Goodwin did not get her butt of sack, and she hasn't been given an honorarium, either. Nobody has mentioned gas money. She has two daughters, Naomi and Izzy. Her husband, Nick, is a plumber, and she scratches out a living teaching night classes at Stanford and day classes at California College of the Arts, in San Francisco and Oakland.
Posted on Monday, November 25, 2013 by Allison Byers
Posted on Friday, November 22, 2013 by Allison Byers
On Sunday evening, the museum is presenting the first installment of a three-part series, Painting Beyond Belief, featuring a discussion between the painters Amy Sillman and Peter Doig, moderated by Jordan Kantor, associate professor of painting at California College of the Arts. The group will consider the course of painting since Chagall’s death in 1985
Posted on Thursday, November 21, 2013 by Jim Norrena
(l-r) Film chair Rob Epstein and Jeffrey Friedman
On Tuesday, November 26, 2013, the United Nations hosted a screening of Film chair Rob Epstein's and Jeffrey Friedman’s short film, The Battle of amfAR (Telling Pictures), which premiered at Sundance Film Festival. The film details the story of two very charismatic and powerful women who joined forces to create America’s first AIDS research foundation: Dr. Mathilde Krim and film legend Elizabeth Taylor.
The screening followed a discussion with Dr. Krim, and executive producer Kenneth Cole. The event was cohosted by the United Nations Creative Community Outreach Initiative, UNAIDS, and amfAR (American Foundation for AIDS Research).
Attendees of the event included heads of international AIDS organizations as well as members of various advocacy groups.
Posted on Thursday, November 21, 2013 by Allison Byers
The Deans List is an interview series with the leaders of architecture schools, worldwide. The series profiles the school’s programming, as defined by the head honcho – giving an invaluable perspective into the institution’s unique curriculum, faculty and academic environment.
For our first installment, we spoke with David Gissen, the Director of Architecture at California College of the Arts in San Francisco.
Posted on Thursday, November 21, 2013 by Claire Fitzsimmons
Tim Belonax in Facebook's Analog Research Laboratory [photo: Andria Lo]
Along the walk to the cafeteria, a poster reads: "Eventually everything connects." Another, "People not pixels." In the atrium, "Hack the graph," and in the corridor, "Empathy. Have some!"
This sounds like it could very well be CCA's campus, but it's actually Facebook’s. Each poster is stamped at the bottom with the words: "Poster brought to you by your friends at the Facebook Analog Research Laboratory."
Facebook designer and CCA Graphic Design faculty member Tim Belonax calls the Analog Research Laboratory -- known around Facebook simply as the Analog Lab -- "a playground for a print designer. There are very few places around the Bay Area where a lover of handmade graphic design would encounter such amazing facilities."
Wired magazine has called it "Facebook's secret propaganda arm." The Huffington Post dubs it "a slogan factory where techies get tactile."
Posted on Wednesday, November 20, 2013 by Allison Byers
Or take the bizarre, ironically very alien results from a straight-forward exploration of egg shapes. Called "SEAcraft Eggs," and produced by his students at the California College of the Arts in San Francisco, these show what can happen when expected materials are rigorously and systematically swapped out in new and unexpected formal combinations.
Posted on Monday, November 18, 2013 by Allison Byers
I spent the summer of 2012 interviewing some of the most influential people in sustainable fashion.
At the time, I was co-founder of a fledging apparel startup, learning all I could about eco-fashion and the state of the industry.
Among the interviewees were Sustainable Fashion Writer Kate Fletcher, CEO of SlaveryFootprint.org; Justin Dillon, co-founder of PACT; Jeff Denby, Textile Specialist Stacy Flynn and California College of the Arts Professor Lynda Grose.
Posted on Friday, November 15, 2013 by Lindsey Westbrook
Edition One, 2013
Paperback, 204 pages, $35
Painting/Drawing chair Linda Geary documents the visits she made to 100 Bay Area artists, curators, writers, and gallerists in 2011. A subjective recollection of each meeting is paired with a selection of vibrant colors, chosen by each subject from a stack of 285 color swatches hand painted by Geary. The result is a striking and original book that captures the vibrant spirit of the Bay Area art community. Numerous CCA affiliates were among those who spoke with Geary. Interviewees include Bill Berkson, Apsara DiQuinzio, Nathaniel Dorsky, Chris Duncan, Jens Hoffmann, Andrew Masullo, Lawrence Rinder, Alison Smith, and David Wilson.
Posted on Thursday, November 14, 2013 by Allison Byers
So don't miss this Thursday's "METAMORPHOSIS," when the talented artist/designers from the California College of the Arts transform the Academy (and possibly you) into something unexpected. Explore a multitude of industrial, interaction, illustration, fashion, furniture and graphic designers from CCA as they showcase an amazing, cutting-edge array of work, highlighting new technologies and innovative ideas that explore the concept of metamorphosis.
Posted on Wednesday, November 13, 2013 by Chris Bliss
The National Science Foundation (NSF) has awarded CCA a $200,000 grant, one of largest awards made to an art college. The three-year grant will support CCA’s innovative Exploring Science in the Studio project.
CCA’s award is part of the NSF’s TUES (Transforming Undergraduate Education in Science, Technology, Engineering and Mathematics) program, which seeks to improve the quality of science, technology, engineering, and mathematics (STEM) education for all undergraduate students.
“A Model to Transform Science Education”
The NSF review panel praised the CCA grant proposal stating, “This project may serve as a model to transform science education at art and design schools so that science is not simply fulfilling a general education requirement, but becomes integrated into the arts and allows art and design students to develop an understanding of their field from a science-based perspective.”