An outdoor concert always seem like a fun summer activity, until one considers the restroom situation: long lines of people waiting to use malodorous, unhygienic Porta-Potties. Although it won’t do much to improve the stench, Kevin Cheng’s dual-use system promises to slash the wait time: Each unit has a closed stall on one side and an open urinal for men on the other, with waste from both flowing into a single tank.
Posted on Tuesday, April 3, 2012 by Allison Byers
Posted on Monday, March 12, 2012 by Allison Byers
It may seem incomprehensible to the latest generation, but we used to choose what art schools we'd apply to by looking at printed paper brochures that came in the mail. In an era before social media and the internet, a school's reputation wasn't easy to ascertain, particularly if you lived far away from it; your high school art teacher—who might've been anything from an out-of-work landscaper to a bored housewife—would tell you they heard RISD was good, for instance, and that was about the extent of it.
Posted on Friday, January 27, 2012 by Molly Mitchell
A CCA student greets visitors to the School to Market booth at the 2012 American Craft Council Show at Fort Mason.
California College of the Arts and the American Craft Council have in common a passion for furthering craft education and mentoring young makers.
It’s no surprise that CCA and the ACC have over the past years joined forces to produce a number of programs geared toward the practice and business of making and selling craft.
Posted on Wednesday, January 11, 2012 by Clay Walsh
Congratulations to Justin Carlisle-Andgrand and Kate Nartker, each a finalist in the 2011 Design*Sponge Student Scholarship!
About the Design*Sponge Scholarship
Now in its fourth year, the Design*Sponge Scholarship is $10,000 in awards for full-time undergraduate and graduate students studying art and design. The scholarship was created to support the creative endeavors of the awardees and can be spent without restriction to support their pursuits (internship abroad, tuition, technology, supplies, etc.).
Posted on Monday, January 9, 2012 by Allison Byers
Core77 asked 5 students to take it for a test spin, investigating the workshop and using Autodesk software to incorporate what they'd learned in a re-design of a commonplace object. In the fourth installment of our series we look at San-Francisco-based Marc Levinson (California College of the Arts, B.F.A. in Industrial Design) and his Lili Tea Infuser.
Posted on Tuesday, October 11, 2011 by Clay Walsh
On September 18, 2011, close to 200 people convened at CCA’s San Francisco campus to say “Hello!” to Etsy, the online marketplace where independent artists, craftspersons, and vintage sellers from around the world sell their wares directly to their customers. Visitors and locals came to CCA as part of a unique satellite conference that not only featured live streaming from the two-day Hello Etsy summit in Berlin (September 17¬-18), but also afforded the CCA campus with a full day of workshops, lectures, panel discussions with key speakers, and hands-on making sessions.
This first-ever conference by Etsy joined business owners and leaders in the locally made / entrepreneur community alongside artists who have invented their own products and markets to discuss innovations and challenges to succeeding in the independent and handmade movements. CCA’s fine arts and Communications administration was thrilled to partner in the programming and support of this event. Attendees ranged from crafters, CCA fine arts students, local business owners, bloggers, faculty, and dozens of CCA alumni.
The Hello Etsy event kicked off a new partnership between the college and Etsy, called I Heart Art: San Francisco. Said Etsy Director of Community and Education Vanessa Bertozzi: “Over the past few years we were seeing so much activity and energy coming out of our community in the Bay Area. After visiting CCA for the Craft Forward Symposium, it was clear to me that we wanted to partner with this school -- filled with talented faculty and students, filled with history, and new ideas.”
Posted on Tuesday, July 19, 2011 by Jim Norrena
The 16th Annual Yozo Hamaguchi Printmaking Scholarship Awards Exhibition is set for August 23–September 15, 2011, in the Isabelle Percy West Gallery on the Oakland campus, with a reception planned for Wednesday, September 7, from 6 to 8 p.m. (See the college's event calendar for complete exhibition details.)
2011 Hamaguchi Printmaking Scholarship Awardees
The 2011 Yozo Hamaguchi Printmaking Scholarship undergraduate winners listed below each received a $3,000 tuition scholarship.
Posted on Tuesday, June 14, 2011 by Sarah Owens
YBCA's grand lobby
California College of the Arts and San Francisco’s Yerba Buena Center for the Arts (YBCA) paired up this spring when “Production Furniture 1” students, taught and developed by Furniture Program chair Russell Baldon, created new and original furniture designs for YBCA’s grand lobby. The course is a part of ENGAGE at CCA, an interdisciplinary project-based learning initiative at the college that encourages interaction and collaboration between CCA students and community partners.
The idea for a project-based furniture course in collaboration with YBCA stemmed from a conversation between Baldon and YBCA graphic designer crystal am-nelson. They had started a conversation at a previous YBCA event about the lack of unique, dynamic furniture in the grand lobby space. The project was born soon thereafter.
“We started with a basic problem in that we needed new furniture for our lobby,” said nelson. “And I felt that whatever we chose had to be very representative of who we truly are, which is not easy to find at a furniture store. That’s when I thought about continuing to work with local design students by co-creating a process where their work could be transformed into a real-life situation while they were still in school.
“I also was interested in experimenting with the museum as a laboratory for emerging artists and educational institutions,” nelson revealed. “It was wonderful to witness their development and excitement for the project throughout the various stages.”
Posted on Monday, May 16, 2011 by Simon Hodgson
Kevin Clarke in Macarthur B Arthur (art by Ben Carder and Rachel Kaye)
"When I was at CCA," says Kevin Clarke (Painting/Drawing 2005), "I'd be walking past the woodshop and people would be standing around a table engaged in a very physical, material problem, trying to figure out how to put a piece together. But then there was always interesting conceptual stuff going on, too. The work coming out of the Furniture Program combined craft and narrative in a way I related to."
Today, Clarke has achieved a true melding of CCA's "theory and practice" mantra, maintaining a woodshop in Alameda where he makes custom furniture, painting in his studio, and running the Oakland gallery MacArthur B Arthur.
Clarke made his first foray into the Bay Area arts community in 2003, when he set up Million Fishes Arts Collective midway through his CCA years. This Mission District-based organization continues to provide creative space and other opportunities to local artists. His CCA experience was invaluable in giving him confidence and connections. "Donald Fortescue, then chair of Furniture, was a mentor throughout. I still see and talk to him. Dee Hibbert-Jones, one of my first professors, inspired me to work outside the canonical medium of painting and be more experimental. I wanted more of a community, a 'soup' environment that would allow me to draw on the expertise of others. Jordan Kantor was instrumental in making me think about making. He helped me read texts, and had great recommendations on what to read after CCA."
Posted on Thursday, February 10, 2011 by Simon Hodgson
For Lia Tjandra (Graphic Design 1997), now art director at the University of California Press, professional success has been a group effort. While pursuing her CCA degree, she was inspired by professors such as Martin Venezky and Bob Aufuldish. "Bob's a great person to know. I'll be forever grateful to him." She is grateful as well to Jennifer Sonderby, her former boss at the San Francisco Museum of Modern Art, for lessons on strategic thinking and different ways to make a designer's voice heard. She credits Steve Renick, who was art director at UC Press for 20 years and taught a book design course at CCA, for sparking her interest in that field. In fact, as she looks back on her 15-year career, there's only one person Tjandra forgets to praise: herself.