Fine Arts News

Posted on Tuesday, April 22, 2014 by Zachary Royer Scholz

Curated by Joyce Grimm (MA Curatorial Practice 2006), the exhibition Thresholds of Faith: Four Entries Into the Beyond at San Francisco’s Manresa Gallery features four artists of different faith backgrounds who are all affiliated with CCA.

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Posted on Friday, April 18, 2014 by Laura Braun

LF: Hi Lorien! Give Live FAST an introduction to yourself.

LS: Hey! I was born in the little town of Ojai, California. I went to California College of the Arts, in Oakland, for my BFA. I work in a wide variety of mediums, including egg batiking, wood turning, ceramics, screen printing, painting, and paper mache. Currently I live in the Mojave Desert and I love stars, watermelons, and whales, among other things.

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Posted on Tuesday, April 15, 2014 by Laura Braun

FOR IMMEDIATE RELEASE

California College of the Arts presents the

2014 MFA THESIS EXHIBITION

May 15–24, 2014

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Posted on Wednesday, April 9, 2014 by Laura Braun

"To me, this is almost like a film strip, a sequence of images," says the artist, Kota Ezawa, 44, who is on the faculty of the California College of the Arts. Ezawa is known internationally for his animated videos, but this is not one of them.

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Posted on Wednesday, April 9, 2014 by Laura Braun

It is in academia, perhaps, that the art of social practice has gained the most traction. In 2005, the California College of the Arts (CCA) began offering social practice as a concentration within its M.F.A. program and soon put it in the curriculum. Since then, similar programs have launched at Queens College in New York, Portland State University in Oregon, the Maryland Institute College of Art in Baltimore, and Otis College of Art and Design in Los Angeles. Ted Purves, who founded the program at CCA, explains that these courses emerged out of pedagogical necessity.

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Posted on Wednesday, April 9, 2014 by Laura Braun

David Maisel was born in New York City in 1961. He received his BA from Princeton University, and his MFA from California College of the Arts. His photographs, multi-media projects, and public installations have been exhibited internationally, and are included in many public collections, including the Metropolitan Museum of Art; the Los Angeles County Museum of Art; the Victoria & Albert Museum; the National Gallery of Art; the J.

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Posted on Friday, March 28, 2014 by Laura Braun

"There is so much tension in loving someone who is in the process of changing, who will inevitably die because of this disease," says Banker White, 40, Pam's eldest son, a documentary filmmaker who starting rolling his camera right after she was diagnosed.

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Posted on Wednesday, March 19, 2014 by Rachel Walther

Rivkah Beth Medow (MFA 2003) had become a master at juggling freelance work and personal projects, but motherhood threw her for a loop. Lately, she reports, she’s putting the brakes on working for money and giving more priority to personal projects involving her family.

“I figure, I can always make money, but I don’t have a lot of time to hang out with my kids. I’m committed to creating interesting ways to integrate them into my work.” Her artist-mother role models include Ruth Asawa, whose kids helped bend wire for her sculptures.

One priority project is a photography series featuring the people closest to her. Partly staged and partly candid, the pictures explore relationships, mystery, joy, and tensions within families and friendships. “My portraits function as single-frame documentaries suggesting rich backstories and curious futures.”

 

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Posted on Monday, March 3, 2014 by Deborah Valoma

Mariano Sosa Martinez and Rafaela Ruiz Guetierrez demonstrate at the Textile Futures public demonstration at the University of California, Berkeley Art Museum. Photo by Sita Bhaumik

Textile Futures 2014

Visiting Artists Reflect Culture in Craft

 

The Textiles Program at California College of the Arts hosted two respected members of the artist collective Centro de Arte Textil Zapoteco Bii DauuMariano Sosa Martinez and Rafaela Ruiz Gutierrez, for the 2014 biennial event Textile Futures 2014: Conversations Around the Dye Pot.

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Posted on Thursday, February 27, 2014 by Laura Braun

3D printing might be an obvious method for fashion designers to embrace, but technologies from all different fields are inspiring designers to rethink the way they see and do things. Take Sensoree's Mood Sweater — it uses sensors to detect a certain kind of sweat in the palms of your hands that varies depending on your emotional state, and then translates it into multicolored light emitted by LEDs. Kristin Neidlinger created the sweater for her MFA design research at the California College of the Arts, but mainly as a practical device.

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