Diversity News

Posted on Thursday, April 19, 2012 by Mitchell Schwarzer

Mitchell Schwarzer gives his introduction at the CCA faculty retreat

On February 4, 2012, the faculty at California College of the Arts gathered at the college's San Francisco campus for a retreat focused on the state of the arts across our many disciplines. In the morning, 25 short presentations offered insights into challenges and opportunities faced by practitioners and thinkers in recent times. The word aired most frequently was crisis: the crisis of the Great Recession; the crisis of Global Climate Change; the crisis of understanding and working within a discipline in our digital age.

Watch the video of all the presentations (91 minutes), shot and edited by Yoni Klein (Photography 2012)

The economic downturn has produced an economic squeeze within most of our disciplines. Art directors, as Alexis Mahrus remarks, have diminished roles in shaping an illustration. Smaller profit margins reduce the flexibility and time given over to experimentation. Branding and celebrity worship take up a larger slice of the creative pie. Some presenters, like Sue Redding of Industrial Design, see no problem in this conflation of art and business and, furthermore, dispute the notion of a crisis. Yet many presenters feel that the economic crisis is not only real but wielding dangerously asymmetrical impacts. Demand remains strong for high-end craft goods and blue-chip fine art. Some small nonprofits are struggling to survive. To Ignacio Valero of Critical Studies, the priority given over to luxury items can be attributed to the ongoing influence of classical economic policies that privilege individual decision making over collective social and natural needs. Likewise, Sandra Vivanco of Diversity Studies notes that economic inequalities have greatly worsened over the past few years, especially in the developing world. Contemporary society is forging a timeless, spaceless way of conducting business, a race for lucrative and short-term gains that concentrates investment more than ever in the hands of a few.

Posted on Tuesday, April 17, 2012 by Jim Norrena

A documentary short by Yoni Klein and Alka Joshi

Blink once for finalist, twice for student Academy Award.

In almost as little time as it takes to blink, Yoni Klein's (2012 Photography) and alumna Alka Joshi's (MFA 2011 Writing) documentary short, Blink, made the film festival rounds in 2011, screening at almost a dozen film festivals across the United States as well as in London at GFEST, the Gaywise Festival! Now the film has just been announced as a regional finalist in the 39th annual Student Academy Awards competition of the Academy of Motion Picture Arts and Sciences (the Academy) and the Academy Foundation!

Posted on Friday, April 13, 2012 by Simon Hodgson

Brian Conley, Miniature War in Iraq . . . and Now Afghanistan, 2010

Fine Arts faculty member Brian Conley spent part of his fall 2011 sabbatical in the Middle East assisting in the launch of a new nonprofit organization, Sada (Echo) for Contemporary Iraqi Art. Sada was founded just last year by the Baghdad-born curator and Fulbright fellow Rijin Sahakian, who saw a critical need for support in the creation, presentation, and preservation of contemporary art in Iraq.

Posted on Tuesday, April 3, 2012 by Chris Bliss

David Sedaris [photo: Anne Fishbein]

Best-selling author and NPR humorist David Sedaris will appear at a special benefit reading for California College of the Arts (CCA) on May 3, 2012, at Zellerbach Auditorium on the UC Berkeley campus. The evening will include a reading from new and unpublished material, a book signing, and, for sponsorship donors, a VIP cocktail party with the author at Berkeley Art Museum. Proceeds will benefit the CCA Scholarship Fund.

Posted on Tuesday, March 20, 2012 by Joyna Heinz

November 17–21, 2014

Download the International Education Week schedule

A joint initiative of the U.S. Department of State and the U.S. Department of Education to recognize the global exchange environment between the United States and other countries, International Education Week (IEW) is a celebration and promotion of international education and exchange.

Posted on Thursday, March 8, 2012 by Lindsey Westbrook

The Reeducation of Cherry Truong: A Novel
St. Martin's Press, 2012
Hardcover, 368 pages, $25.99

The Reeducation of Cherry Truong is a novel by Writing and Literature chair Aimee Phan about reverse migration, the new American immigrant story. Cherry Truong's attempt to reconnect to her mother's family reaches around the world, from America to Vietnam to France, and reinvents what she knows of her family's history and her world. It is a story of loyalties, histories, and identities, exploring multiple generations of the Truong and Vos families and touching on the events of the Vietnam War, cultural assimilation, reconciliation, forgiveness, and redemption.

Posted on Tuesday, March 6, 2012 by Allison Byers

Starting at a new school can be an exciting yet nerve-wracking experience. Will I like my teachers? Will I do well in my classes? Will I be able to talk about my ideas and be understood? Will I be able to find my way around? Will I make friends? What about my roommate?

Posted on Monday, February 27, 2012 by Jim Norrena

Production stills from CCA's newest "drama queens": Candacy Taylor, Greacian Goeke, Susan Sobeloff, and Jennifer Roberts

"I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being." -- Oscar Wilde

In the last year a growing number of CCA graduates -- each representing a unique program of study -- has tapped into the Bay Area's richly diverse and proliferating performing arts scene to have a full-scale world premiere of their work brought to fruition. Among these impressive alumnae are:

Candacy Taylor (MFA Visual Criticism 2002)

Posted on Tuesday, February 7, 2012 by Lindsey Westbrook

Making Race: Modernism and "Racial Art" in America
University of Washington Press, 2011
Paperback, 256 pages, $40

Jacqueline Francis (Visual and Critical Studies and Painting/Drawing faculty) explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. She specifically looks at the cases of Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber, three New York artists whose work was popularly assigned to the category of "racial art" in the interwar years of the 20th century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices.

Posted on Monday, February 6, 2012 by Lindsey Westbrook

Kota Ezawa: Upstairs, Downstairs
University of Idaho, 2010
Paperback, 36 pages

This is the catalogue for Film faculty member Kota Ezawa's exhibition Upstairs, downstairs at the University of Idaho, Prichard Art Gallery in 2010. The catalogue was cowritten by Ezawa, CCA Writing and Visual and Critical Studies faculty member Kevin Killian, and Roger Rowley. It presents work in a number of different forms using older technologies as well as new media. The artist selects from sources such as news stories, lectures by prominent figures, fiction and nonfiction film, and even the history of photography for particular elements that comment on our media overloaded environment.

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