Fine Arts News

Posted on Monday, July 15, 2013 by Allison Byers

Uriarte recently graduated from California College of the Arts with a bachelor’s degree in fine arts and is pursuing a career in animation at a major studio. He publishes “Terminal Lance” online twice a week and works as a collaborator on another comic strip, “Into the Mangrove.”

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Posted on Monday, July 8, 2013 by Allison Byers

"I was interested in exploring that impulse to perform and repeat American history and something that seemed very nationalistic and conservative and hetero normative," she explains. "A lot of the re-enactments I went to seemed like performances of masculinity, so I wanted to look at it."

The California College of the Arts professor, 41, holds a master's degree in sculpture from Yale, and her work has been acquired by the Whitney Museum of American Art and the Saatchi Gallery London.

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Posted on Thursday, June 20, 2013 by Allison Byers

Born and raised in Santa Cruz County's Boulder Creek, Kvinsland studied fine art at California College of Arts and Crafts in Oakland - now the CCA.

He spent several years entrenched in Seattle's studio art glass movement before settling in Mendocino to raise a family. After contemplating how to make a living without stifling his creativity, Kvinsland realized that, "the front door could be its own art piece. It could satisfy my need to work with many media, be fully artistic, and functional to boot.

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Posted on Thursday, June 13, 2013 by Allison Byers

Glen Helfand is with the California College of Arts in San Francisco. He says, "There used to be a network of grants that artists could get to fund projects. I mean way back in the ancient history, galleries might have given artists stipends. Now it's a much tougher game."

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Posted on Monday, June 10, 2013 by Allison Byers

Now a tenured professor and Chair of the Sculpture department at the California College of the Arts, Smith was once an emerging artist living in New York City. In 2004, she began a series of large-scale public art events hinged on the aesthetic vernacular of the American Civil War. The project, called The Muster, took its name from a military term meaning a gathering of troops to critique, exercise, and display. The project culminated with an encampment on Governors Island in 2005.

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Posted on Monday, June 10, 2013 by Allison Byers

Social practice is a relatively new term for art that puts less emphasis on objects made for individual contemplation and more energy into projects involving participation, activism or community organizing. Of course, plenty of artists were making art like this before critics and scholars christened it “social practice.” One such artist is Allison Smith, whose exhibition “Allison Smith: Rudiments of Fife and Drum” combines elements of craft, performance and participation and is currently on view at the Aldrich Contemporary Art Museum in Ridgefield, Conn.

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Posted on Tuesday, June 4, 2013 by Lindsey Westbrook

Star 82 Review issue 1
CreateSpace Independent Publishing Platform, 2013
Paperback, 44 pages, $9.95

Printmaking faculty member Alisa Golden has started an online and print-on-demand art and literary publication called Star 82 Review. The inaugural issue includes poems by two CCA faculty members, Stephen Ajay and Hugh Behm-Steinberg, as well as pieces from alumni Leonard Crosby (MFA Writing 2012), Lisa Kokin (BFA 1989, MFA 1994), and Rachel Smith (Illustration 2010).

Golden says: "In this issue, memory shimmers and vision lights up. Conflicts arise and are met. Words dance and talk and sing through childhood and beyond. We have objects of wonder that are pivots for the works: ruler, pineapple. baseball, pencil sharpener, knife, scarecrow, wallpaper, half of a twenty dollar bill, and more. The categories included are: flash, postcard lit, art post images, and erasure texts.

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Posted on Thursday, May 23, 2013 by Allison Byers

Attending the MFA show at one of the Bay Area's large art schools is like getting bludgeoned by art. After about a half-dozen presentations I am full, my critical faculties have been short-circuited and I have been forced into submission. Think about it, at any given group show, you might see one or two pieces from (at the most) twenty artists. Or on any Art Murmur or First Thursday outing, you might visit five or ten solo shows.

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Posted on Thursday, May 16, 2013 by Allison Byers

A recent graduate of California College of the Arts, Toyin Odutola is already celebrating her second show at Jack Shainman Gallery in NYC. The energetic artist produces ink works on paper from her studio in Alabama, updating friends and fans through an active blog. At 27 years old, Odutola is unabashed of her millennial status, exclaiming of her self-portraits as she walks through the gallery, "There are a lot of selfies—let's just call it out!" But behind the humor, there is a seriousness.

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Posted on Wednesday, May 8, 2013 by Allison Byers

Gregory HURCOMB: This interdisciplinary studio looked to examine the nature of surfaces, color, light and space through the
instigation and eventual transformation of California College of the Art’s main nave space. By utilizing different
digitally and analogue driven techniques such as scripting, collage, physical modeling, photography, rendering, and
drawing, the studio sought to explore the interstices between interior design, installation, art, and architecture.

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