San Francisco-based artist Mia Christopher is making leaps and bounds with her new body of work, which includes paintings and drawings made from a range of alternative materials- confetti, glitter, iridescents, eyeshadow, and lipstick. After graduating with a BFA from California College of the Arts in May 2012, Mia’s prolific process of making hasn’t slowed down for a second.
Posted on Tuesday, July 17, 2012 by Allison Byers
Posted on Thursday, July 5, 2012 by Allison Byers
Mary Meyer was once a painter whose sartorial ambitions exceeded her wallet’s limitations. Thus, she began making clothes that she wanted to wear. And people just started buying it off of her. She’s still a painter. As a graduate of California College of Arts & Crafts, her fine arts skills take the place of the a design background.
Posted on Tuesday, July 3, 2012 by Lindsey Westbrook
Princeton Architectural Press, 2012
Hardcover, 128 pages, $29.95
If there is, indeed, nothing lovelier than a tree, the Connecticut-based artist Bryan Nash Gill (MFA 1988) shows us why. Creating large-scale relief prints from the cross-sections of trees, the artist reveals the sublime power locked inside their arboreal rings. Gill creates patterns not only of great beauty but also year-by-year records of the life and times of fallen or damaged logs. He rescues the wood from the property surrounding his studio and neighboring land, extracts and prepares blocks of various species (including ash, maple, oak, spruce, and willow), then makes prints by carefully following and pressing the contours of rings and ridges until the intricate designs transfer from tree to paper.
The results are colored, nuanced shapes -- mesmerizing impressions of the structural integrity hidden inside each tree. These exquisitely detailed prints are collected and published here for the first time, with an introduction by the esteemed nature writer Verlyn Klinkenborg and an interview with the artist describing his labor-intensive printmaking process. Also featured are Gill's series of printed lumber and offcuts, such as burls, branches, knots, and scrubs.
Posted on Thursday, June 28, 2012 by Amanda E. Gross
from Team JuaBar IMPACT 2012 project proposal
Within the next few weeks, the three teams of CCA students who won IMPACT Social Entrepreneurship Awards will be heading to Alaska, Tanzania, and Mexico to attempt innovative social transformations. Bolstered by the support of their $10,000 IMPACT grants and their community partner organizations, the teams -- KVAK TV, JuaBar, and 20/20 FOTO -- will work to empower three different communities to address pressing local concerns. Each team brings together a mix of graduate and undergraduate students from different academic programs.
IMPACT is one of the anchor programs at CCA's Center for Art and Public Life, providing students with opportunities to build relationships for social change. It is about innovation, community, collaboration, and making. It celebrates the entrepreneurial drive of CCA students combined with their desire to create a tangible, positive influence within a specific community.
Posted on Wednesday, June 27, 2012 by Chris Bliss
Posted on Wednesday, June 27, 2012 by Allison Byers
East Bay ceramicist Brük Dunbar explores ecological catastrophe of the Southwest in her new show.
A few years ago, when East Bay ceramic sculptor Brük Dunbar was on a trip with her mother through her homeland, deep in the badlands of New Mexico near El Malpais National Monument, she encountered a sheepherder. "This guy was totally off the grid — well, there is no grid out there," Dunbar recalled. "We met him standing under a sign that read, 'I'm an attorney. Were you a miner in the 1960s? I can help you.' The whole place is ruined by uranium mining!"
Posted on Tuesday, June 26, 2012 by Rachel Walther
When CCA alumni (and married couple) Kevin Krueger and Kristin Olson (both Individualized Major 2011) were looking around the Bay Area for an affordable studio the year after graduation, they found their dream space at 1158 Howard Street in San Francisco, formerly the home of leather bondage shop Stormy Leather.
There was just one problem: With its multiple ground floor rooms, basement areas, and loft, it was simply too large for their needs. "We didn't know what to do at first with that much space," remembers Krueger. But then the answer presented itself: They opened up their more-than-enough studio to a larger community of friends and colleagues. Staring in January 2012, the newly named Alter Space began hosting a series of exhibitions, workshops, and live performances.
Posted on Monday, June 25, 2012 by Allison Byers
Sasha Duerr is a CCA alumna (MFA 2003), a member of the CCA faculty, and the founder of the Permacouture Institute. Just like the cloth she dyes by hand, everything about Duerr radiates passion, a generous investment of time and hand labor, and a deep respect for history.
When you think of the color red, you probably imagine a bright, saturated red, like a Crayola crayon. Yet when Duerr thinks of red, she imagines a living, breathing, mottled red -- the red that comes from a fern, or a pinecone.
Just like the cloth she dyes by hand using what she calls a garden-to-garment process, everything about Duerr radiates passion, a generous investment of time and hand labor, and a deep respect for history.
She focuses her teaching and research practices on organic dyes, alternative fibers, and the creative reuse of materials. She has written and lectured extensively, becoming a well-known authority in these emerging fields over the last 10 years. Her artworks have been exhibited in galleries and museums across the United States and in Japan, and she has taught at artist residencies, colleges, and community and school garden programs.
Posted on Tuesday, June 12, 2012 by Allison Byers
It’s been more than eight years since San Francisco-based artist Mary Button Durrell has exhibited her unique paper sculptures. This month, she returns with Flash: New Works by Mary Button Durell at SF’s La Boutique, a contemporary gallery-cum-shop in Jackson Square.
We recently got a chance to catch up with Durell to talk about her art and inspirations.
Posted on Thursday, June 7, 2012 by Allison Byers
In a society where many people don’t feel comfortable talking about race, Hank Willis Thomas insists on making art about race.
And he’s O.K. with making people even more uncomfortable.
“I take pleasure in talking about things that people say we don’t need to talk about anymore,” he said. “Just because we think we’re over race, doesn’t really mean that we’re over it.”