Fine Arts faculty member Brian Conley spent part of his fall 2011 sabbatical in the Middle East assisting in the launch of a new nonprofit organization, Sada (Echo) for Contemporary Iraqi Art. Sada was founded just last year by the Baghdad-born curator and Fulbright fellow Rijin Sahakian, who saw a critical need for support in the creation, presentation, and preservation of contemporary art in Iraq.
Posted on Friday, April 13, 2012 by Simon Hodgson
Brian Conley, Miniature War in Iraq . . . and Now Afghanistan, 2010
Posted on Tuesday, April 3, 2012 by Chris Bliss
Best-selling author and NPR humorist David Sedaris will appear at a special benefit reading for California College of the Arts (CCA) on May 3, 2012, at Zellerbach Auditorium on the UC Berkeley campus. The evening will include a reading from new and unpublished material, a book signing, and, for sponsorship donors, a VIP cocktail party with the author at Berkeley Art Museum. Proceeds will benefit the CCA Scholarship Fund.
Posted on Tuesday, March 20, 2012 by Joyna Heinz
November 17–21, 2014
A joint initiative of the U.S. Department of State and the U.S. Department of Education to recognize the global exchange environment between the United States and other countries, International Education Week (IEW) is a celebration and promotion of international education and exchange.
Posted on Thursday, March 8, 2012 by Lindsey Westbrook
The Reeducation of Cherry Truong: A Novel
St. Martin's Press, 2012
Hardcover, 368 pages, $25.99
The Reeducation of Cherry Truong is a novel by Writing and Literature chair Aimee Phan about reverse migration, the new American immigrant story. Cherry Truong's attempt to reconnect to her mother's family reaches around the world, from America to Vietnam to France, and reinvents what she knows of her family's history and her world. It is a story of loyalties, histories, and identities, exploring multiple generations of the Truong and Vos families and touching on the events of the Vietnam War, cultural assimilation, reconciliation, forgiveness, and redemption.
Posted on Tuesday, March 6, 2012 by Allison Byers
Starting at a new school can be an exciting yet nerve-wracking experience. Will I like my teachers? Will I do well in my classes? Will I be able to talk about my ideas and be understood? Will I be able to find my way around? Will I make friends? What about my roommate?
Posted on Monday, February 27, 2012 by Jim Norrena
Production stills from CCA's newest "drama queens": Candacy Taylor, Greacian Goeke, Susan Sobeloff, and Jennifer Roberts
"I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being." -- Oscar Wilde
In the last year a growing number of CCA graduates -- each representing a unique program of study -- has tapped into the Bay Area's richly diverse and proliferating performing arts scene to have a full-scale world premiere of their work brought to fruition. Among these impressive alumnae are:
Candacy Taylor (MFA Visual Criticism 2002)
Posted on Tuesday, February 7, 2012 by Lindsey Westbrook
Making Race: Modernism and "Racial Art" in America
University of Washington Press, 2011
Paperback, 256 pages, $40
Jacqueline Francis (Visual and Critical Studies and Painting/Drawing faculty) explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. She specifically looks at the cases of Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber, three New York artists whose work was popularly assigned to the category of "racial art" in the interwar years of the 20th century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices.
Posted on Monday, February 6, 2012 by Lindsey Westbrook
Kota Ezawa: Upstairs, Downstairs
University of Idaho, 2010
Paperback, 36 pages
This is the catalogue for Film faculty member Kota Ezawa's exhibition Upstairs, downstairs at the University of Idaho, Prichard Art Gallery in 2010. The catalogue was cowritten by Ezawa, CCA Writing and Visual and Critical Studies faculty member Kevin Killian, and Roger Rowley. It presents work in a number of different forms using older technologies as well as new media. The artist selects from sources such as news stories, lectures by prominent figures, fiction and nonfiction film, and even the history of photography for particular elements that comment on our media overloaded environment.
Posted on Monday, January 30, 2012 by Allison Byers
It’s not easy to get 160 black men from 11 American cities in one room to talk about their identity.
So the four collaborators who created “Question Bridge: Black Males,” the latest multimedia exhibit at the Brooklyn Museum, did the next best thing.
Posted on Thursday, January 26, 2012 by Allison Byers
California College of the Arts (CCA) has joined the It Gets Better Project, an online video campaign aimed at eliminating suicide among LGBTQ people by providing real-world testimonials illustrating hope.
CCA is the first arts college in the US to submit an official college-wide It Gets Better video. The video features students, alumni, faculty and staff who volunteered to share their life experiences regarding coming out and living openly as a member of the LGBTQ community.