Faculty News

Posted on Tuesday, January 17, 2012 by Allison Byers

As we celebrate Martin Luther King, Jr. Day, it's important to remember that we still have a long way to go in the fight against racial discrimination. A recent exhibition that confronts stereotypes and attempts to bridge divisions between people is "Question Bridge: Black Males" -- a new video installation currently on view at the Brooklyn Museum that consists of a series of interviews with Black men in the United States today.

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Posted on Tuesday, January 17, 2012 by Allison Byers

Yves Behar wants his children to be able to skateboard -- not outside, but inside the house -- so when his home in Cow Hollow is remodeled, floors will be made of polished concrete.

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Posted on Tuesday, January 10, 2012 by Jim Norrena

In the landmark exhibition Landscape Futures: Instruments, Devices, and Architectural Interventions new work by Architecture associate professor David Gissen and Architecture visiting faculty members Mason White and Lola Sheppard (333: Architecture Summer Studio) is currently on display through February 18 at the Center for Art and Environment at the Nevada Museum of Art in Reno.

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Posted on Monday, January 9, 2012 by Allison Byers

Tom Hanks is not known for horror films, but his 1986 flop, The Money Pit, has a terrifying premise: A seemingly small renovation consumes a couple’s life, devouring their reserves of time, money, and sanity with nightmare contractors, intractable plumbing problems, and general calamity–like Boston’s Big Dig project in a living room. But as San Francisco residents Lisa Koshkarian and Tom DiFrancesco found in their third-floor addition, it doesn’t have to be that way. With a thoughtful architect and good communication they opened up a whole new vista by building upward.

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Posted on Thursday, December 15, 2011 by Simon Hodgson

When Ceramics professor Arthur Gonzalez was told about his upcoming retrospective at the CU Art Museum at the University of Colorado, Boulder, his first reaction was, "Wow, that's exciting!"

Then, his second thought: "Oh boy, am I really old enough for a retrospective?"

The exhibition will take place in 2015. "By the time the show opens, I'll be 60. We're planning it so far out because we have to locate a lot of the work. My pieces are spread across collections in the United States, Taiwan, Japan, Italy, Canada, Belgium, and Australia. It'll be a kind of detective-investigation situation. Each piece has its own history -- its provenance -- and some have changed hands two or three times. And then when I find out who owns an artwork, I have to ask them if they'd be willing to part with it for a while. A retrospective tells a story; you've got to have a beginning, a middle, and an end . . . although hopefully I've got a couple more decades to go before it's really The End!"

Gonzalez grew up in a rural neighborhood outside Sacramento. His mother was a seamstress, and his father was a carpenter. Both came from large families; his mother was one of seven, and his father was one of 23 (!) children born to a Nebraska sharecropper. "Since they both worked, I had to find ways as a child to keep myself occupied. I always loved to draw -- I can't remember a time when I didn't draw. My father was literally a Sunday painter. He would do an oil painting at the kitchen table on the weekends. One day, my mom enrolled herself and my dad in a night class in oil painting. He liked to paint, but only having a third-grade education, he was intimidated by the idea of doing it in a school-type situation. So I went with my mother in his place. I was seven years old. I still have a painting that I made in that class. Also, my uncle worked for the state printing plant and would bring home books that were stitched together, with no images, and they'd be my sketchbooks. I'd go through them like water, filling every corner with drawings and cartoons."

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Posted on Thursday, December 8, 2011 by Allison Byers

Dugald Stermer, who achieved renown and sometimes angered the government as the art director of the influential left-wing magazine Ramparts in the 1960s, died on Friday in San Francisco. He was 74.

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Posted on Wednesday, December 7, 2011 by Jim Norrena

"During Sleep" installation, 10 beds, black wool, 2001 (Maison des Arts, Créteil, France) [photo: Sunhi Mang]

California College of the Arts, the San Francisco Mayor's Office of Protocol, and the San Francisco‐Osaka Sister City Association are pleased to present a special exhibition by San Francisco sister cities visiting artist Chiharu Shiota. Shiota is currently teaching at CCA as a Graduate Program in Fine Arts visiting faculty member, and was recently a guest lecturer for CCA's Design and Craft Lecture Series.

Shiota is a Japanese performance and installation artist now living in Berlin. She is best known for creating environments that are room-filling and monumental, yet delicate and poetic. She focuses on themes of remembrance and oblivion, dreaming and sleeping, traces of the past and childhood, and dealing with anxieties. Many of her installations involve impenetrable webs of black thread that enclose household and everyday objects: a burned-out piano, a wedding dress, a lady's mackintosh, sometimes even the sleeping artist herself.

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Posted on Monday, December 5, 2011 by Chris Bliss

Dugald StermerView slideshow 

Just making “art” was not of interest to me. I always wanted to use my craft to say something to people I could not speak to directly -- large groups of people who I would never meet, but who I could address about issues that I thought important.
-- Dugald Stermer

Illustration chair Dugald Stermer died on December 2, 2011, at age 74. He started teaching in the Illustration Program at CCA in 1989 and was appointed chair in 1994. In 2003 he was given the designation of Distinguished Professor.

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Posted on Monday, December 5, 2011 by Allison Byers

Yves Béhar founded and manages the California-based design firm fuseproject. The company, which has a team of around forty people, received the INDEX award for their innovative approach to socially-responsible design in "See Better to Learn Better," an initiative that provides free customizable eyeglasses to needy students in Mexico.

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Posted on Friday, December 2, 2011 by Allison Byers

Arts and design – and climate change? An unusual combination, but one that Christine Metzger, assistant professor at California College of the Arts, argues is important.

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