Fine Arts News

Posted on Thursday, June 28, 2012 by Amanda E. Gross

from Team JuaBar IMPACT 2012 project proposal

Within the next few weeks, the three teams of CCA students who won IMPACT Social Entrepreneurship Awards will be heading to Alaska, Tanzania, and Mexico to attempt innovative social transformations. Bolstered by the support of their $10,000 IMPACT grants and their community partner organizations, the teams -- KVAK TV, JuaBar, and 20/20 FOTO -- will work to empower three different communities to address pressing local concerns. Each team brings together a mix of graduate and undergraduate students from different academic programs.

IMPACT is one of the anchor programs at CCA's Center for Art and Public Life, providing students with opportunities to build relationships for social change. It is about innovation, community, collaboration, and making. It celebrates the entrepreneurial drive of CCA students combined with their desire to create a tangible, positive influence within a specific community.

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Posted on Wednesday, June 27, 2012 by Chris Bliss

Harrell Fletcher (MFA 1994) invites busking musicians to take their performances from the tube stations and streets of London into the gallery to play live and online to the BMW Tate Live Performance Room's global audience on June 28.

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Posted on Wednesday, June 27, 2012 by Allison Byers

East Bay ceramicist Brük Dunbar explores ecological catastrophe of the Southwest in her new show.

A few years ago, when East Bay ceramic sculptor Brük Dunbar was on a trip with her mother through her homeland, deep in the badlands of New Mexico near El Malpais National Monument, she encountered a sheepherder. "This guy was totally off the grid — well, there is no grid out there," Dunbar recalled. "We met him standing under a sign that read, 'I'm an attorney. Were you a miner in the 1960s? I can help you.' The whole place is ruined by uranium mining!"

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Posted on Tuesday, June 26, 2012 by Rachel Walther

When CCA alumni (and married couple) Kevin Krueger and Kristin Olson (both Individualized Major 2011) were looking around the Bay Area for an affordable studio the year after graduation, they found their dream space at 1158 Howard Street in San Francisco, formerly the home of leather bondage shop Stormy Leather.

There was just one problem: With its multiple ground floor rooms, basement areas, and loft, it was simply too large for their needs. "We didn't know what to do at first with that much space," remembers Krueger. But then the answer presented itself: They opened up their more-than-enough studio to a larger community of friends and colleagues. Staring in January 2012, the newly named Alter Space began hosting a series of exhibitions, workshops, and live performances.

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Posted on Monday, June 25, 2012 by Allison Byers

Sasha Duerr is a CCA alumna (MFA 2003), a member of the CCA faculty, and the founder of the Permacouture Institute. Just like the cloth she dyes by hand, everything about Duerr radiates passion, a generous investment of time and hand labor, and a deep respect for history.

When you think of the color red, you probably imagine a bright, saturated red, like a Crayola crayon. Yet when Duerr thinks of red, she imagines a living, breathing, mottled red -- the red that comes from a fern, or a pinecone.

Just like the cloth she dyes by hand using what she calls a garden-to-garment process, everything about Duerr radiates passion, a generous investment of time and hand labor, and a deep respect for history.

She focuses her teaching and research practices on organic dyes, alternative fibers, and the creative reuse of materials. She has written and lectured extensively, becoming a well-known authority in these emerging fields over the last 10 years. Her artworks have been exhibited in galleries and museums across the United States and in Japan, and she has taught at artist residencies, colleges, and community and school garden programs.

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Posted on Tuesday, June 12, 2012 by Allison Byers

It’s been more than eight years since San Francisco-based artist Mary Button Durrell has exhibited her unique paper sculptures. This month, she returns with Flash: New Works by Mary Button Durell at SF’s La Boutique, a contemporary gallery-cum-shop in Jackson Square.

We recently got a chance to catch up with Durell to talk about her art and inspirations.

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Posted on Thursday, June 7, 2012 by Allison Byers

In a society where many people don’t feel comfortable talking about race, Hank Willis Thomas insists on making art about race.

And he’s O.K. with making people even more uncomfortable.

“I take pleasure in talking about things that people say we don’t need to talk about anymore,” he said. “Just because we think we’re over race, doesn’t really mean that we’re over it.”

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Posted on Thursday, May 31, 2012 by Allison Byers

True to the title of Zachary Royer Scholz's current exhibition at Eli Ridgway Gallery, "Nothing Is Ever Finished," little is set in stone for the San Francisco artist - apart from the fact that everything in his life seemed to lead him toward his practice.

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Posted on Thursday, May 31, 2012 by Lindsey Westbrook

Ceramics and the Human Figure
A&C Black, 2012
Paperback, 176 pages, $40

Edith Garcia (MFA 2004) is a ceramic sculptor and researcher. Her work has been exhibited throughout North America, Mexico, and Europe, and is included in the permanent Sculpture Garden of the Archie Bray Foundation in Montana, and other public and private collections across the USA and UK. She authored this book of profiles on an international range of ceramic artists, all practicing within the fields of installation and sculpture. Divided by broad themes, each chapter explores a variety of different expressive works. The book explores the role of figurative ceramics through history and in contemporary contexts. It also reveals the methods of six key artists, using how-to images to illustrate their techniques.

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Posted on Thursday, May 24, 2012 by Allison Byers

MFA thesis exhibitions, though often overcrowded, are always abuzz with the excitement of eager, budding talent. This year's presentation at California College of the Arts, up through May 19, 2012, is no different. There are over four-dozen artists in the show, each ranging wildly in style, medium, and conceptual aims; selecting a half-dozen thesis students to highlight is no easy task. I can assure, at the very least, that in this bustling and ambitious show, there is something for everyone.

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