Fine Arts News

Posted on Monday, October 14, 2013 by Allison Byers

For decades, octogenarian New York native Bella Feldman has been turning out sculpture made of wood and steel; blown, cast and etched glass; and - occasionally - found objects. Her "War Toys," provoked into being by the 1991 Gulf War and its aftermath, rank as canonical Bay Area sculpture.

Though revered as a longtime teacher at California College of the Arts, Feldman says, "I'm not exactly high on a list of collected artists."

The Richmond Art Center honors her with a stirring survey exhibition, in which we met and spoke.

Posted on Monday, October 14, 2013 by Allison Byers

...and Toyin Odutola, a Nigerian-born artist whose black faces — drawn with pens and markers — are peppered with marks resembling tattoo strips, which turn Odutola's profiles into thriving mosaics. Odutola, who earned an MFA last year from the California College of the Arts in San Francisco, has said that Weems is one of her cherished role models.

Visit source »

Posted on Monday, October 14, 2013 by Allison Byers

Encouraged by teachers, he began to write essays, including one about the humiliating time his father spent in prison for making illegal liquor during Prohibition. After graduating from high school — the first member of his family to do so — he served on a U.S. Navy minesweeper during the Korean War. He went on to college under the G.I. Bill, earning a bachelor's degree in fine arts from the California College of Arts and Crafts and a master's degree in fine arts from Cal State Sacramento, before finding his way into teaching high school.

Posted on Wednesday, October 9, 2013 by A. Will Brown

Sarah Hotchkiss at Southern Exposure's 39th Birthday Block Party, September 2013

HI WELCOME TO A SUSPENDED FUTURE COVERED IN MOONDUST AND GLORY

Reading these provocative and humorous words on the computer screen doesn't do justice to the phrase as it was originally delivered: hanging in four perfect, upside-down arches, weighted by nothing more than the elegant tug of gravity, from the ceiling beams of the Nave on CCA's San Francisco campus. The letters were huge cutouts, shiny and red, reminiscent of a "happy birthday" banner.

Posted on Monday, September 16, 2013 by Allison Byers

Bing emerged from such lower depths by winning a scholarship to the California College of Arts and Crafts, where she was a student of Richard Diebenkorn. After earning her bachelor's and master's degrees from the California College of the Arts and San Francisco Art Institute, Bing took her place at the forefront of the avant-garde art and Beat scene of The City in the 1960s.

Visit source »

Posted on Thursday, September 5, 2013 by Allison Byers

Lawless is one of 27 MFA candidates from Mills, San Francisco Art Institute, California College of the Arts, Stanford and other schools included in the annual Murphy and Cadogan Contemporary Art Awards Exhibition. Established in 1986 with gifts to the San Francisco Foundation by S.F. sculptor Gertrude Murphy and her civic leader husband, Jack Murphy, and Marin artists Edwin and Adelaide Cadogan, the awards give $5,000 in tuition assistance and a place in the exhibition to Bay Area MFA students working in various media.

Posted on Tuesday, September 3, 2013 by Allison Byers

"In my work, I'm interested in questioning the things we project onto the notion of craftsmanship — ideas of authenticity, cultural identity," said Smith, chair of sculpture at California College of the Arts in the Bay Area. The piling up is meant to suggest someone stockpiling these types of objects "as if the idea of early American nationalism is in danger of extinction."

Visit source »

Posted on Friday, August 30, 2013 by Chris Bliss

Neeraj Bhatia is a new Architecture faculty memberView slideshow 

New Tenure-Track Faculty

Joining the Visual Studies Program is Makeda Best, who comes to CCA from the University of Vermont. Her research focuses on the history of photography, with an emphasis on the nineteenth century.

Neeraj Bhatia is teaching in the Architecture Program. His work looks at the intersection of politics, infrastructure, and urbanism, and he has previously taught at Rice University, Cornell University, the University of Toronto, and the University of Waterloo.

The Interaction Design Program welcomes Haakon Faste, who has worked for 15 years in the fields of visual art, interaction design, and virtual reality. Most recently he was on the faculty of the Human-Computer Interaction Institute at Carnegie Mellon University.

Visiting Faculty

Chris Treggiari is this year’s scholar in residence at the Center for Art and Public Life. Much of his work involves collaborations, often with local nonprofits, often with mobile stages that he brings to public events.

Posted on Wednesday, August 28, 2013 by Allison Byers

Art institutions began gathering in Potrero Hill around five years ago, and the neighbourhood is now home to the artist-run non-profit Southern Exposure, the CCA Wattis Institute for Contemporary Arts, the Museum of Craft and Design, as well as the commercial space Hosfelt Gallery. “Gallery neighbourhoods in other cities like New York and Los Angeles are much more fluid, but the San Francisco gallery scene has, until now, always been so fixed,” says Brian Gross, whose new ground-floor gallery—a converted door factory—is twice the size of his former space.

Posted on Monday, August 26, 2013 by Allison Byers

DC: How did your experience as a CCA graduate student affect your art and career path, and what do you recommend for aspiring artists interested in these types of graduate programs?

Pages