“Larry Sultan: Here and Home,” a retrospective of the work of the Greenbrae photographer, will be at the Los Angeles County Museum of Art from Sunday, Nov. 9, through March 22. Brooklyn-born Sultan was raised in the San Fernando Valley, and lived in the Bay Area from the ’70s until his death in 2009, with long teaching stints at the San Francisco Art Institute and the California College of the Arts. The exhibition, organized by LACMA, will go to the Milwaukee Art Museum after its Los Angeles showing, and will be at SFMOMA not long after its reopening.Read the rest
Posted on Monday, November 3, 2014 by Laura Braun
Posted on Monday, November 3, 2014 by Laura Braun
For most of his career, Misrach has worked alone, but two years ago, he began to collaborate with the composer Guillermo Galindo. Galindo’s music, written for instruments made from objects found along the border, will interact with Misrach’s photographs in an exhibition that the San Jose Museum of Art is mounting in the spring of 2016. The exhibition will tour the country through 2018, and Aperture will publish a book documenting the collaboration. These photographs appear here for the first time.Read the rest
Posted on Wednesday, October 29, 2014 by Laura Braun
Much has already been written of Steven Leiber’s unique contribution to the artistic landscape of the Bay Area — from the collection and dissemination of arts-related ephemera, as an educator at California College of the Arts and as a generous tour guide of his own basement archive. For those of us who didn’t have the luck of forging a personal relationship to Leiber before he passed away in 2012, a recent publication attempts to give form to his wide-ranging influence and enduring legacy.Read the rest
Posted on Monday, October 27, 2014 by Jim Norrena
The CCA Digital Craft Lab is pleased to announce FORMATIONS 2014, an annual workshop series at CCA of software-based workshops for students and professionals, which will take place place on November 1, from 10 a.m. to 5 p.m., at the Hooper Graduate Center (184 Hooper Street) on the San Francisco campus.
FORMATIONS provides a platform for students and professionals in the design disciplines to explore new technologies in a hands-on workshop setting. Each year the focus of the event evolves to reflect emerging architectural research topics in relationship to new media.
Registration: 9:30 a.m.
Lunch: 1 to 2 p.m.
Eligibility: The workshops are open to all students, faculty, and professionals in the design fields.
Cost: Each workshop costs $175 for professionals; $100 for non-CCA students and recent graduates (who graduated within the last 12 months and have a valid ID); $75 for CCA students, faculty, and alumni.
Hardware & Software: Attendees must bring their own laptop to the workshop. See software requirements below.
Questions: Review the FAQ, below.
Posted on Wednesday, October 22, 2014 by Laura Braun
It fits that, as the page turned and Leiber died of cancer in 2012, 14 of the artists he helped and educated as an instructor at the California College of the Arts returned past favors by contributing to “Artists & Editions,” a limited edition of 35 boxes, the proceeds of which go to the Steven Leiber Scholarship fund at CCA.Read the rest
Posted on Wednesday, October 15, 2014 by Laura Braun
Bruno Fazzolari, a painter, sculptor, and professor at California College of the Arts, is a self-trained “nose,” brewing fragrances in the comfort of his studio apartment in the Mission. Fazzolari credits mild synesthesia—a neurological peculiarity that causes him to experience scents as visuals—for his perfume passion.Read the rest
Posted on Tuesday, October 14, 2014 by Laura Braun
We asked four local design experts to pick their favorite statement chairs. Their selections prove that there are designs for a range of aesthetics (from Old World to rustic to contemporary) and budgets (although if you’re going to have one showstopper in the house, it may be worth saving up for and splurging on).Read the rest
Posted on Monday, October 13, 2014 by Lindsey Westbrook
When current CCA Director of Fine Arts Tammy Rae Carland was in college, Nirvana played the rent parties she and her friends threw at their student-founded alternative gallery space. “This was before they released records and got super-famous,” she avers. “But still!”
They called the gallery Reko-Muse. The place: Olympia, Washington. “It really was a ‘build it and they will come’ kind of a scene. Everyone I knew was playing in a band, starting a gallery, putting out zines, precisely because there was nothing to do otherwise, culturally speaking. And people would drive from Seattle -- or further, even -- to come to shows. Olympia’s music scene became a really big deal.”
Carland, who was also in bands, ran a record label, and put out more than a few zines herself, is today a rock star in another realm: photography.
Read the rest
Posted on Friday, October 10, 2014 by Laura Braun
Matteo Bittanti, a writer, artist, and teacher in the Visual Studies program at California College of the Arts, told me that we're still waiting for the video game version of Martin Scorsese's The Last Temptation of Christ or Pier Paolo Pasolini's The Gospel According to St. Matthew, but that we shouldn't hold our breath.Read the rest
Posted on Friday, October 10, 2014 by Kari Marboe
True collaborations come easily, especially when they combine history and clay.
Ceramics faculty member Kari Marboe, Director of Alumni Relations Jessica Russell, Director of Libraries Annemarie Haar, and CCA alumnae Eve Steccati-Tanovitz (Graphic Design 1969) and Arlene Streich (Arts Education 1961; Painting 1966) worked together to reveal the history of the college’s archived woodblocks and incorporate these historical tools at the Ceramic Program’s Open House, which took place as part of CCA’s Alumni Weekend earlier this month.
Story of the Woodblocks
In the late 1960s, Professor Emeritus Vincent Perez was teaching woodblock printing and drawing at what was then CCAC. An Alumni Office staff member in Treadwell Hall (now Macky Hall) asked Perez if he would like to take possession of the woodblocks.
The woodblocks had been previously used to print the college’s publications (course catalogs, newsletters, and diplomas) going back to its founding in 1907 and decades thereafter.
If Perez hadn’t wanted them, they would have been thrown away.Read the rest