Mia Feuer’s latest installation, Mesh, is, at the time of this writing, disintegrating. Or, more accurately, what’s breaking apart isMesh’s centerpiece: a lumpy, unidentifiable form laid out on the floor of Locust Projects, a gallery in Miami. Suspended above and bound up in straps is a motley assemblage of what looks like chunks of concrete, blocks of crystal formations, plastered-over jugs. At the very top is a bottle of blue liquid, emptying drop by drop via a clear vinyl hose that snakes through it all.
Posted on Monday, August 24, 2015 by Laura Braun
Posted on Thursday, August 20, 2015 by Chris Bliss
CCA students pose in front of new mural with faculty member Eduardo Pineda
A stunning new mural was unveiled this month on the Oakland campus of California College of the Arts (CCA).
Six CCA students were selected this summer to paint a new mural on the side of Martinez Hall. Led by faculty member and noted muralist Eduardo Piñeda, the team set out to create a mural that would celebrate and promote diversity and social justice, two core values of the college.
Queen Califia Rules!
The central focus of the colorful mural is Califia, a mythical warrior queen who ruled over a kingdom of black women living on the "island" of California. Her representation here was inspired by depictions of the story of Our Lady of Guadalupe and Juan Diego, the 16th century Mexican peasant to whom the Virgin Mary was said to have appeared.
In the CCA mural Queen Califia represents the people, culture, and land of California, and she is surrounded by a landscape that is both natural and political.
Juan Diego, depicted as a black youth wearing a hoodie, offers Queen Califia light, water, and corn. Diego represents the long struggle for freedom and equality, while Queen Califia symbolizes an untamed and bountiful land prior to the arrival of Europeans to the Americas.
Posted on Tuesday, August 18, 2015 by Jim Norrena
CCA's spring School to Market course is offered as part of the interdisciplinary craft curriculum initiative and is cotaught by David Cole (Jewelry / Metal Arts Program) and Anne Wolf (Textiles Program).
Now in its fifth year, the School to Market workshop represents a partnership between CCA and the American Craft Council to help bring hands-on entrepreneurial experience to young makers working in craft media.
American Craft Council Show
Over the course of the semester, the faculty members guide students through the process of producing, displaying, and then exhibiting their their fine craft works and that of their peers at the prestigious American Craft Council Show held July 31 through August 2 at the Fort Mason Center Festival Pavilion in San Francisco.
Posted on Monday, August 17, 2015 by Laura Braun
Posted on Monday, August 10, 2015 by Laura Braun
This knockout show combines new and vintage photographs and straddles abstraction and representation. Organized by the artist Aspen Mays, it juxtaposes pictures by Minor White, Man Ray, and Frederick Sommer with works by young newcomers, several of whom make impressive débuts here. John Opera’s big, blue-black cyanotype image of melted venetian blinds has an eerie presence, and Jackie Furtado’s picture of a man’s face in a nearly impenetrable shadow finds an odd echo in a piece by Nick George that suggests a featureless George Condo portrait. Through Aug. 7.
Posted on Wednesday, August 5, 2015 by Laura Braun
To say that's an oversimplification of his career is a colossal understatement. Just out with his heavyweight, 421-page biographical/historical tome, "The Complete Muhammad Ali," the famed Oakland poet, playwright and author of 30-plus books is more than the sum of his two current positions as Poet Laureate at the San Francisco Jazz Center, and as lecturer at the California College of the Arts. He's well known for his biting satire and critical works on political culture and social oppression.
Posted on Tuesday, August 4, 2015 by Laura Braun
Anchoring the Market Street Prototyping Festival in San Francisco, the Mobile Craft Module is a prototype for a series of flexible and reconfigurable mobile stations incorporating workshop and exhibition space in one, rolling craft module. Each module is partially open, with equally modular storage, exhibition and work spaces inside, using a plug-and-play system that allows for easy reconfiguring. The steel frame is clad in Cedar; as a branding touch, the cladding is cut robotically into a series of abstract shapes that happen to spell “CCA” if one looks from the right angle.
Posted on Tuesday, August 4, 2015 by Laura Braun
Hido cites a guiding statement “about photography hovering in a suggestive zone” by American landscape photographer Lewis Baltz, who died last year: “He said, ‘Photography is a profound corner that sits in between literature and film.’ That quote was in my thesis from CCA (California College of the Arts) in 1998, and I think about it still to this day.”
Posted on Thursday, July 30, 2015 by Laura Braun
Tim Belonax is a man of letters and a man of books. He is a designer, writer, and design educator. Currently, he is graphic design lead at Airbnb where he works with design teams to craft the company’s global brand narrative. Concurrently, he is a Senior Lecturer at California College of the Arts (CCA), where he teaches graphic design.
Posted on Wednesday, July 29, 2015 by Laura Braun
Data spatialization takes larges data sets—the types engineers, architects, scientists, and many other professionals can now simulate and visualize in three dimensions via software—into the physical world. It’s an emerging way of representing that data artistically, says Adam Marcus, an architect and artist who created the project with his three collaborators—Daniel Dean, John Kim, and Molly Reichert—at the design-and-build company Futures North.