones and entranced by glowing screens, they were as likely to sprawl sideways as to sit up straight. Even in public places, many of them liked to rearrange the furniture and transform those spaces into their own customized zones for working, meeting or socializing.
Posted on Thursday, April 26, 2012 by Allison Byers
his year marks the third anniversary of the Rotman Design Challenge. It started out as a commendable experiment by the school’s Business Design Club to expose MBAs at the University of Toronto’s Rotman School of Management to the value of design methods in business problem solving. This year, the competition drew teams from a few other MBA schools and some of the best design schools in North America.