Diversity News

Posted on Sunday, August 17, 2014 by Dustin N. Smith

Emma Ulen-Klees (BFA Printmaking), Progression, 2014View slideshow 

California College of the Arts alumna Emma Ulen-Klees (BFA Printmaking 2014) was awarded a 2014 Hamaguchi Emerging Artist Residency at Kala.

The artist in residence at Kala Art Institute is funded by the Hamaguchi Endowment for the advancement of printmaking at CCA and by the Kala Art Institute.

The award represents a rich collaboration between the two institutions that creates a special opportunity for a recent BFA Printmaking graduate to work in the dynamic Kala facilities with a community of artists from all over the world.

While studying printmaking and visual studies at CCA, Ulen-Klees began to develop a conceptual body of work inspired by the juxtaposition of natural and urban landscapes and uses the multiple to further explore human relationships to ecology within their manufactured environments.

 

Read the rest

Posted on Wednesday, August 13, 2014 by Jim Norrena

Matt Pearson at the Get Together event he organized to celebrate neighborhood talent in the Bernal Heights business community.

Graduate Design student Matt Pearson is consulting with Townsquared, a tech startup that provides an online network for local business communities.

The company's goal is to empower local businesses by making it easier for them to communicate and collaborate with one another.

Deepen Relationships

"I am the founding events coordinator for the company," Pearson explains. "I'm running an events pilot that culminates in eight community events in September and August.

"The goal of the pilot is to discover how live events deepen relationships and instigate collaboration within business communities.

Read the rest

Posted on Wednesday, August 13, 2014 by Jim Norrena

Turner Duckworth is an award-winning visual identity and packaging design agency

"The time I spent at Turner Duckworth as a junior designer has been brief, but full of valuable lessons," recalls Graphic Design student Suwanna Ruayrinsaowarot. "The experience has been enriching and insightful in many different aspect of life."

Inside Scoop

Ruayrinsaowarot gained useful experience in her role as a junior designer at the award-winning visual identity and packaging design agency's San Francisco studio. She worked within a team of creatives, which allowed her to achieve various hands-on experiences from creating professional mockups to packaging designs.

"The company culture at Turner Duckworth is a strong, unique, and friendly one. It offers a book club, Tuesday jogging sessions, and staff birthday celebrations. The staff is friendly, funny --  most members are in their mid-20s and mid-30s. Yet they are experienced and professional."

She adds: "They have all been a great source of inspiration for me. I am motivated to discover what I want to do in this field in the future."

Read the rest

Posted on Tuesday, July 1, 2014 by Jim Norrena

Cheryl Dunye, previous Film faculty and current graduate advisor, earned the audience award for Best Short Film for Black Is Blue (2014) at this year's San Francisco International LGBT Film Festival (produced by Frameline), which ran from June 19 to 29.

Read the rest

Posted on Monday, June 30, 2014 by Simon Hodgson

Photo: Zack DeZon

How does an engineer reinvent himself? One possible answer: at art school.

In 1996, just a year after graduating from Johns Hopkins University with a degree in civil engineering, Bruce King-Shey felt lost.

A lifelong musician, he switched tracks from engineering to take an entry-level job at the Annapolis Symphony. But when his career in arts management began to feel stalled, he wasn’t sure where he should turn next.

Today King-Shey (Industrial Design 2004, MA Visual Criticism 2005) is vice president of design innovation at food and beverage giant PepsiCo.

His circuitous career path offers much insight into how an arts education can unlock hidden talents.

Read the rest

Posted on Thursday, May 8, 2014 by Rachel Walther

Jen Banta Yoshida interviews Nancy Hom for her Bernice Bing documentary

Jen Banta Yoshida (MA Visual and Critical Studies 2009) is many things: an activist, a writer, an artist, a San Francisco native. For the past seven years, she has been delving into the biography of the artist Bernice Bing.

Her intensive research culminated in The Worlds of Bernice Bing, a documentary film released in late 2013. (Watch the trailer »)

The film will screen next at the Crocker Art Museum in Sacramento on June 26, 2014 , followed by a Q&A with Jen Banta Yoshida and Lenore Chinn.

Bing was also a San Francisco native. She was born in 1936 in Chinatown and worked in the city for most of her life, as a painter and an activist for community-based arts.

Read the rest

Posted on Tuesday, April 22, 2014 by Zachary Royer Scholz

Curated by Joyce Grimm (MA Curatorial Practice 2006), the exhibition Thresholds of Faith: Four Entries Into the Beyond at San Francisco’s Manresa Gallery features four artists of different faith backgrounds who are all affiliated with CCA.

The artists -- Lynn Marie Kirby (Film faculty), Taraneh Hemami (MFA 1991, now Diversity Studies faculty), Ali Naschke-Messing (MFA 2007), and Cara Levine (MFA 2012, now Sculpture faculty) -- have each produced evocative individual projects that invite reflection on religious practice and experience within contemporary life.

Housed within the active Catholic parish of San Francisco’s Saint Ignatius Church, Manresa Gallery is a unique project (and a surprising one, to many) that allows local and international contemporary artists to directly explore intersections between art and religion.

The resulting exhibitions expand the boundaries of both spiritual and artistic endeavor, and aim to generate far-reaching dialogue within a broad and diverse community.

Read the rest

Posted on Monday, March 3, 2014 by Deborah Valoma

Mariano Sosa Martinez and Rafaela Ruiz Guetierrez demonstrate at the Textile Futures public demonstration at the University of California, Berkeley Art Museum. Photo by Sita Bhaumik

CCA's Textiles Program hosted two respected members of the artist collective Centro de Arte Textil Zapoteco Bii Dauu -- Mariano Sosa Martinez and Rafaela Ruiz Gutierrez -- for its 2014 biennial event, Textile Futures 2014: Conversations Around the Dye Pot.

Textiles Futures promotes cross-cultural and cross-generational dialog geared toward locating and expanding the rhetoric around textile sensibilities and practices.

This year the CCA Textiles Program collaborated with artist and curator David Wilson with his ongoing project The Possible at the University of California, Berkeley Art Museum.

Read the rest

Posted on Wednesday, February 26, 2014 by Allison Byers

Team members Kristina Kotlier (MArch 2013) (left) and Raine Paulson Andrews (MArch 2014) (right) with a STAND UP supporter

In spring 2013, three CCA students came together with one common goal: to make a difference with an IMPACT Social Entrepreneurship Award from CCA’s Center for Art and Public Life.

Robert Gomez (MFA and MA Visual and Critical Studies 2013), Raine Paulson Andrews (MArch 2014), and Kristina Kotlier (MArch 2013) were indeed one of three teams who won the award for summer 2013, and the project they carried out, STAND UP with Jamaica, was a major turning point for all of them.

Read the rest

Posted on Tuesday, February 25, 2014 by Brenda Tucker

Proposed redesign captured attention of Ticketmaster design team!

Matthew Lew’s love of music has turned him into a bit of a design rock star.

In fall 2013, the CCA student (Graphic Design 2015) received a Typography 3 assignment from faculty member David Asari. Lew’s project, a total redesign of the iconic Ticketmaster ticket, got him ink in two leading magazines, Fast Company and Wired, and attention from business leaders and numerous designers, from Facebook to Dropbox, TicPic, Eventbrite, and yes, Jared Smith, the North American president of Ticketmaster.

Lew chose to reconsider Ticketmaster tickets because of his love of concerts. “The design is as old as the cassette tape; they are difficult to read and visually do not give any justice to the experience of live entertainment. It’s the only major ticket service that still prints tickets, and it lacks suitable anti-counterfeiting measures.”

Read the rest

Pages