Sculptural works by Nathan Lynch, who chairs the ceramics department at California College of the Arts, are highly enjoyable. They consist of piles: one of wood pieces, their ends painted so they resemble giant matchsticks; others of brilliantly colored clay or glazed porcelain bulbs as visually enticing as they are unsettlingly organic-looking (larvae come to mind).Read the rest
Posted on Thursday, August 1, 2013 by Rachel Walther
When you first enter Enlightenment Room (2008), an immersive environment artwork by Jewelry / Metal Arts faculty member Nick Dong, nothing happens. You walk down a short, mirrored corridor in semi-darkness to a gray cushioned seat that faces the entrance.
But the moment you sit down, light begins to fill the space, and thousands of white, oval tiles glisten into view. Ethereal music fills your ears. The light brightens, and the music intensifies. This experience can last a few minutes, or a few hours, depending on how long you remain seated . . . waiting. The moment you stand, the music and lights fade out.Read the rest
Posted on Thursday, August 1, 2013 by Allison Byers
Matt Silady wasn't into comics as a kid in Chicago until high school, when he gave in to a comic-book geek who'd been pushing Marvel's mutant superheroes on him. When he got to the last panel of his first X-Men, he immediately devoured the book again.Read the rest
Posted on Tuesday, July 30, 2013 by Laura Braun
Posted on Friday, July 26, 2013 by Jim Norrena
Reed, author of The Free-Lance Pallbearers and Reckless Eyeballing, uses the recent media storm surrounding the controversial "not guilty" verdict of George Zimmerman (on trial for the shooting death of Trayvon Martin in Florida) to accentuate his own experience participating as part of a neighborhood watch team in the Bay Area.
In February, Reed's article "Neo-Classical Republicanism" was published in the New York Times Opinion Pages.Read the rest
Posted on Monday, July 22, 2013 by A. Will Brown
Fashion Design chair Amy Williams with student [photo: Jim Norrena]
"In the end, sometimes clothes are just clothes."
When asked about her career the first thing she says, as if to get it out of the way, is that she is "not famous," but after meeting her, one wonders, why not? She has all the intangibles, and carries herself with a deeply professional and confident air. Even more striking is her lack of pomp or undercutting competitive attitude -- qualities that so often accompany success.Read the rest
The Ninth Page: Etel Adnan's Journalism 1972-74
Paperback, 128 pages, inquire to purchase
This book accompanies the thesis exhibition of the class of 2013 of CCA's Graduate Program in Curatorial Practice. It was edited by faculty member Julian Myers-Szupinska and student Heidi Rabben, and it was designed by Graphic Design faculty member Jon Sueda.Read the rest
New Constellations, New Ecologies
This book was coedited by Director of Architecture Ila Berman and Edward Mitchell and designed by Graphic Design faculty member Brett MacFadden of MacFadden & Thorpe. It ocuments the proceedings of the ACSA’s 101st annual meeting, which took place in spring 2013 at CCA (read more here).
Subtitled "New Constellations, New Ecologies," the hope for the conference was "to reset the agenda for architectural education." As a counterpoint to the 100th anniversary meeting hosted by MIT, the first American school of architecture, ACSA 101 took place at CCA, one of the younger architecture schools. The intention of this shift was to "resituate the issues facing architecture within the Bay Area's complex context: a global urban mega-region known for its technological innovation, ecological attitude, and social diversity, with cultural and economic influences coming from its position at the edge of the continent and its strong ties to the Pacific Rim."Read the rest
Never Built Los Angeles
Metropolis Books, 2013
Hardcover, 376 pages, $55
Graphic Design faculty member Eric Heiman and his firm Volume Inc. designed this book, which explores the "what if" Los Angeles, investigating the values and untapped potential of a city still in search of itself.
In more than 400 color and black-and-white illustrations, this book shows buildings, master plans, parks, follies, and mass-transit proposals that only ever saw the drawing board -- in total more than 100 visionary works that could have transformed both the physical reality and the collective perception of the metropolis, from Olmsted Brothers and Bartholomew's groundbreaking 1930 Plan for the Los Angeles Region, which would have increased the amount of green space in the notoriously park-poor city fivefold; to John Lautner's Alto Capistrano, a series of spaceship-like apartments hovering above a mixed-use development; to Jean Nouvel's 2008 Green Blade, a condominium tower clad entirely in cascading plants.
Heiman says: "Since all of the projects in the book are unrealized, the imagery is solely drawings, models, and digital renderings. We picked up on the vernacular of architectural plans and blueprints -- the line work, the title blocks, etc. -- for the typographic palette as a way to appropriately frame this visual content. The design also offers two ways to parse the book. The chapters are organized around building typologies. Each individual project, though, is color-coded to reflect its specific Los Angeles neighborhood, with the exact locations indicated on site maps that introduce each section.Read the rest
Excerpts from Silver Meadows
Nazraeli Press, 2013
Hardcover, 108 pages, $75
Selected by Time as one of the top photo books of 2013! This is the sixth monograph from Nazraeli Press devoted to the work of CCA alumnus and Photography faculty member Todd Hido, and it is his most ambitious project to date. It is designed by Graphic Design faculty member Bob Aufuldish.
Update as of 2014: Check out the "Silver Meadows B-Sides Box Set," also designed by Bob Aufuldish.
Silver Meadows is the name of a street that runs through the neighborhood in Kent, Ohio, where the artist grew up. The setting of Hido's childhood, it also became the creative wellspring for his work. Here, it serves as a point of departure for his reexamination of a Midwestern suburban upbringing: 'a trip through the innocence of childhood and adolescence and into the darker aspects of life beyond.'
This first edition is printed on matte Japanese art paper and features an "installation" of tipped-in images on the case binding.Read the rest