Faculty News

Posted on Monday, January 5, 2015 by Laura Braun

The Space Weaver is a machine that prints large structures in three dimensions, using a 3-axis gantry system and super glue hardened fibrous materials. Created by Prerna Auplish, Evan Bowman, and Ryan Chen from San Francisco’s California College of the Arts, the Space Weaver was designed to create large, ultra-lightweight woven structures with a high strength-to-weight ratio and no support structures, while producing no waste.

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Posted on Monday, January 5, 2015 by Laura Braun

Tom Barbash: Wrote the novel “The Last Good Chance” and nonfiction book “On Top of the World: Cantor Fitzgerald, Howard Lutnick, & 9/11: A Story of Loss & Renewal.” Teaches at California College of the Arts.

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Posted on Monday, January 5, 2015 by Laura Braun

Most recently, Future Cities Lab's Theater of Lost Species and Hydraspan projects were exhibited in the Dissident Futures exhibition (October 18, 2013–February 2, 2014) at YBCA. In 2012, their HYDRAMAX Port Machines project was exhibited at SFMOMA, and they exhibited their work at the 2009–2010 Hong Kong/Shenzhen Biennale and the 2014 Venice Architecture Biennale.

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Posted on Thursday, January 1, 2015 by Glen Helfand

Holland Cotter speaking at CCA's Honorary Doctorate Luncheon

Without oversight, the art world might be ruled by spectacle and sales. We hear a lot about record-setting auction prices, blue-chip artists, and art fair attendance figures. All well and good for the beneficiaries, but these are just parts of a much more nuanced arts ecosystem.

Too easily eclipsed is the fact that most art is made by people who have plenty more on their minds than making money. Which is why a critic with the humanistic temperament of Holland Cotter is so important, and so refreshing to read.

About Holland Cotter

Cotter is a Pulitzer prize–winning writer, a poet, and the recipient of CCA’s 2014 honorary doctorate in fine arts. He writes weekly reviews and more extensive essays for the New York Times, where he’s been a full-time critic since 1998.

Cotter is hardly strident -- he’s more like an endearing watchdog -- and his thoughtful writings encourage readers to consider the value of aesthetic and intellectual adventurousness. He also consistently draws attention to artists and perspectives that might otherwise be overlooked.

It’s an important role, and he carries it out with engaged responsibility and humbleness.

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Posted on Friday, December 19, 2014 by Laura Braun

Leiber’s contributions to the history of contemporary art included consulting on numerous exhibitions, collections, and publications, as well as organizing the groundbreaking exhibition and book Extra Art: A Survey of Artists’ Ephemera, 1960–1999, which opened in 2001 at the CCA Wattis Institute for Contemporary Art, San Francisco, before traveling to the Institute of Contemporary Arts, London. He was also active as an adjunct professor at the California College of the Arts.

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Posted on Monday, December 15, 2014 by Em Meine

Metamorphosis: the Transformation of Everyday Objects is a current exhibition of Jewelry / Metal Arts alumni at the Museum of Craft and Design. The exhibition is curated by CCA faculty member David Cole and features the work of 10 California College of the Arts alumni.

About Metamorphosis

What is beautiful? How do artists see the world around us?

These artworks were selected to examine the creative process of makers who choose to use common and even humble objects as their medium. Some of these things were found in thrift stores -- or the trash -- and have an entire history of manufacture and use before they were rediscovered for another purpose.

Their relationship to some previous, unknown owner and the journey of that object into and out of the life of that person, is recorded in the patterns of wear on the surfaces.

Other materials have inherent beauty that is easy to overlook because of the context in which we perceive them. The luster and radiance that would distinguish the rarest pearl is viewed quite differently when it is seen in grains of rice or pencil leads.

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Posted on Thursday, December 11, 2014 by Laura Braun

The play of light on San Francisco Bay was a major factor in his decision to settle permanently in Berkeley, where he worked as a preschool teacher and art supply cashier to support himself, finally becoming an adjunct professor for California College of the Arts. But all the paintings in the Matrix show are inspired by Iceland. CCA asked Zurier to teach a summer painting class anywhere he wanted in 2011, and remembering a horseback riding trip he once took with his wife, Nina Zurier, a photographer, he chose the far-north country.

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Posted on Thursday, December 11, 2014 by Chris Bliss

The college is open today (December 11) and classes will run as usual. Shuttle service between the campuses is running. Periodic updates will be given throughout the day.

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Posted on Wednesday, December 10, 2014 by Laura Braun

In his first collection, Stay Up With Me (Simon and Schuster £12.99), Tom Barbash finds radiance among the wreckage with tales of love, confusion and estrangement. A charming writer, Barbash draws the reader in with classic American craftsmanship. Even when they break your heart, you want to stay up with these New York stories.

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Posted on Tuesday, December 9, 2014 by Jim Norrena

On November 11, CCA’s Graphic Design Program resurrected the long-dormant Concept Lecture Series, bringing in four esteemed speakers from different parts of the country and graphic design world.

The efforts were spearheaded by Graphic Design faculty member Eric Heiman and the CCA Graphic Design student group.

The lectures ran all day on the San Francisco campus and concluded with a reception in the Campus Center Student Gallery, where the WTF2 exhibition was taking place (the exhibition featured Graphic Design student work made outside of class).

See images from the Concept Lecture Series reception »

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