Barriers to international manufacturing and high fuel costs have long made overseas production painful for small businesses. Now, an economic trend towards American manufacturing has created a timely entrance to the market for Maker’s Row. The startup, a finalist in last week’s Women 2.0 Pitch Competition, says it wants to become a go-to resource to create, well, anything.
Posted on Thursday, February 21, 2013 by Allison Byers
Posted on Thursday, February 7, 2013 by Allison Byers
Fashion and Sustainability: Design for Change is the ideal first step for any designer – in fact for anyone – who wants to find information and ideas to address one of the major issue facing fashion today: how to make the clothes we wear more friendly to the environment.
The authors of this book, Kate Fletcher and Lynda Grose, are thought leaders on the subject of fashion sustainability. They have played key roles in raising awareness of the environmental cost of fashion and through their own practice, have transformed the way many think about sustainable fashion.
Posted on Monday, October 22, 2012 by Allison Byers
There are people who like to paint their nails. And then there are the Floss Gloss girls.
To call Aretha Sack and Janine Lee--who founded the San Francisco-based brand in 2011, along with Monica Kim Garza--nail junkies would be an understatement. "I've been mixing my own nail polish colors since the '90s--I would go to Walgreens and could never find the colors I liked," explains the 25-year-old Sack, who started selling her one-off batches to fellow students at the California College of the Arts.
Posted on Monday, October 15, 2012 by Lindsey Westbrook
California Design 1930-1965: Living in a Modern Way
MIT Press, 2011
Hardcover, 360 pages, $60
Fashion Design and Visual Studies faculty member Melissa Leventon contributes the essay "Distinctly Californian: Modernism in Textiles and Fashion" to this catalogue, which accompanied a major exhibition at the Los Angeles County Museum of Art, the first comprehensive examination of California's mid-century modern design. The book includes 350 images (most in color) of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and 10 incisive essays that trace the rise of the California design aesthetic, from specific design influences and innovations in solid-color commercial ceramics to inspirations from Mexico and Asia, new schools for design training, new concepts about leisure, and the conversion of wartime technologies to peacetime use.
Posted on Tuesday, July 24, 2012 by Lindsey Westbrook
From Amber Cox's documentation of San Francisco's Financial District
San Francisco and Istanbul: Both built across seven hills, on peninsulas jutting into major bodies of water, where East meets West dramatically and literally-continentally. Their respective situations along major global shipping routes means that they have always been rich in trade, rich in a cosmopolitan diversity of cultures, and rich in ideas: Just as the Bay Area has been a center of forward thinking, from the 1960s Haight-Ashbury counterculture to contemporary entrepreneurial Silicon Valley culture, Turkey -- and especially Istanbul -- is facing the future culturally and politically in its unique position at the crossroads of Europe, Asia, and the Arab world.
CCA and Istanbul: East Meets West
CCA has been engaging with Istanbul in many cultural exchanges in recent years. In 2011 Jens Hoffmann, director of the CCA Wattis Institute, co-curated the 12th Istanbul Biennial, which featured numerous CCA alumni and faculty. The Vehbi Koç Foundation of Turkey recently announced its pledge to support one full-time Turkish student each year in CCA's Graduate Program in Curatorial Practice. And in spring 2012, Mariella Poli's CCA course Locality and Global Discourses facilitated an exchange between 16 students at CCA and five students at Istanbul Bilgi University.
Posted on Friday, July 20, 2012 by Allison Byers
What's your favorite piece of clothing? As we've learned from our forays into street fashion, every treasured scarf, worn-out t-shirt, and hand-me-down skirt has a story. Most fashionistas could give an itemized tour of their closets, describing when each piece was bought and how it was worn. These stories may seem inane -- we wonder, Why can I remember this and not my parents' birthdays? -- but now they're being granted a higher purpose in the Local Wisdom project.
Posted on Thursday, July 5, 2012 by Allison Byers
Mary Meyer was once a painter whose sartorial ambitions exceeded her wallet’s limitations. Thus, she began making clothes that she wanted to wear. And people just started buying it off of her. She’s still a painter. As a graduate of California College of Arts & Crafts, her fine arts skills take the place of the a design background.
Posted on Tuesday, July 3, 2012 by Lindsey Westbrook
Watching their Carnaval float moving down Mission Street as part of San Francisco's massive annual parade, laden with dancers from the Brazilian troupe Sambaxé, accompanied by the vibrant beats of the Brazilian musical group Blocura and the powerful moves of the Brazilian ABADA Capoeira troupe, TV cameras rolling, people cheering from the sidewalks and the rooftops high above. . . It was a triumphant moment for CCA faculty member Sandra Vivanco and the 15 students in her Body and Spectacle course.
The Carnaval parade was the culmination of a semester of hard work and intensive collaboration -- not only among the CCA students, but also in coordination with a group of high school students enrolled in the Out of Site Youth Arts Center, the city of San Francisco, experts in construction and transportation, and beyond. The CCA course was offered under the auspices of Diversity Studies and attracted a correspondingly wide-ranging bunch, from Architecture and Interior Design to Graphic Design, Illustration, Fashion Design, and Painting/Drawing.
The students designed not only the Carnaval float structure, but also the costumes and props that made its appearance in the parade a real performance rather than just a potential site for one. They had done as much work as they could in the CCA shops, and then transported the pieces to Pier 40, where the city graciously donated space for final assembly.
Posted on Tuesday, June 12, 2012 by Allison Byers
Amy Williams on Fashion Education & Sustainability at the CCA.
Posted on Wednesday, May 30, 2012 by Jim Norrena
(l to r) Fashion Design chair Amy Williams, Maybelline representative Gabriel Almodovar, and program manager Pam Zahedani
CCA's sold-out 2012 Annual Fashion Show, a favorite among the numerous commencement-week events held at the college, took place Friday, May 11. The runway presentation, held inside a trademark tent in front of the main building on the San Francisco campus, is the program's capstone event of the year and serves to showcase the innovative thesis collections built by senior Fashion Design students.