Faculty News

Posted on Wednesday, November 20, 2013 by Allison Byers

Or take the bizarre, ironically very alien results from a straight-forward exploration of egg shapes. Called "SEAcraft Eggs," and produced by his students at the California College of the Arts in San Francisco, these show what can happen when expected materials are rigorously and systematically swapped out in new and unexpected formal combinations.

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Posted on Monday, November 18, 2013 by Allison Byers

I spent the summer of 2012 interviewing some of the most influential people in sustainable fashion.
At the time, I was co-founder of a fledging apparel startup, learning all I could about eco-fashion and the state of the industry.
Among the interviewees were Sustainable Fashion Writer Kate Fletcher, CEO of SlaveryFootprint.org; Justin Dillon, co-founder of PACT; Jeff Denby, Textile Specialist Stacy Flynn and California College of the Arts Professor Lynda Grose.

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Posted on Friday, November 15, 2013 by Lindsey Westbrook

Studio Visit
Edition One, 2013
Paperback, 204 pages, $35

Painting/Drawing chair Linda Geary documents the visits she made to 100 Bay Area artists, curators, writers, and gallerists in 2011. A subjective recollection of each meeting is paired with a selection of vibrant colors, chosen by each subject from a stack of 285 color swatches hand painted by Geary. The result is a striking and original book that captures the vibrant spirit of the Bay Area art community. Numerous CCA affiliates were among those who spoke with Geary. Interviewees include Bill Berkson, Apsara DiQuinzio, Nathaniel Dorsky, Chris Duncan, Jens Hoffmann, Andrew Masullo, Lawrence Rinder, Alison Smith, and David Wilson.

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Posted on Thursday, November 14, 2013 by Allison Byers

So don't miss this Thursday's "METAMORPHOSIS," when the talented artist/designers from the California College of the Arts transform the Academy (and possibly you) into something unexpected. Explore a multitude of industrial, interaction, illustration, fashion, furniture and graphic designers from CCA as they showcase an amazing, cutting-edge array of work, highlighting new technologies and innovative ideas that explore the concept of metamorphosis.

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Posted on Wednesday, November 13, 2013 by Chris Bliss

Participants in the Waste Land exhibition in November 2013

The National Science Foundation (NSF) has awarded CCA a $200,000 grant, one of largest awards made to an art college. The three-year grant will support CCA’s innovative Exploring Science in the Studio project.

CCA’s award is part of the NSF’s TUES (Transforming Undergraduate Education in Science, Technology, Engineering and Mathematics) program, which seeks to improve the quality of science, technology, engineering, and mathematics (STEM) education for all undergraduate students.

“A Model to Transform Science Education”

The NSF review panel praised the CCA grant proposal stating, “This project may serve as a model to transform science education at art and design schools so that science is not simply fulfilling a general education requirement, but becomes integrated into the arts and allows art and design students to develop an understanding of their field from a science-based perspective.”

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Posted on Monday, November 11, 2013 by Lindsey Westbrook

2012 SECA Art Award: Zarouhie Abdalian, Josh Faught, Jonn Herschend, David Wilson
SFMOMA, 2013
Paperback, 40 pages, $9.95

Three of the four winners of the 2012 SECA Art Award are CCA affiliates: Zarouhie Abdalian (MFA 2010) is an alumna, Josh Faught is on the Textiles faculty, and Jonn Herschend is a former faculty member and visiting artist. The award, given every two years by SFMOMA, honors Bay Area artists.

This SECA exhibition catalogue features interviews and texts by the award curators Jenny Gheith and Tanya Zimbardo (MA Curatorial Practice 2005), documentation of the commissions, and illustrations of previous work.

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Posted on Monday, November 11, 2013 by Lindsey Westbrook

Fujiko Nakaya: Over the Water
The Exploratorium, 2013
Paperback/PDF, 48 pages, $4.95/free

The Exploratorium’s new location on a major civic promenade has inspired Over the Water, an annual program of large-scale temporary artworks for the public space. The inaugural project was a special site-specific installation by the Japanese artist Fujiko Nakaya. This accompanying catalogue illuminates the scientific, art historical, and architectural contexts for Nakaya's use of the ephemeral medium of fog in her creation of "soft sculptures."

The lead essay is written by Leigh Markopoulos, chair of the Graduate Program in Curatorial Practice. Curatorial Practice faculty member Marina McDougall commissioned the work and the book, and contributed an essay, and previous Curatorial Practice faculty member Henry Urbach also contributed an essay.

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Posted on Monday, November 11, 2013 by Lindsey Westbrook

Architecture Xenoculture
eVolo, 2013
Paperback, 300 pages, $24.95

“Xenoculture” is a term coined by the Iranian writer and philosopher Reza Negarestani to describe the need for embracing and exploring the unexpected, the alien. This fifth issue of eVolo, coedited by Benjamin Rice (Architecture and Critical Studies faculty), borrows the idea and explores works by architects and designers who detach from everything that architecture is supposed to be and look like, including preconceived forms and aesthetics, to look into new architectural and design possibilities.

The featured architects and designers include Hernan Diaz Alonso, Servo, Francois Roche, Marc Fornes, Kokkugia, Zaha Hadid, Volkan Alkanoglu, and Rafael Lozano, among others.

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Posted on Monday, November 11, 2013 by Lindsey Westbrook

Rise of the DEO: Leadership by Design
New Riders, 2013
Paperback, 216 pages, $34.99

This book by Maria Giudice (Design and MBA in Design Strategy faculty) and Christopher Ireland (Design faculty) explores the intersection of creative talent and business expertise, explaining how and why this unlikely coupling produces leaders most capable of solving our increasingly complex business problems.

The two authors have more than 30 years of collective experience as creative business leaders. They conceive of this effort as a playbook designed to unlock creativity in a traditional executive or teach a creative professional how to become an effective business leader. The book lays out—graphically and through example—how DEOs run their companies and why this approach makes sense now.

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Posted on Monday, November 11, 2013 by Lindsey Westbrook

4-Headed Woman
Tia Chucha, 2013
Paperback, 80 pages, $14.95

4-Headed Woman by Writing faculty member Opal Palmer Adisa is a journey into and through womanhood, from preadolescence through menopause, and an exploration of women’s relations with one another. The poems employ female domestic imagery to name different types of breads found throughout the world, from coconut to pita. The poems in the second section focus specifically on menses, weaving together biological, folk, and cultural aspects in a humorous tone. The third section, "Graffiti Poem," comprises poems centered around college restrooms, which Adisa sees as a site of communication for students on a wide variety of social-sexual issues.

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