For additional information about CCA's 2011-12 faculty hiring, read the latest Academic Newsletter by Provost Mark Breitenberg.
Posted on Tuesday, August 30, 2011 by Chris Bliss
Renowned writer Ishmael Reed joins the MFA Program in Writing faculty
Posted on Monday, August 22, 2011 by Jim Norrena
This is especially true for playwright and MFA Writing faculty member Claire Chafee, whose critically praised play Why We Have a Body (Bay Area premiere 1993) launched the Magic Theatre's 2011-12 season on Tuesday, September 6, at Fort Mason in San Francisco. The play, directed by Katie Pearl, and which runs through October 2, is part of a "revival effort" the theater is undertaking to include a previously produced hit play in each of its upcoming seasons.
Posted on Monday, August 15, 2011 by Simon Hodgson
On August 8, 2011, CCA alumna Adrienne Skye Roberts (MA Visual and Critical Studies 2009) began a six-week residency at the hip new Philadelphia Art Hotel, tracing her radical roots. "My grandfather, Joseph Roberts, was a Russian Jewish immigrant, a chairperson of the Communist Party, and general manager at the Communist newspaper the Daily Worker. He was prosecuted in 1953 under the Smith Act, wartime legislation passed to stop alien residents from trying to overthrow the U.S. by force.
Posted on Thursday, August 11, 2011 by Clay Walsh
Join or create a student group or organization today!
What do CCA students do when they’re not studying, making, designing, building, creating, or writing? Well, a variety of things of course, including growing a number of CCA student groups and organizations that provide ample opportunities for students to engage in student body planning or socialize, or both.
Depending on your interest and commitment, chances are good there’s a student organization or group that’s right for you.
Posted on Wednesday, August 3, 2011 by Jim Norrena
How does the present imprint itself on language, on poetry? Gloria Frym's Mind Over Matter shows us that: the outlines of the endless wars, the credit default swaps. But it also shows poetry resisting this. "No poem/would stand for such a line," Frym writes. "A poem is not a fool." This book makes me want to cheer.
— Rae Armantrout
Posted on Thursday, July 28, 2011 by Kate Angelo
On May 12, the exhibition Seeing Gertrude Stein: Five Stories opened at the Contemporary Jewish Museum in San Francisco. This show and its beautiful catalog represent the culmination of years of research and scholarship for Tirza True Latimer, chair of the Graduate Program in Visual and Critical Studies.
Posted on Monday, July 25, 2011 by Jim Norrena
Jim Goldberg's photography is currently featured in two San Francisco exhibitions
Posted on Monday, July 18, 2011 by Jim Norrena
Team CCA's efforts will help benefit dozens of Bay Area AIDS services
Team CCA Meets Goal, Places Among Top 50 Fundraising Teams!
California College of the Arts joined AIDS Walk San Francisco 2011 held in Golden Gate Park Sunday, July 17, which marked the 25th anniversary of the event. Team CCA exceeded its $5,000 fundraising goal by almost 20 percent, contributing $5,810 to the largest AIDS fundraising event in Northern California that attracts hundreds of thousands of donors from the Bay Area and across the country.
Posted on Thursday, July 14, 2011 by Jim Norrena
Daniel Dallabrida's "Damage Is Done" [photo: Jim Norrena]
Remember that someday the AIDS crisis will be over. And when that day has come and gone there will be people alive who will hear that once there was a terrible disease, and that a brave group of people stood up and fought and in some cases died so others might live and be free.
~ Vito Russo (1946–1990)
(Excerpted from "Why We Fight," a speech delivered
in front of the Department of Health and Human Services
during a demonstration on Monday, October 10, 1988)
Posted on Wednesday, June 29, 2011 by Lindsey Westbrook
Suggestions of a Life Being Lived: A Queer Exploration of Three Public Themes
SF Camerawork Publications, 2011
Hardcover, 64 pages, $19.95
Untethered to institutions of sexual or gender normativity and in pursuit of greater freedoms, the work in this book represents queer activism, intentional and imagined communities, self-determinism, and DIY alternative world-making.
The work looks outward toward collective and resistant expressions of queer community existing outside of dominant gay and lesbian culture.