Faculty News

Posted on Thursday, June 28, 2012 by Allison Byers

Plenty of museums these days have orientation videos. For the mind-bending, truth-testing exhibition “More Real? Art in the Age of Truthiness,” which opens next month at Site Santa Fe in New Mexico, Bay Area artist Jonn Herschend has, instead, created a “disorientation” video to greet visitors entering the space.

Visit source »

Posted on Tuesday, June 26, 2012 by Rachel Walther

When CCA alumni (and married couple) Kevin Krueger and Kristin Olson (both Individualized Major 2011) were looking around the Bay Area for an affordable studio the year after graduation, they found their dream space at 1158 Howard Street in San Francisco, formerly the home of leather bondage shop Stormy Leather.

There was just one problem: With its multiple ground floor rooms, basement areas, and loft, it was simply too large for their needs. "We didn't know what to do at first with that much space," remembers Krueger. But then the answer presented itself: They opened up their more-than-enough studio to a larger community of friends and colleagues. Staring in January 2012, the newly named Alter Space began hosting a series of exhibitions, workshops, and live performances.

Posted on Monday, June 25, 2012 by Allison Byers

Sasha Duerr is a CCA alumna (MFA 2003), a member of the CCA faculty, and the founder of the Permacouture Institute. Just like the cloth she dyes by hand, everything about Duerr radiates passion, a generous investment of time and hand labor, and a deep respect for history.

When you think of the color red, you probably imagine a bright, saturated red, like a Crayola crayon. Yet when Duerr thinks of red, she imagines a living, breathing, mottled red -- the red that comes from a fern, or a pinecone.

Just like the cloth she dyes by hand using what she calls a garden-to-garment process, everything about Duerr radiates passion, a generous investment of time and hand labor, and a deep respect for history.

She focuses her teaching and research practices on organic dyes, alternative fibers, and the creative reuse of materials. She has written and lectured extensively, becoming a well-known authority in these emerging fields over the last 10 years. Her artworks have been exhibited in galleries and museums across the United States and in Japan, and she has taught at artist residencies, colleges, and community and school garden programs.

Posted on Thursday, June 21, 2012 by Allison Byers

To get a sense of Jason Kelly Johnson’s vision for buildings of the future, drop by the Buckminster Fuller show on view at SFMOMA through July 29. Johnson’s San Francisco-based studio Future Cities Lab was one of the firms chosen to represent Fuller’s legacy in the Bay Area. You’ll see the motorized model for the HYDRAMAX Port Machine, a waterfront “urban-scale robotic structure” that harvests rainwater and fog, designed by Johnson and his partner Nataly Gattegno—a dynamic concept that makes today’s built environment look positively lazy by comparison.

Posted on Thursday, June 21, 2012 by Allison Byers

Ten years ago, when I wrote The Making of a Discipline: The Making of a Title, 2002, there was a big debate on: Is experience design about online and mobile interfaces or is it something more? Forward-thinking initiatives, like the AIGA’s Advance for Design, began the conversation at the center of the convergence of the media, technology, and business worlds. Started by Clement Mok and Terry Swack, and supported by Ric Grefe, this group of people met periodically for several years to talk about the changes in the above industries and how to both manage and communicate them.

Posted on Thursday, June 21, 2012 by Allison Byers

The designer behind the One Laptop Per Child Project, Yves Behar is truly a world-class designer, balancing aesthetics, function, and socially-based initiatives. Founder and principal designer of FuseProject, he also happens to be the Chair of the Industrial Design Department at San Francisco’s California College of the Arts. Recently, he facilitated a design studio in which Industrial Design students partnered with South Korean cell phone manufacturer Pantech to design new cell-phone models, taking on the future of mobile communications and addressing the idea of emotional networking.

Posted on Wednesday, June 20, 2012 by Jim Norrena

In the following interview, Writing and Literature and MFA Program in Writing faculty member Matthew Iribarne discusses his recent experience teaching CCA's ENGAGE: Teaching Creative Writing graduate course (spring 2012).

Posted on Wednesday, June 20, 2012 by Jim Norrena

CCA's MFA Program in Writing and the Center for Art and Public Life launched a pilot course in the spring, called ENGAGE: Teaching Creative Writing. The course marks the first partnership between the graduate Writing Program and Oakland School for the Arts (OSA), an urban, public charter school housed within the Fox Theatre's administrative offices in downtown Oakland.

Posted on Tuesday, June 12, 2012 by Allison Byers

Amy Williams on Fashion Education & Sustainability at the CCA.

Visit source »

Posted on Monday, June 11, 2012 by Allison Byers

A couple on a weekend hike through the Oakland hills pick a few blossoms, some wild onions and fennel. They eye the blackberries, just starting to flower, and make a note to come back for those in late summer.

Visit source »

Pages