Faculty News

Posted on Friday, July 19, 2013 by Lindsey Westbrook

Trapline
JackLeg Press, 2013
Paperback, 80 pages, $13

Donna de la Perrière says: of Trapline by Writing faculty member Caroline Goodwin: Nature's flux and torque are embodied in a language that is taut, luscious, and musical.

These are poems of rot and salt, dragonflies and kinked reeds, where the world is always with us -- raw and omnipresent, beautiful and terrible. Here poems navigate physical and metaphysical landscapes, embodying experience and a world both awful and awe-full: 'when the mind / has grown plumes delicate / as tubeworms in the driftwood / in the sponge and scarlet / blood star tough as tongues / as the sea whip clicking.'

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Posted on Thursday, July 18, 2013 by Allison Byers

"My Country Has No Name"

The work of 28-year-old Nigerian-born artist Toyin Odutola (MFA 2012) may literally be black portraiture with ballpoint pen ink, but speaking figuratively, her work speaks volumes. Addressing issues of identity, race, and nationhood, her art resonates strongly with her audiences.

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Posted on Tuesday, July 16, 2013 by Allison Byers

CCA Interaction Design Chair Kristian Simsarian talks to BBC Click's Sumi Das about Google design.

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Posted on Thursday, July 11, 2013 by Allison Byers

His doors are open nearly each day, except for those days he teaches at the California College of the Arts as a senior adjunct professor in the printmaking department. Some people who come in off the street may buy a print or commission him for a new piece of art.

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Posted on Monday, July 8, 2013 by Jim Norrena

The "eggs" represent alternative fabrication procesess.View slideshow 

As part of Architecture's presence at the CCA booth at the 2013 Maker Faire, instructor Andrew Kudless presented 16 "eggs" students created during his advanced studio course.

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Posted on Monday, July 8, 2013 by Allison Byers

"I was interested in exploring that impulse to perform and repeat American history and something that seemed very nationalistic and conservative and hetero normative," she explains. "A lot of the re-enactments I went to seemed like performances of masculinity, so I wanted to look at it."

The California College of the Arts professor, 41, holds a master's degree in sculpture from Yale, and her work has been acquired by the Whitney Museum of American Art and the Saatchi Gallery London.

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Posted on Monday, July 8, 2013 by Rachel Walther

An "elective" at art school is in many ways the opposite of what the term means for a traditional university student. Rather than taking a painting class for fun in between economics and political science, art students have to decide what math class to fit in between their painting courses.

All undergraduates at CCA (except Architecture majors) are required to take 51 units of Humanities and Sciences coursework, which by the time they graduate ends up representing about a third of their total units.

All of these courses are highly rigorous. Some are essential and required (for instance writing and art history) but many are creatively designed electives open to students in all majors. In "Bad Science at the Movies," for instance, professor Christine Metzger uses preposterous representations of geology and climate change in popular films to launch an in-depth survey of environmental science.

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Posted on Monday, July 8, 2013 by Allison Byers

Looking for an innovate way to address this problem, the city reached out to an unlikely source: a class of undergraduate art students at the San Francisco-based California College of the Art, who partnered with Silicon Valley tech giant Intel.

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Posted on Monday, July 8, 2013 by Allison Byers

The cardinal rule of home buying is "location, location, location." But it can also apply to educational institutions.

"Any college or university takes much of its character from its location," says Stephen Beal, president of California College of the Arts. "An increasing part of a student's education isn't just about what's happening in the classroom, but also outside of it."

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Posted on Thursday, July 4, 2013 by Jim Norrena

CCA's booth at Maker Faire received two Make magazine editor's choice awards

Ever since the college was founded in 1907, making art has defined what we do at California College of the Arts -- both what we create and how we create it.

Today we have a new challenge to how we create art. The Bay Area has become a vast melting pot of innovation driven by the demands of technology-reliant and design-savvy enthusiasts.

We live in the innovation corridor -- a unique stomping grounds where the doers and makers are integrating time-honored principles of craft into the ever-changing technological landscape.

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