Faculty News

Posted on Thursday, July 11, 2013 by Allison Byers

His doors are open nearly each day, except for those days he teaches at the California College of the Arts as a senior adjunct professor in the printmaking department. Some people who come in off the street may buy a print or commission him for a new piece of art.

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Posted on Monday, July 8, 2013 by Jim Norrena

The "eggs" represent alternative fabrication procesess.View slideshow 

As part of Architecture's presence at the CCA booth at the 2013 Maker Faire, instructor Andrew Kudless presented 16 "eggs" students created during his advanced studio course.

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Posted on Monday, July 8, 2013 by Allison Byers

"I was interested in exploring that impulse to perform and repeat American history and something that seemed very nationalistic and conservative and hetero normative," she explains. "A lot of the re-enactments I went to seemed like performances of masculinity, so I wanted to look at it."

The California College of the Arts professor, 41, holds a master's degree in sculpture from Yale, and her work has been acquired by the Whitney Museum of American Art and the Saatchi Gallery London.

Posted on Monday, July 8, 2013 by Rachel Walther

An "elective" at art school is in many ways the opposite of what the term means for a traditional university student. Rather than taking a painting class for fun in between economics and political science, art students have to decide what math class to fit in between their painting courses.

All undergraduates at CCA (except Architecture majors) are required to take 51 units of Humanities and Sciences coursework, which by the time they graduate ends up representing about a third of their total units.

All of these courses are highly rigorous. Some are essential and required (for instance writing and art history) but many are creatively designed electives open to students in all majors. In "Bad Science at the Movies," for instance, professor Christine Metzger uses preposterous representations of geology and climate change in popular films to launch an in-depth survey of environmental science.

Posted on Monday, July 8, 2013 by Allison Byers

Looking for an innovate way to address this problem, the city reached out to an unlikely source: a class of undergraduate art students at the San Francisco-based California College of the Art, who partnered with Silicon Valley tech giant Intel.

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Posted on Monday, July 8, 2013 by Allison Byers

The cardinal rule of home buying is "location, location, location." But it can also apply to educational institutions.

"Any college or university takes much of its character from its location," says Stephen Beal, president of California College of the Arts. "An increasing part of a student's education isn't just about what's happening in the classroom, but also outside of it."

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Posted on Thursday, July 4, 2013 by Jim Norrena

CCA's booth at Maker Faire received two Make magazine editor's choice awards

Ever since the college was founded in 1907, making art has defined what we do at California College of the Arts -- both what we create and how we create it.

Today we have a new challenge to how we create art. The Bay Area has become a vast melting pot of innovation driven by the demands of technology-reliant and design-savvy enthusiasts.

We live in the innovation corridor -- a unique stomping grounds where the doers and makers are integrating time-honored principles of craft into the ever-changing technological landscape.

Posted on Wednesday, July 3, 2013 by Allison Byers

Another new feature is a mosaic mural on a wall near the park's entrance that is a semesterlong project of a group of local students. The colorful mural was created under the direction of California College of the Arts associate professor Virginia Jardim working with her CCA class, alongside a group of middle-school age students from United for Success Academy, whose teacher is Jen Fuller, a CCA alum.

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Posted on Thursday, June 20, 2013 by Lindsey Westbrook

Owen Smith, the new chair of CCA's Illustration Program, got his first New Yorker cover commission when he was a senior at Art Center College of Design. "I'd entered a work in a juried competition, and it was published in American Illustration, and Françoise Mouly, the art director of the New Yorker, saw it and called me. I was lucky. But I suppose it's also true that you make your own luck, as they say."

So, what is Smith's advice for students looking to break into the field?

"They should enter their work in juried competitions, like those run by the Society of Illustrators, American Illustration, and Communication Arts. They have categories for unpublished work and student work. It is a great way to get your art seen alongside the art of very successful, senior professionals."

Posted on Friday, June 14, 2013 by Jim Norrena

In December 2012, luminary filmmaker Werner Herzog (third from right) taught a Film master class at CCA.

Last fall, on December 4, 2012, the Film Program, in association with CCA Wattis Institute for Contemporary Arts, brought renowned German film director, producer, screenwriter, actor, and opera director Werner Herzog to California College of the Arts as a featured guest in its Cinema Visionaries lecture series.

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