One of our favorite artists we cover, SF-based Jason Jägel (featured in the January 2010 issue), will be showing at one of our favorite SF spots, Needles & Pens, starting on Friday, September 7. The Castle features a new series of paintings and drawings. And if we are lucky, Jason will give us a new mix for our morning commute. "Love Junky" express.
Posted on Friday, September 7, 2012 by Allison Byers
Posted on Thursday, September 6, 2012 by Allison Byers
Ranu Mukherjee was standing in front of a big video screen at the San Jose Museum of Art the other morning, enjoying the images that floated and morphed across "Nearing and Viewing (Production Through Encounter)," a lovely six-minute loop she made earlier this year.
Posted on Thursday, September 6, 2012 by Allison Byers
People often stop to stare at the American flag displayed in the Nancy Hoffman Gallery in New York City. With its vibrant red, white and blue circles, the flag itself is a showstopper, but it isn’t until onlookers step closer that they discover the stars and stripe were created using 1,443 birth control pills.
Posted on Tuesday, August 28, 2012 by Joyce Grimm
On Wednesday, September 19, 2012, CCA Film and Fine Arts faculty member Lynn Marie Kirby, together with collaborator Alexis Petty, will present The 24th Street Listening Project at the Brava Theater in San Francisco. The evening will include the screening of a new video by Kirby exploring the neighborhood through color and language mapping, a musical performance reflecting local stories and topography, a book release, and the launch of the new website, 24thStreetListeningProject.com.
Posted on Friday, August 24, 2012 by Allison Byers
Often the role of an artist is simply to disrupt and create a perceptual shift. This past April, I was invited to participate in a residency program where the studios were on the outskirts of a small town, scattered among a forest. The residency promoted its relationship between artists, nature and quiet contemplation. Upon arrival, I was confronted with this somewhat contrived environment, but also with performance artist Jordan McKenzie.
Posted on Wednesday, August 22, 2012 by Allison Byers
Imagine you find yourself being followed on a dark street corner, in the middle of the night, by your town’s resident bad guy, and the only person who could save you is Superman. But wait, isn’t Superman an undocumented immigrant?
For artist Neil Rivas, 28, the concepts of immigration and superhero comics, like good wine and cheese – were the perfect marriage.
Posted on Tuesday, August 21, 2012 by Allison Byers
Have you seen Superman -- the superhero, not the movie? If so, you should probably report him to U.S. Immigration and Customs Enforcement (ICE). After all, he is an undocumented immigrant.
That's the thinking behind California-based artist Neil Rivas' latest work "Illegal Superheroes." The series of posters addresses immigration issues by applying current U.S. policies to characters seen as pinnacles of good and advocates of law, order and justice.
Posted on Tuesday, August 14, 2012 by Allison Byers
Would Americans be so staunchly split on the issue of immigration if the outcome could cost them Optimus Prime, Superman, Wolverine, and Wonder Woman? Bay Area artist Neil Rivas’s newest project calls attention to that set of exceptional U.S. residents who have long acted as guardians of our nation, but who could be threatened with deportation due to the country’s increasingly invasive immigration policies.
Posted on Tuesday, August 14, 2012 by Lindsey Westbrook
Brittany Luby (with friend Chhat Chea in the CCA photo booth) and Larissa Erin Greer
The following speeches were delivered by CCA students at the spring 2012 commencement ceremony.
While I am proud to have been chosen to speak to my graduating class, I had to ask myself, What qualifies me to address my own peers, the very people who spent entire nights in the studio alongside myself? What advice could I possibly bestow upon those with whom I have been growing and learning in concert . . . other than "Ginger is good for settling an upset stomach, and always drink water."
I'm not quite sure, and hopefully by the end of this something pithy yet insightful will have fallen out of my being here. But for now, I think I would like to take this opportunity to reflect on the last four years and congratulate my classmates on following through to the end.
This is for everyone who slept in their studio. For those who took poorly paying freelance jobs only to empty their bank accounts again the next day in the name of art. This is for my friends who took two buses and a train five days a week to get to their six classes and two jobs (you know who you are); for those who left home without looking back to fearlessly take charge of their own destiny. You are the reason that I keep going, keep making, keep thriving.
Posted on Monday, August 13, 2012 by Lindsey Westbrook
Bean Gilsdorf (MFA 2011) never imagined herself as a professional advice columnist. But in a moment of levity at an editorial meeting of the art blog Daily Serving, she tossed out the idea of an art advice column, and the others wouldn't let it drop.
What have been the most memorable questions? "One was, 'I just discovered that my MFA faculty advisor is an adulterer. I find that morally reprehensible. Should I continue to trust him in our student-advisor relationship?'"
This dilemma can't be reduced to yet another case of people not living up to expectations, Gilsdorf explains, since your advisor is your designated critic-advocate, and the nuances of the trust and the power dynamic are quite specific. In other words, Dear Abby can't deal with this one. You really need the advice of another artist.
What's been the strangest question so far? "'What is the best and most humane way to skin a cat as part of an art piece, in front of an audience'’ I wrote the guy back privately and told him I wasn't qualified to give an answer."