Faculty News

Posted on Tuesday, September 8, 2015 by Laura Braun

Two years ago, TEDxMadrid organizer Antonella Broglia had an idea: organize a TEDx event under a bridge. Her choice — the Puente de Colores de San Cristóbal de los Ángeles in the San Cristóbal de los Ángeles neighborhood of Madrid. “Once a forgotten space, [the bridge] was re-painted by two artist collectives, Boa Mistura and Basurama, both speakers at TEDxMadrid 2012, together with the help of hundreds of people in the neighborhood and outside,” she says of the venue, “and the support of the citizen organizations in the area.”

Posted on Tuesday, September 8, 2015 by Chris Bliss

Untitled, 2015. Acrylic gouache on linen, 36 x 42 inches

New Museum Los Gatos (NUMU) presents the work of CCA President Stephen Beal in an exhibition titled Stephen Beal: Warp and Weft Selected Grid Paintings 2005–15.

The exhibit explores 10 years of Beal’s grid paintings and is the most comprehensive exhibition of his work to date.

Posted on Tuesday, September 8, 2015 by Laura Braun

"Proposals that show structurally ambitious high rises built out of containers...neglect the most important facet of residential design: human comfort," says Mark Hogan, an architect and lecturer at California College of the Arts.

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Posted on Wednesday, September 2, 2015 by Laura Kenney

Edith Garcia with Viola Frey's sculpture Woman with Elbow on Raised Knee (1994) at the Oakland Museum of California

California College of the Arts (CCA) is pleased to announce artist and visual critic Edith Garcia is the 2015–16 Viola Frey Distinguished Visiting Professor. Garcia is a sculptor, installation artist, and author noted for her innovative use of clay and haunting forms that reinterpret the figure. She has shown throughout the United States, Mexico, and Italy.

This fall she will teach Craft Theory and other courses; she will also give a free public lecture, “My Life in Sculpture,” at Nahl Hall on the Oakland campus on October 7 at 7:30 p.m.

Garcia is engaged in scholarship around “the absence and presence of human form” in figurative ceramics. As visiting professor she will have full access to the Viola Frey Archives at Artists’ Legacy Foundation in Oakland, a resource for scholars, curators, and the general public. Garcia plans to research a not widely known period of Frey’s work produced in the late 1970s.        

Posted on Wednesday, September 2, 2015 by Shiraz Chavan

Global outreach allows CCA to offer an arts education enriched with cultures

CCA might be closer to you than you think! CCA's Admissions Office representatives will be in the Middle East, Asia, Turkey, Canada, and Central and South America this fall.

View our travel schedule below and take this opportunity to make an appointment to have your portfolio reviewed and ask about our admissions requirements.

Contact the appropriate representative (below) to schedule a one-on-one appointment.

Note: We highly encourage you to RSVP for events as they fill up quickly.

Posted on Tuesday, September 1, 2015 by Laura Braun

To accent your couch, place two 20-inch-square pillows in a matching bold pattern in the corners. Overlap them with two 16-inch pillows in a coordinating solid color. Add one lumbar pillow with a subtle pattern (like a pinstripe) for balanced design.

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Posted on Tuesday, September 1, 2015 by Laura Braun

California College of the Arts (CCA) professor Jason Kelly Johnson’s student-led Swarmscapers are a model of how 3D-printing, autonomous robots could harness native on-site materials in a scenario envisioned by NASA.

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Posted on Thursday, August 27, 2015 by Laura Braun

Ezawa is on the fine art and film faculty of the California College of the Arts and recently moved to Oakland after 20 years in San Francisco. He describes enjoying “seeing all kinds of people engaging with the work, especially those who don’t normally make it into an art gallery or museum. Art can be kind of an ivory tower, an elitist discipline, and public art like this broadens the conversation.”

Posted on Thursday, August 27, 2015 by Laura Braun

Andrew Kudless may be a professor of architecture by profession, but he finds the title a little limiting. “Architecture has a history of being pretty promiscuous in terms of what we consider part of our discipline,” he says. “Art, science, math, design, finance, and engineering are all embedded in what we do.” As founder of the Oakland design studio Matsys and an instructor at the California College of the Arts, Kudless has long been interested in the slow seep of technology into fine art.

Posted on Monday, August 24, 2015 by Laura Braun

Mia Feuer’s latest installation, Mesh, is, at the time of this writing, disintegrating. Or, more accurately, what’s breaking apart isMesh’s centerpiece: a lumpy, unidentifiable form laid out on the floor of Locust Projects, a gallery in Miami. Suspended above and bound up in straps is a motley assemblage of what looks like chunks of concrete, blocks of crystal formations, plastered-over jugs. At the very top is a bottle of blue liquid, emptying drop by drop via a clear vinyl hose that snakes through it all.